PaperGirl Blog by Mary Fons

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‘I Love a White Shoe’

posted in: Family, Fashion 6
White shoe, c. 1950. Image: Wikipedia.

 

Some months ago, my sister told us a story about a very special sweater.

It’s one of my favorite posts of all time (perhaps because it’s in my sister’s voice) and it had a life outside the ol’ PG, actually; I shaped the text into proper monologue form, tweaked/polished it, and then shared it in a writing seminar last semester. Just like you, my cohort was charmed by my younger sister’s fashion concerns.

Well, there’s more where that came from.

The other day, sifting through WikiCommons (the site where I get all the strange-but-free images you see on PaperGirl), I found the above picture of a white shoe. I think it’s a terrific picture on its own, but it’s really terrific because it made me think instantly of my sister Rebecca, because Rebecca loves a white shoe. In fact, that’s how she said it to me one day:

“I love a white shoe.”

Now, that’s a thing we say. We say, “I love a white shoe.”

What you have to know is that my sister didn’t say this in a dreamy, effusive kind of way. She didn’t see a pair of white shoes and go, “Oh! I looooove a white shoe!!!”

It was more matter-of-fact. Rebecca spied a pair of white shoes — I’ll get to what kind in a minute — and said it like it was a foregone conclusion, like it was a truth held to be self-evident. “I love a white shoe.” And then she probably pursed her lips, shrugged, and respectfully put the shoes back on the rack. Because that particular white shoe? At that particular time? Hm. Maybe not.

But it wasn’t just the tone, the inflection of her “white shoe” comment that made it so meme-y for us. There was intriguing syntax going on, as well. My sister didn’t say, “I love white shoes.” She said, “I love a white shoe.” There was something awfully aristocratic about it. Very landed gentry. She said “I love a white shoe” as though we all have so many pairs of the same kind of shoe (e.g., Red Shoes, Paisley Shoes, Pom-Pon Shoes, etc.), that when considering an outfit, it makes perfect sense to say, “I think a white shoe. Don’t you? I do love a white shoe.”

What’s crazy is that for my sister, saying this does make sense. Not because she’s a wealthy landowner in 19th century Britain who lives off the rental properties she owns (see: landed gentry), but because she has this incredible style and the most extraordinary luck finding cool white shoes. Rebecca’s white shoe is a cool white shoe, the kind of shoe I do not even notice when I’m looking for “shoe.” Rebecca doesn’t wear white pumps (eek), or bright-white sneakers. No, my sister finds cool shoes in her shopping excursions and these shoes are frequently white. The shoe is often canvas/leather and has a touch of hardware on it, but never much; maybe a clasp. Maybe a small clasp. The shoes she finds are minimalist, you might say, designed by Opening Ceremony, or Jason Wu, or some obscure Italian footwear designer no one has ever heard of. She gets everything on sale, too, and usually on clearance because not everyone can pull of a white shoe, so they languish on the rack.

Rebecca wears a white shoe with dark clothes. I can’t figure out how she manages to make it so chic, but she does. Dark sweater, dark pants, neutral jacket … white shoe.

“Rebecca,” I ask her. “How do you do it? What’s your secret?”

My sister just makes the “What can I say?” gesture. She puts on her Ray-Bans. She takes a sip of her beverage and her beverage is something sparkly. “I love a white shoe,” she says.

And she wiggles her feet.

Two New Lectures! QuiltCon! Pasadena! 2018!

posted in: Day In The Life, Work 10
QuiltCon? I know her. Image courtesy Modern Quilt Guild.

 

It snowed today in Chicago. I like snow. I like winter. But there isn’t anything wrong with going to California sometimes, you know, just to make sure your sandals are still in good shape.

Lucky for me and any other chilly quilters — modern or otherwise — out there, QuiltCon 2018 is coming! And this year, the most exciting happening of the quilt calendar year will be underway in sunny Pasadena.

