
I do not have a desire to travel the world.
It’s only been in the past year that I figured out why this might be, and only a matter of months that I’ve been brave enough to admit it.
It’s not something a person is supposed to say. When the “What would you do if you only had a year to live?” question is posed, we’re expected to get a dreamy look on our faces as we picture ourselves meandering through Moroccan spice markets, skiing through Switzerland, eating caviar in Red Square. We’re expected to want to explore everywhere that is not here, wherever “here” is, the argument being that world travel makes you smarter, more compassionate, more interesting; everyone wants to be described as cosmopolitan, someone “at ease in faraway lands, with an exciting and glamorous character associated with travel and a mixture of cultures.”
To be ambivalent about wanting to see the world is to be seen as too simple to grasp the importance — the necessity, even — of doing whatever you can to crisscross the globe before you’re dead. And watch out, because being pitied is a best-case scenario: The real danger here is that you’ll be labeled a xenophobe, which is one of the worst things a person can be. “Xenophobe” isn’t 100 percent synonymous with “racist”, but it’s real close.
Much to my relief (and yours, no doubt), it is my admiration of and fascination with people who grew up in cultures other than my own that is behind my reason for not needing to travel the world. It comes down to one simple thing:
It’s language.
If I can’t speak the language of a place — and aside from having survival Spanish, you can bet I can’t — I’m miserable.
Language is as fundamental to the shape of a country as the indelible lines of its border. A people’s language nourishes the people who speak, read, and write it, and as they do, they turn the words and phrases over and over across centuries until their language is a smooth, polished stone, carried and shared within their culture. The language of a place is the code for its literature, its science and medicine, its faith and prayer. Language puts words to experience, which is to say that it is experience itself. To experience a place without access to its language is, to me, no way to experience a place at all.
One of the most distressing aspects of this, for me anyway, is that without being able to fluently speak the language of a country while I’m in it, I am locked out of the humor of its people. This is disastrous. Sure, the language of pratfalls is universal, but delighting in the way someone plays with entendre, rhyme, puns; the structure of a great joke and the syntactical eccentricities of the teller, the timing — this is the stuff of humor, and outside of love, humor is the only thing that makes life bearable. What people find funny — and I mean really, really funny — is everything. If you want to truly be with someone, or a nation of someones (and this is the only way I ever want to be with anyone), you must understand nuance. If I can’t read a sign on a shop door that says “Back in 5 minutes”, how am I to have a nuanced experience with a place? How can I truly be in a foreign land without being able to speak the language(s) there?
Some of you might say, “Well, Mary, then study some languages! You’re young.”
You are very generous, but I am no longer officially young. I’m 41, and if a woman is not a polyglot by my age, she’s probably not going to be one. Yes, I could still learn Arabic before I die — and I would love to, and German, and Norwegian, the language of my ancestors — but if I were serious about it, I could do nothing else. My life would have to be that of a full-time student for the next who-knows-how-many years and as much as I’d like to travel the world and finally be there, upending my whole life so that I can appreciate the best knock-knock joke in the Sahara seems like a lot of work.
Here’s the thing: I have had the privilege to visit a couple other countries, namely Italy, Croatia, Bosnia-Herzegovina, France, Germany, and England. And in all but that last one, I have found myself sad and suffocated much of the time. I don’t want to have just a few words to communicate with someone. I want to use more than the blunt instruments of “yes” and “no” and “thank you” and “no thank you” when communicating with another a human being and I do not want to force everyone I come into contact with — while I’m in their house — to speak English so that I can get around and feel comfortable. Why should they have to do all the heavy lifting just because I was born in a country that expects them to learn my language, but has never insisted that I learn theirs? On my soil, okay, we can speak English and I would love to, because I want to know everything. But when I’m in your country, I ought to speak your language and though I desperately wish I could, I can’t.
A philosopher said once that “Having a second language is like having a second soul.” I want like, 50 souls, but I only have one. And the one I have knows that language is her life raft. Without it, she drowns. In a foreign country. And she doesn’t know how to ask to use the bathroom. And she can’t read the poetry. And she can’t go see stand-up. And she can’t tell the difference between a sad love song and a song about someone who died. And she orders fermented mung bean soup when she thought she was ordering delicious cake. She knows she is supposed think all of this is mind-expanding, but she doesn’t think that. She thinks it sucks.
She’d give anything to read the plaques on the old city’s walls and marvel at the history of the country. She’d give anything to read a book written in the country’s mother tongue and understand something deep and fundamental about the place. She wants to exchange pleasantries with the kid at the bakery where she gets the bread every day and she wants to ask if there is coconut in the custard because she’s allergic, and she wants to understand that this pastry has coconut but that one doesn’t, and she want to be able to buy several of the second kind, thank you very much, and she wants to use exact change at the till.
She wants to not just understand the jokes; she wants to tell them. She wants to be in a foreign country where everything is different and she has the words to figure it out.
Enter England, stage right.

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