Cookshop

A lil' sompin' like dat.
A lil’ sompin’ like dat.

I’m mad decent in the kitchen.

My junior year of college, I went into a newly opened cafe in Iowa City with my boyfriend Wes. The Motley Cow was the sort of place I did not feel cool enough for: it was tiny, there were interesting objects everywhere (e.g., glass seltzer bottles), and there were words like broccoli rabe on the menu. I spied a pasta dish on the paper menu that contained…truffles? In my world, truffles were chocolate. We went in because Wes wanted to ask for a job. They didn’t hire Wes, but they did hire me. I’m still not sure how it happened; I truly do not remember asking for work. Besides, I was horribly intimidated by the whole operation. In conversation with Wes and the owner that day, I must’ve mentioned that I had waited tables all through high school. Within a week I was on the schedule as a waitress at the cafe. From there, out of curiosity and a deep desire to help that beautiful place succeed, I got into the kitchen. The Cow became my contemporaneous college. It changed me as much as normal-college did, probably more.

We ate five things in my house growing up: pizza, chicken tetrazzini, mostaccioli, lasagna, and chili. In a single-parent household where that parent is on the road much of the time — trying to make enough money for any sort of food — there is no food worship. There’s no interest, money, or time for it. And this was twenty years ago in small-town Iowa, mind you; that I even knew what a chocolate truffle was is saying something. I don’t mean that we were a bunch of rubes; I mean that it was a different time and that time did not include sauteed shallots or aged balsamic.

When I started inching into the kitchen at the Cow, I started from nothing. I didn’t know about the soup-starter triumvirate (carrot, celery, onion); I didn’t know hummus was made of chickpeas, nor did I know what a chickpea was; pan-searing and braising were revelations; I remember the day I learned what a roux was and I made one; I remember the day David needed me to make a soup and he said, “I need you to make a soup,” and I did: I made a delicious French onion and we served it. I made the soup! I fell in love with making simple, gorgeous, nourishing food and I owe it to the Cow and the people who were patient with a willing kitchen student who didn’t know anything at all.

In New York City, you walk out your door and before your very eyes is some of the best food in the world. (I actually think Chicago beats NYC for Best Restaurant City in America, but that’s another post.) But would you know that I’ve been cooking since we got here? I haven’t had a working kitchen in so long, it feels like the sweet breath of life to be standing at a stove again. The setup here is laughable: there is no countertop. No counter at all, just a sink and a tiny, tiny stove. But it’s a gas range, the oven works, I’ve fashioned a counter by putting a board across the sink, and I can use the small dining table if I really need more room. I’ve made lasagna, chicken-quinoa-vegetable chowder, penne caprese, maple cookies, chocolate chip cookies, Irish soda bread, rolled oatmeal with cream and almonds, and beautiful asparagus and salads.

Feeding myself and Yuri in this way feels like watering a plant and that plant is love and that love is five-star.

 

 

“Do You Have Poison On?”

Rather lovely, the poison ivy plant.
Rather lovely, the poison ivy plant.

Weird stuff happens in New York City. For example, yesterday morning I opened the door of the apartment and littered on the two flights of stairs down were dozens of Mini Twix wrappers. Dozens of them, tossed like so much confetti! It was as though all the Mini Twix in the East Village were like, “Yo! Party at [REDACTED] and 1st Ave!” and I was seeing the aftermath. I’m happy to report they were very, very quiet. I didn’t hear a peep. (‘Cause Peeps weren’t invited — hey-o!)

Today, something even stranger happened — stranger, even, than a candy party in the hallway. I was walking near Thompkins Square Park when a young woman came up behind me and asked me one of the more disorienting questions I’ve ever been asked:

“Excuse me, do you have poison on?”

You know that search box feature in the upper righthand corner of your computer screen? When you need a file or a word or an image from your hard drive, you type it into the box and bloop! there you can make your selection. Our brains work similarly. When you’re out a date and your date orders the branzino, you might not instantly know what she’s having for dinner. You do the search box and in .0000003 seconds you come up with some old file with a weird filetype that has something to do with…fish! It’s a fish, right? Yes. Branzino is fish. Thank you, search box.