Yes, at this exact moment, two weeks from now, the quilts will have been unveiled. All the awards will have been given out, which means we’ll all know who got Best In Show and isn’t that so exciting? Two weeks from now, vendors will be vending; neat classes will have gone down; “sewlebrities” will be soaking their autograph hands; after lots of emails and Instagram posts, internet friends will be hanging out IRL; and many, many, many, many, many, many, many pictures will have been uploaded to many, many, many, many, many, many social media pages.

And I’m excited. Though I don’t make modern quilts, I love them and I love the people who make them. I’m also deeply glad to have emerged as a kind of go-to quilt history geek for the modern set. Put me in, baby. I’m happy as a clam (?) giving historical lectures at QuiltCon; the full houses that greet me seem to indicate folks like what I’m puttin’ down.

The only downside is that I have to top myself every year. For example, two years ago, I debuted “The Great American Quilt Revival: The Reason We’re All Here Right Now.” It went well — too well?? — so last year, I brought the pain with “Standing On the Shoulders of Giants: A Brief History of the American Quilt.” That one was really good. (Well, it was! Ask anyone who’s seen my lectures: I have serious powerpoint game.) And the lectures I debut at QuiltCon go into my repetoire and have a life after the MQG show, but it’s neat to present them for the first time out there with the mod squad.

But I have to tell you … This year in Pasadena, I don’t have a new lecture … I’ve got TWO!

Talk about topping what you did last year. QuiltCon 2019 is happening in Nashville next year; maybe I’ll pull out my guitar.* Anyway, both lectures are in pretty good shape, but this weekend is going to have me hunkering down, smoothing out, and rehearsing. For real, these two lectures (see descriptions below) are literally my best work yet, so that’s one of 9,000 reasons to do QuiltCon 2018.

See you in Cali!

The AIDS Quilt: Comfort, Compassion, and Change
When the first panels of “the AIDS quilt” were sewn together in San Francisco in 1987, the U.S. HIV/AIDS epidemic had only just begun. At the peak of the crisis in 1995, 319,849 people — mostly young, vibrant men — were dead from complications from AIDS while 200,000 more had were testing positive for the virus. As the death toll grew, so did the quilt. The story of the AIDS Memorial Quilt is the story of a modern plague and exists as evidence of enduring hope for victims and survivors, friends and family. Learn about the beauty of the quilt and an essential, tragic period in our history in this must-see lecture by Mary Fons. Warning: This lecture contains graphic content.

*Note: I curated an exhibit of panels from the NAMES Project quilt which will be on display during the show this year.

The Modern Quilt: Roots & Frontiers
The modern quilt was born in the first decade of the 21st century — but it didn’t hatch out of an egg. Modern quilts have aesthetic roots in various 20th century art movements, draw from many cultural “moments,” and owe plenty to quilts and quilters that came before. Seeing those roots helps us as quilters look ahead — and the future of the modern quilt is nothing short of thrilling. Popular QuiltCon lecturer Mary Fons brings you the history of the modern quilt (so far) and predicts what’s to come as the moderns forge ahead in what she believes is the second wave of the Great American Quilt Revival.

*Note to self: Buy guitar. Learn how to play guitar, write music, sing while playing guitar. 

An Open Letter to Chicago’s Millennium Park Plaza Building: Please Fix Your Clock

posted in: Day In The Life 10
This is sort of hilarious: This is the view FROM the clock. Not of the clock. But it was on Wikipedia! Photo: Wikipedia.

 

Dear Chicago’s Millennium Park Plaza Building:

I am an enthusiastic supporter of all of the large buildings on Michigan Avenue. As such, I hope this message will be received in the spirit in which it was written: with friendliness. And some urgency.

Millennium Park Plaza Building, I’m writing to ask if you might consider fixing your clock. It is such a large clock, Millennium Park Plaza Building, and it’s been broken for such a long time. In fact, I don’t know when it’s ever been correct, and I’ve been clicking my kitten heels up and down your stretch of Michigan Avenue for some years. Just curious, Millennium Park Plaza Building: Do you recall when your clock was keeping the correct time? Was it perhaps in the 1990s?

