Tender Pockets

Detail, silk dress ca. 1920s. Image: Wikipedia. 

 

Before the pandemic began, I had clothes that could be considered “outside” clothes.

Like so many of you, I tried to maintain some sense of normalcy amid the confusion and fear of those first few months. One of my strategies was to wear my outside clothes inside. I’d dress like like I was going to be seen in public, walk from the bedroom to my desk, perch on my chair and mostly meet deadlines. My desk was a tiny cafe table in the corner of the living room. Eric and I purchased it after we gave up the coworking space we had been renting downtown near the river. The table was barely big enough for my computer and keyboard but I made it work, wearing outside pants and an outside shirt. I even wore shoes for awhile.

But entropy always wins. As time passed, I stowed anything with buttons and zippers and embraced clothes that were soft and contained elastic at the waist and ankles.

That was two years ago. Today, I’m double-vaxxed and boosted. I mostly still wear my mask in public. (So weird that I sometimes forget.) Being outside is possible again. You can tell because today I’m wearing jeans with a button fly and my shirt doesn’t have a stain on the front. I put on my outside face almost every day.

It hasn’t been as fun as I thought it would be to get my outside clothes back into rotation, though, because most of my outside clothes have pockets. (None of my inside clothes have pockets.) As I hang things up, I check the pockets and it’s breaking my heart. It’s not just because the objects represent life pre-pandemic and that feels sad because the girl who last used these pockets had no idea what was on its way. That’s obviously part of it this time, but switching out warm-weather clothes for spring ones has always been painful for me. My pockets, myself: The objects people carry tell the story of their life (or at least part of a story.) It’s surprising how much you can learn about a person by going through them.

Here are the relics from my life in 2020:

  • lists (example: “H20, Wite-Out, Nutella, graham crackers, burrito stuff”)
  • used tissues (was I crying or did I just have a runny nose?)
  • lighter
  • plastic tabs for marking pages in books
  • loose medication
  • awesome lipstick x 2
  • lint
  • a wadded up five-dollar bill
  • a couple receipts

The lipsticks were dry but still useable. Plastic tabs will always be my #1 office supply item. I’m still on the same medication. The receipts were weird because a couple of them were from D.C. and I don’t go to D.C. anymore. I put the five-dollar bill in a drawer because I used cash in 2020 but hardly ever now. Lint is eternal.

The arrow of time only goes forward, but the arrow of time doesn’t have pockets. I’m not saying the arrow would ever turn around and go back if it had pockets, but it might slow down to catch its breath.

“I Love Your Necklace.”

posted in: Art, Family, Fashion 5
Robust, not fragile.
Robust, not fragile.

Most days, I have on a gold necklace. It’s the same one all the time; I hardly ever take it off.

This is necklace, in my view, is gorgeous and conspicuous. A woman is allowed one, maybe two conspicuously gorgeous accessories on any given day. She can switch out the conspicuously gorgeous accessories as she wishes, but more than two at once (e.g., nice earrings and a handbag) and you’re breaking a cardinal rule made by Big Mama Chanel. Chanel — who we can all agree was a real pain in the ass — said that before you leave the house, you should take off the last thing you put on. (I’m pretty sure she was taking about accessories, not shoes or pants.) And she’s right. If you find yourself wearing a necklace, earrings, a couple bracelets, a handbag of consequence, and a selection of rings, you end up looking rather…accessible, if you catch my drift. Can’t have that.

My necklace is my secret wardrobe weapon. It ensures that I am never over-accessorized. This is because my ensemble on any given day starts at the necklace; not the other way around. Because I never take it off, the piece anchors my look. (Verily, it anchors my very soul.)

The medallion is a solid gold coin from Canada. My grandfather on my dad’s side did some business up there many years ago. The company he worked for screwed him over (this is what grampa told the adults in my life, who then vaguely explained it to me and this is how family lore is created) and grampa is dead now, but before all that depressing stuff happened, the man bought a few of these gold coins.

My mom and my now-deceased grandfather had a complex relationship while my parents were married; the relationship remains complex to this day, even though it now only exists in the abstract. It’s like that with most people who knew my grampa; he was not a kind man. I’ve been assured from several well-intentioned sources that he mellowed considerably toward the end of his life, but to me, being mean your whole life and then being nice toward the end is like apologizing immediately after slicing someone’s throat: you feel terrible and you help with the paper towels, but someone is dying and it’s a little late, darling. Carnage wreaked.

But Grampa, feeling expansive one day, decided to have one of his Canadian coins set by a jeweler. And so he did, and he gave this piece to my mother. She did not wear it then; she did not wear it ever. It sat in her jewelry box for decades, sleeping the days away in the box’s velvet lining.

Mom and I were looking in her jewelry box several years ago she came across the coin. I gasped. I had never seen it before. I thought it was beautiful.

“Zounds!” I exclaimed. “What’s that?!”

Mom helped me unclasp the gold chain I was already wearing and we slid off the little seashell I had hanging from it. We replaced it with the medallion. As soon as I felt that coin around my neck, I felt like I had discovered America. The weight of it on my breast was thrilling; actual gold is heavy, it turns out! The shine, the yellowness of the disc communicated a first-prize win, a blue-ribbon. I felt like I had received a gold medal for simply being alive. I think we should all get a medal for that very reason; life is too hard to not get an award just for surviving more than a few birthdays. Mom saw how much I loved it and it is on permanent loan.

It’s only a piece of metal. But my necklace is the closest thing I get to a talismanic object. I wear my necklace around my neck and my heart on my sleeve and that’s all the adornment I need. Well, then there are my diamond earrings, but that’s another jewelry story for another day.

Note: Chanel also said, “A woman who doesn’t wear perfume has no future.” This declaration was made in 1930, presumably from a chaise lounge inside La Pausa, Chanel’s home on the French Riviera. A person has to admire Chanel the businessperson, but no one has to like the woman herself. I mean, ew.