When that girl asked me if I “had poison on,” I could practically hear my little search box whirring into overdrive. Poison? Poison. Poison ivy. Poison the band. Poison the deadly substance. Hamlet. Poison on. Poison on…what?? What is poison on? Poison drips, poison oozes — poison does not go “on” anything. Are there headphones somewhere? Playing Poison? It would be impossible that “Cherry Pie” would be coming from my iTunes, but perhaps someone’s nearby? Is “poison” a new drug the kids are doing and she’s asking me if I’m either selling or interested in buying? Also: no? There were also data rejections of the “Poison Ivy” character from Batman and poisson.

I looked at the girl harder, my search box wheezing and puffing, shuffling through great stacks of data. “Get context clues!” it shouted, “I’m gettin’ nothin’ in here!” Pipes were bursting, coal was being shoveled into the furnaces within my gray matter. The girl was kempt and pretty. Mid-twenties, black, nicely dressed. This was no help. If she was clearly insane, I could just shake my head and keep walking. The search box could be satisfied with “she crazy.” No dice.

“I’m sorry,” I said, searching her. “Uh, poison?”

“The perfume. Poison. Do you have it on?”

It was almost orgasmic.

“Oh!” I cried, way too happy to give her an answer at this point. “No! No, I don’t! But man, that is such a great perfume! I love that perfume! No, no. Not wearing Poison. No Poison on.”

“Thanks — have a good one,” she mumbled, giving me a slight “Sorry I asked” look. Hey, lady, you’re the one who’s talking to strangers about poison.

My sister Nan used to wear that every day in high school, by the way.

 

 

“A Quilter and a Voguer Walk Into a Lobby…”

Vintage Vogue. Horst, 1939.
Horst, 1939. Vogue magazine.

If you want to work in the quilt industry — and with a $3.5B+ annual market valuation, a lot of people do — you’re going to need to go to Quilt Market. Anyone doing serious business in the quilt world is there and though there are many shows throughout the year that serve the industry, when people ask you, “Will I see you at Market?” they mean either International Spring or International Fall Market, whichever comes next on the calendar. The answer to the question should be, “Absolutely.”

At Market, you see what’s new. You get the V.I.P. scoop. You make predictions. You discover new designers, new talent. You see who’s hot, who’s tepid, and who isn’t there at all. You make deals. You make friends and faux pas. If you want to be in the business, you have to be at Market because please. Everyone who’s anyone, darling.

Really, going to Quilt Market is a little like being in New York City. Everything happens here first. If you’re not here, you’re just gonna have to find out when everyone else does: later.

I’m staying in an East Village hotel while my NYC living situation sorts itself out. At 4:00am this morning, I woke with a stomachache and couldn’t get back to sleep. (When you don’t eat much during the day and then you eat steak, these things happen.) My hard and fast rule about insomnia? Get up. Tossing and turning is unacceptable. Just get up. Read something or clean something. If you’re in my situation, pad down to the lobby with your computer and talk about vogueing with Zachary, the night porter.

I was scamming some tea from the not-technically-open tea and coffee station when Zachary appeared. He startled me and I instantly regretting not combing my hair or at least putting on flip-flops. I looked like a barefoot, homeless crazy person.

“Please don’t throw me out,” I said, sleep-deprived and thieving. “I just knew where the honey was. I-I’m a good person,” I spluttered.

“You’re fine,” said Zachary, dressed in black skinny jeans and a cap, laconic and cool in that way that early twenty-something New York kids are laconic and cool.

“Thanks,” I said. “I couldn’t sleep, so I’m awake.” Even in the middle of the night, I am excellent at stating the obvious. It’s a talent.

We started chatting. I told him about being a writer and a quilter; he told me about a nearby gallery that is currently exhibiting quilts. I asked him what he did when he wasn’t working at a small hotel at 4am. He told me he graduated last year with degrees in art history and publishing, that he was also a writer, and that he is holding a panel discussion on ballroom culture on Thursday.