There are many idioms that having to do with time. “Time flies when you’re having fun.” “Third time’s the charm.” “Better late than never.” There’s one I like very much that goes, “Even a stopped clock is right twice a day.” You’re familiar with the phrase?

The other day, Millennium Park Plaza Building, I was crossing Michigan Avenue, right there at Randolph where your grand, handsome clock is so enticingly placed, towering, as it does, over the citizens of this great city. I looked up at you and — mercy! Your time was right! I was so pleased, Millennium Park Plaza Building, I can’t even tell you. The deep satisfaction of seeing your chiseled face at long last showing the correct time; seeing you do what you were born to do … It was a remarkable moment. I cannot be the only pedestrian who looked up at you, thought, “Ah! It’s 11:14 a.m.! Right on the money!” and felt a warm sense of rightness with the world, even for a flicker of a flick.

It was 11:14 a.m., Millennium Park Plaza Building — but you and I both know you had nothing to do with it. Because even a stopped clock is right twice a day, Millennium Park Plaza Building, and you only happened to be right about the 11:14 a.m. thing. You were wrong at the right time.

Millennium Park Plaza Building, you’ve been through a lot. You’ll be 40 in a few years and it’s not been an easy life; you’ve seen a lot of changes, had a few identity crises. Maybe your broken clock is symptomatic of how you feel on the inside. I get it, buddy. Sometimes my clock doesn’t work, either.

But if you can’t manage to get yourself off the couch and fix your clock for you, dear, may I suggest fixing it for someone else? Or someones else? You see, a lot of times, if you’re really down, the best thing you can do is to do something for others, to get the focus off yourself and onto someone else. Seek to love, not to be loved. Does that make sense?

Well, you’ve got the whole city to love, Millennium Park Plaza Building! When that clock of yours is finally working again, innumerable people at innumerable intervals will look at you, love you, check you twice, and yes, curse you and say bad words when they don’t like what you have to show them — but it’s not your fault Paul is late for work (again) or that Jacinda just missed her train to Bloomington! You’ll be helping people, that’s my point. And I know you can do it.

If you can’t fix your clock, Millennium Park Plaza Building, will you consider taking it down for heaven’s sake? At a certain point, a big, broken clock on a busy street really gets to a girl. She starts feeling a little lost. She becomes dangerously preoccupied with time, as a construct.

She starts talking to buildings.

Sincerely,
Mary Fons

The Quilt Scout is IN: ‘Binding Threads’ at Quilt House

Ahh … Quilt House. A museum just for quilts in Lincoln, Nebraska. Photo: International Quilt Study Center & Museum.

 

Hey, gang!

I have a great time talking to myself, let’s be honest. But from time to time, I’ve found there’s nothing better than interviewing someone more interesting than me. Shocker, right? Yeah, well, it turns out I have a lot of interviewing to do. Like, a lot. Basically, I will never stop having people to interview.

I’d better get started.

Therefore, please enjoy this Quilt Scout interview with the delightful Marin Hanson over at the International Quilt Study Center & Museum (IQSCM) about a very cool exhibit happening in Lincoln right now. If Marin wasn’t so friendly and warm, she would be intimidating because Marin is wicked smart about quilts and, I’m sure, 90,000 other things. I enjoyed learning from Marin, who curated the show, and I think you’ll enjoy learning from her, too.

After you’re done, flick open your calendar, whether it’s on your phone or your desk or your wall, and figure out when in 2018 you’ll make the trip to visit the IQSCM. Some of you have been and need to go back; some of you have yet to see this iconic, exquisite quilt museum and in a way, I’m kind of jealous of the latter group. After all, you still have before you that incredible moment when you drive up to Quilt House and realize that the whole, huge, gorgeous place, honors quilts and only quilts. Well, this is the year to get there and have that moment — and if you go before May 13, you’ll see the Ken Burns quilt exhibit, too!

Speaking of interviews: Kenny, I’ve got you in my sights.

The Kindness of Clovis

posted in: Day In The Life 14
The famous “Gateway to the Sierras” suspended street sign in Clovis. Photo: Me.

 

I woke up in California today.

