Last night, until about 1:30am and this morning beginning at 6:30am, I was sewing. I was sewing two baby quilts for The Big Secret Project that will be announced soon. Last night at 12:30am, I felt the announcement bearing down on me like a train. A train covered in a patchwork quilt, with a conductor who is running the thing on a sewing machine engine. If you’re not a quilter, you don’t know that some of these puppies (?) are so powerful, they could probably power a locomotive. Especially those BabyLocks. They’re engines that can. I have four.
Paper-piecing is my favorite way to make patchwork. Paper-piecing means to sew fabric to a paper foundation and then tear the paper off the back when the block is complete. You don’t have to do patchwork this way; there is “traditional piecing” as well, but I’ll not go on about all this too much for those of you who don’t care about patchwork, though you should.
I used to be afraid of the paper-piecing technique — used in quiltmaking for at least 150 years — because the process involves some brain training. Once I got the hang of it, however, I began to look at every quilt block and think, “Okay, yeah, yeah: but how can I paper-piece it?” It’s like starving guy on a desert island who looks at everything he sees as a steak.
The drawback to paper-piecing is that your floor looks like the picture above. All those bits of paper must come off before you join all the blocks together and the more blocks you have, the more you become a badger, scrabbling at the backs of your blocks with little claws, paper going everywhere, including in your hair. At the end of the process, if the quilt is large, you have a nest. You do sit in it because it’s comfortable there on the floor.
Such is the glamorous life of a quilter who makes quilts for shows or magazines, etc. Quilting under a deadline is not fun at all. It sucks all joy from the process, though the finished product is still rewarding, but mostly because you can breathe again and pry your shoulders from your neck.