“Ooh,” I said, “Tell me more.” Because Zachary wasn’t referring to tango clubs or waltzing, and I knew it. Ballroom culture refers to the dance-centric, underground LGBT subculture that brought us such touchstones as vogueing and the “house” system, a way of forming alliances/collectives within the underground drag and dance community. Mainstream references to all this include the seminal Paris Is Burning film (1990), Madonna’s “Vogue,” and RuPaul’s “House of Love” and Lady Gaga’s “House of Gaga,” though one must note the mass-appeal versions of these things look different from the ground-floor ballroom world Zachary knows.

What he shared with me about the evolution and current state of ballroom culture was fascinating. I was getting the story, that Market-style scoop.

Vogueing has its roots in 1960s Harlem, it became vogueing in the 1980s and 1990s. But it’s been twenty-five-ish years since Paris is Burning and a whole lot has happened in the scene in that time, no surprise. There’s femme voguing (extravagant, feminine, beat-centric) and “dramatics” (jerky, hard, battle-centric) and those styles are already waning to make room for what’s next. The music has changed a lot, too; less wailing diva house, more crunchy, techy beats so fast and frenetic the standard measure of “beats per minute” ceases to be applicable. The Internet happened in there, too, so now the good DJs are instantly hot across the country, as opposed to how it happened in the old days: slowly, while mixtapes were transported from NYC to Chicago to San Francisco and back. Dance styles are instantly mimicked and adapted. We watched YouTube videos together for some time and Zachary showed me the vibrant and vital community of people who are keeping ballroom alive, well, and just as competitive and snatchy as ever. That’s a compliment, by the way.

Anything I’ve gotten wrong or weird in my report is to be blamed entirely on me and my lack of sleep, not Zachary. He knows his subject, he dances, he is more than qualified to host his panel on Thursday.

This is why you get up when you can’t sleep. There’s so much to learn. There’s so much to see, even at 4am. And in the center of the world (that would be New York City), it’s ever-so-slightly more true.

Work.

The PaperGirl 10-Point Pledge.

posted in: Art, Work 18
I promise this, on an airplane, so you know I'm serious.
I promise this, on an airplane, so you know I’m serious.

This blog has a purpose. It’s had the same purpose since 2006, though there was a year I didn’t write at all, though all the entries from the old site are lost on a dusty server someplace. (If I didn’t have a hard copy of every last one of those entries I might not stop crying till I drowned — it’s not that they’re that great, it’s that they are a record of my life and what else do I have?)

John Dewey, the 20th century American philosopher, once said, “If you are deeply moved by some experience, write a letter to your grandmother. It will help you to better understand the experience, and it will bring great pleasure to your grandmother.”

That’s why I make this. Dewey nailed the best reason to write anything. PaperGirl is me, deeply moved by the experience of life, writing to you, my hypothetical grandmother. You look fabulous, gramma!

But how to do it right? How to balance my privacy and your interest? How to wisely navigate my public job (decorum = critical) with my desire to tell the truth about absolutely everything? (Good writing must tell the truth, but the whole truth? I refuse to speak of my lingerie preferences, much as I’d like to.) How to make sure you stay? Images? Guest posts? Advertisements? All these questions are valid and because they are innumerable, the best way to form the form of the blog is to make a pledge.

And so.

The PaperGirl 10-Point Pledge:

1. I pledge to deliver a fresh paper at least six times a week.

2. I pledge no clickable links, save for references to previous PaperGirl posts. When you’re here, you’re safe from outside tugs. We’ll have a moment, you and I. There is one exception: should I reference an artist, a piece of art, or the work of a writer that ethically must be attached to the post, I will do so — judiciously.

3. I pledge one image per post.

4. I pledge honesty. See No. 5.

5. I pledge class. Details including (but not limited to) my menstrual cycle, my sexual exploits, business matters, or other people’s matters will not be published. Oblique references can and will be made to the above.