Specifically, I woke up in California’s San Joaquin Valley, in Fresno County, in the town of Clovis. I had a gig this weekend and the gig was marvelous. Lecture went great; class went great. All was merry and bright, except that I wasn’t feeling terribly well when I arrived on Friday. But what can you do? You keep calm; you carry on. By the time the class ended yesterday, however, sleeping for about 12 hours seemed like a real smart thing to do. And that’s what I thought I would do, except when the incandescent Jessi and the captivating Vicki (who I have a feeling is going to help me find my puppy, y’all) dropped me off at my hotel, I had to change plans. It was only 4 p.m. and I knew that if I fell asleep right that minute, I’d wake up at 9 p.m. and then … cut to 2 a.m. and I’m up, eatin’ chips … and potentially missing my 6:30 a.m. flight. No bueno.

“Fons,” I said, sitting down on the edge of the bed in my room. “Fons.”

“Yes?” I answered myself, weary, dreading what I was going to say.

“You’re a five-minute walk to downtown Clovis, Fons. C’mon! Go down there and check it out! It’s that cool, old town kinda thing, remember? It looked so neat when you drove through yesterday.”

“I am not feeling very well,” I said. “And my contacts are so crispy.”

“Wear your glasses.”

I whined. “It’s sunnnnnnny.”

“Stop it. One hour, tops. Take some pictures. You’re behind on your Instagram.”

I knew I was right, so I heaved me off the bed. I took out my contacts; I put on my glasses. I got a totebag and made sure my phone had a charge. I put on my flip-flops, stuck my hotel key in my pocket, and out I went.

Downtown Clovis was neat. There was lots to see: tons of antique stores; great old signs; good-lookin’ restaurants; a men’s store that has been in business since 1900 or something bananas like that. And it was Winter Formal or something, so I saw a some high school couples out in their finery. As I walked around this street and that, I realized how much I was enjoying myself, how I felt better just by doing “nothing.” Please believe me that I do not see it as some badge of honor that I cannot remember the last time I had an hour or two like that, just walking, taking pictures, doing nothing, totally off the clock. I’m so rarely ever, ever off the clock. But I was, in Clovis yesterday, for just over an hour. I’m glad it happened, glad I convinced myself to go for it.

But when the sun began to slip away around 6:30 or so, I realized I was on empty, for real this time. I needed water, too. I kept thinking I’d find a Walgreen’s or a CVS and my plan was to buy two big bottles of Perrier and a bag of popcorn and that would be my dinner. You know how sometimes, that’s the best dinner? Just popcorn. Well, I walked and walked and … Nothing. I started looking for a tiny market shop or even a liquor store, but no dice. I decided to just walk on out of town and back to my hotel, but this was the pits! Surely there was a place nearby I could get a bottle of water and a bag of popcorn.

I saw a woman walking a few paces ahead of me. “Excuse me, Miss?” I said. “I’m sorry; could you tell me if there’s a Walgreen’s nearby or something like it?”

“Oh, well, let’s see,” the woman said, and she pointed down the main road. “I think there’s one down that way … Maybe just a couple miles down?”

I thanked her and shook my head. “I’m on foot, I’m afraid. I’m here for the quilt show and just thought I’d come walk around a little, find some snacks. No worries! Thank you for your help.”

“Oh, I’m a quilter!” the woman said. “Want me to give you a lift? I’m happy to do it.”

Mind you, this lady didn’t know who I was. She sort of knew about Fons & Porter (and when I told her about Quiltfolk she was very excited) but she’s new to the whole thing and is just getting into longarming. So this wasn’t a “Oh! Oh my goodness! It’s Mary Fons! Eee! Do you need a ride??” kind of a thing. No, this lovely woman — Pam — gave a complete stranger/out-of-towner a ride to get popcorn and water simply because that’s the kind of person she is. Can you believe it? She didn’t know me from Eve! When I told her how grateful I was that she was taking the time to help me out, she shrugged it off and said:

“Honey, I’m a Christian. It’s my job.”

That’s my kinda Christian, Pam. And downtown Clovis, that’s my kind of sightseeing.

Well done, all.

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