6. I pledge to ask anyone mentioned in the blog if I may use their name. If they do not give permission, I will change their name. Direct quotes published in print or online are, by journalistic standards, fair game. See this post about mean people on the Internet. Suckas!

7. I pledge to give you a nice mix of heartfelt, funny, and weird. I will vary the posts so that you will never say, “Geez, that blog is a real drag” or — perhaps worse — “That blog used to be honest and like, sincere, and now it’s just goofy.”

8. I pledge to share what I learn. Poetry, sage words I come across, recommendations for places, people, art, and life choices, etc. — if I learn it, you’ll know it.

9. I pledge to value my readers. Every last one. Even if they don’t ever comment or say hi on Facebook.

10. I pledge to love writing today as much as I did when I was six.

Love,
Your PaperGirl

I Sing The Earmuff Electric (A Poem)

posted in: Fashion, Poetry 0
Yes, please.
I do, I do!

I sing of the furry earmuff,
Each side of my head a cream puff;
When it comes to headgear
For winter each year,
A smartly picked headband’s enough.

For who really wants a dumb hat?
They serve only to make your hair flat;
You step in the door,
And your friends, as before,
Say, “You can’t go ’round looking like that.”

But the earmuff, on the contrary,
Will spare every Tom, Dick, and Mary
From coming un-coiffed
And their loves will say, soft,
“Darling, you’re looking so very.”

Now, earmuffs feels slightly rodential —
Yes, there’s more than a little potential
To feel like a mouse
When you leave the house,
(In the city or somewhere provincial.)

But the point is protection from ice —
In winter, you must not play dice —
The need of the day
Is to keep cold at bay,
And muffs on the ears are quite nice.

Under Attack!

*see below for caption
*See below for rather long but heartwarming/deer chilling caption.

I broke my usual rule to opt out of Black Friday shopping. I broke my rule because it was a matter of survival. I bought $50.04 worth of hunter orange today to protect my kith and kin.

Up here on the Island, we are at the height of deer hunting season. This means dozens of people are in the woods with guns at any hour of the day, prowling around for animals to shoot. As everyone in this house is an animal and most of the Island is woods, the past few days have been ever-so-slightly tense — and it ain’t because we’ve been playing 6 hours of Yahtzee every day. Mom spoke to the sheriff at the general store last week and the conversation centered around one main idea: this week, if you leave your house without dressing in head-to-toe hunter orange, you’re probably going to get shot.

When Mom reported this, many pairs of eyebrows were raised. We’ve been on the Island at all times of the year for decades and we’ve never been on such high alert. Apparently, there are way more people hunting this year than ever and apparently, my family has been taking our lives in our hands for years, taking out the garbage, walking to the car, opening a window, etc., in normal-people clothes.

Last night, everyone at the house under 40 went out to Nelsen’s for carousing. Nelsen’s Hall is the ale house on Main Road where you can get a bucket of Maker’s Mark for three dollars. We shot pool, we played songs on the juke, we laughed till our sides hurt, and we made sure to check with some locals on the whole hunter orange thing. We simply didn’t believe the sheriff that it was that dangerous outside.

We asked the bartender first. She was beautiful; pleasantly plump, with the creamy skin one can only achieve by being fed cheese curds from infancy. She looked at us all blankly.

“Why do you want to be outside? It’s winter.”

We didn’t end up asking anyone else.

Today, I stopped by the mercantile and I bought fifty bucks worth of neon orange stuff: a vest, a sweatshirt, some duct tape, two hats, and a kerchief that was so stiff you could use it as a bone saw in a pinch. Better safe than shot, I say.

Ah, I forgot: I bought something else, too.

Kristina and I stopped by Fisk’s restaurant to inquire about the fish dinner tonight and we spied two freshly baked pies cooling on a shelf. Pumpkin! They were clearly not on offer for sale, but we asked if we could buy a whole one, anyway. Sure, they said, twelve bucks. We forked over the cash and promised to bring back the pie tin when the pie was gone. That means I actually spend $62.04 on Black Friday, but for survival and pie, I shall make exceptions.

*Blaze Orange is a photographic coffee table book full of timeless images of the Whitetail Deer gun hunting season in Wisconsin. Wisconsin deer hunting is all about family. Families raise their children safely into the sport of hunting which is filled with traditions. Wisconsin’s Whitetail Deer gun season is 9 days long and requires hunters to wear Blaze Orange for safety. The season in closely monitored by the Wisconsin DNR. The DNR expects more than 600,000 hunters, about 10% of the state’s population, to take to the Wisconsin woods and fields next weekend. Wisconsin deer hunting runs deep with heritage for many Wisconsinites as the deer season here has an almost cult-like following.

“Why’s It Called ‘PaperGirl,’ Grandma?”

WWII propaganda poster by Fougasse; ironic appropriation by me.
WWII propaganda poster by Fougasse; ironic appropriation by me.

“Why’s it called ‘PaperGirl,’ grandma?”

“Sit on my knee, child, and I’ll tell you.”

“Can I have a another cooky first? You tell long stories.”

“Here. Anything else?”

“No.”

“Good. Okay, then, PaperGirl. Well, once upon a time, long ago, I wrote a poem.”

“What was it called?”

“I’m getting to it. It was called ‘The Paper Poem,’ and it was an extended metaphor about the nature of existence being fragile like paper, but beautiful, too, like paper is beautiful.”

“What’s paper?”

“Before your time.”

“Oh. Your poem sounds cool, grandma.”

“I liked it. Other people liked it, too, and I performed it in many places all over the country.”

“Like in Bismark?”

“No, never actually in Bismark, I don’t think. Maybe. It was a long time ago. Anyway, there’s a verse where I say ‘I will be your paper girl,’ and that’s where ‘PaperGirl’ comes from.”

“What’s the verse?”

“You want to hear the whole verse?”

“Is it long?”

“No, it’s not long. It’s the second-to-last verse of the poem and it goes like this:

But if you are a paper doll, too, then I shall know you on sight,
And if you are with me, come with me tonight; I will match up our bodies
by the tears in our arms —
We will form paper barricades against matchstick harm;
I will make paper love to you for as long as I can in this shreddable world;
I will be your paper girl.

“That’s nice, grandma.”

“Thanks.”

“And you named your blog that because of that poem?”

“Yes. And PaperGirl is the name of my LLC, too. And that small island I bought. And the Beaux Arts building you like so much in Paris. And my foundation in Dubai and all the vineyards in Spain. Everything in my empire, it’s all under the PaperGirl umbrella.”

“I wanna go to the zoo and see a rhinoceros.”

“Get your coat.”

This Ain’t My First Rodeo.

posted in: Art, Uncategorized 7

 

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She’s a beaut, ain’t she?

I am not new to blogging. From 2006 – 2011 and a little into 2012, I posted to my blog nearly every day. The long-term experiment was called “PaperGirl” and she was among my best of friends. Wanna see what roughly six years of blogging looks like on paper? It looks like that picture up there. As I begin this iteration of my blog, I have this probably unfounded and rather obsessive need to let everyone know that I’m not new to this, that this is like drinking water, that I’m not going to drop of the face of the planet, that you can trust me. 

The reasons I stopped PaperGirl (unofficially but clearly, once it had been 6 months since my last post) was simple: life got complicated. My marriage failed. I got slightly famous in a small corner of the world and wasn’t so sure how to navigate the personal and private at first. I became the editor of a magazine, i.e., work heated up. There were reasons to stop blogging and they were all excellent. It was a matter of appropriateness and responsibility, of priorities and timing. I actually prioritize nothing over self-expression, so that didn’t go away: it just went offline. My volumes of journals will bear this out, but you won’t see those. Sorry — aside from being handwritten and hard to read, I think I have a moral turpitude clause in my contract.

It feels so good to be home. I mean, back. I mean home. I mean home.

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