PaperGirl Blog by Mary Fons

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The Power of Wipes.

posted in: Day In The Life, Food, Travel 13
Fried chicken. Not pictured: Wipes! Image: Wikipedia.
Fried chicken. Not pictured: Wipes! Image: Wikipedia.

My grandma was a stable figure in my life for a long time. She could be counted on for a hug, she never hollered at us kids — even if we deserved it and we so did — and she always, always had a few things in her purse: Trident cinnamon-flavored gum, a couple “fun-size” Snickers bars, a few Brach’s peppermints, an emery board, and fresh Kleenex. Always.

I never had much use for the emery board. The Trident was only interesting if my sisters hogged the Snickers bars/peppermints before I got to them. The Kleenex was handy. But more important than needing these particular items was knowing they would invariably be there. My grandmother’s consistently stocked handbag gave me a sense of security, a belief that there was order to the universe even if there wasn’t. I’m still not sure there is order, but in some universe, in some dimension, I can reach over in church and whisper to Gramma if I can have a peppermint and Gramma will stick her hand down into her purse and there will be one to give me.

Some friends and I were at a fried chicken restaurant not so very long ago. The restaurant was packed. The only seats to be found out on the breezy patio (the best place to eat fried chicken) were those wedged in between people who had gotten there before you did. We looked around to find a place to put our butts and our baskets and then I spied room next to some folks already seated. If we squeezed, the four of us could join the three of them at the wide picnic-style table. We asked, and they said of course and made room for us right away.

It helped that one of their party was a baby. Beautiful Blake, with her shining eyes and her caramel-cream baby cheeks couldn’t have weighed more than 20 pounds. Her young parents, Curtis and Kristina, were friendly and interesting and we all chatted over the course of our respective meals of hot chicken, collard greens, black-eyed pea salad, french fries, and so on.

When we were finishing up, my friend Leah and I were both frowning at our hands, which were covered in grease, and our fingernails, which needed serious attention. We looked at the line to the bathroom and were about to despair and wipe our hands on our bluejeans when Kristina pulled an entire pack of Dove-brand wet wipes out of her generous satchel.

“I’m a mom,” she laughed. “I’ve got what you need right here.”

We whooped with gratitude as Kristina passed the pack around. She made us all so happy! Our hands were wiped clean and cool after our dinner. But there was a deeper feeling of joy in this for me: Baby Blake is one heck of a lucky baby. That kid has a mom with wipes at the ready, you know? And she’s willing to share them with strangers who she made room for in a busy room, in a big city.

Thanks, Kristina.

 

Postcard From The South.

posted in: Quilting, Work 13
A church in Shady Grove, Tennessee, 2006. Photo: Wikipedia.
A church in Shady Grove, Tennessee, 2006. Photo: Wikipedia.

 

I’m down south for a few days to do some quilt research.

The gift of learning about the history of quilts in America is that I get to learn about America’s history in an indelible, singular way. In high school, I didn’t care much about history. This was partly because I was sixteen but mostly because I had no entry point. There was no angle. There was just a textbook, fat with facts regarding the whole of American history starting at Roanoke. How are you supposed to approach something like that? You just try to pass the test. Then you forget — and forgetting is a kind of robbery. It happens to a lot of us.

But when you’re a quilter who wants to know where she came from, you are lucky. Because you have this glorious lens through which to view history. Quilts become a portal. As I’ve been looking into the tale of Tennessee, for example, I’m looking at it vis a vis the quilts that have been made here, the people who have made them, the eras in which they were produced. Therefore, all Tennessee’s political changes, the wars, the prominent citizens who lived here, the state’s various regions, the economy, the generations — heck, even the weather — it all come into focus in full color, so vivid I can hardly believe my brain is able to fire like this.

But the reason is simple: I have context. I have a connection. As a quilter, I’m part of the story — so I care more about the story. That’s human nature — and honey, I’m as human as she gets. That’s why history comes alive for me now: I’m not outside of it, now. The longer I go along in this life, the more interested I am in anything that happened before I was born. Lucky for me, there’s a lot of material. And I get to fly in on my magic carpet quilt.

Groovy.

The Day I Bought My Hat.

This isn't my hat, but it's pretty darn close. Montecristi hat, Optimo. Image: Wikipedia.
This isn’t my hat, but it’s pretty darn close. Montecristi hat, Optimo. Image: Wikipedia.

 

Today, I bought a proper hat.

I’ve been thinking about buying a proper hat for some time, now, and today was the day I put my money where my head is, which is directly above my neck. (In case the location of my head wasn’t obvious, you can now locate my head easily, what with the hat on it.)

You might be wondering what I mean by a “proper hat” because you are smart and curious. Indeed, I should clarify here because not everyone will agree upon what a proper hat might be. I mean, for some people, the only thing a woman should wear on her head is a bonnet. To those folks, a bonnet is a proper hat, even though really it’s a bonnet and isn’t that more headwear? Other people would consider a proper hat to be a straw boater — but those people are usually the three other guys singing in your barbershop quartet in Boston in the 1930s.

For me, a professional woman/grad student in the second half of her thirties living in downtown Chicago, a proper hat is one which:

  • can’t be balled up and stuck in a drawer
  • has been fitted for her by a Person Who Knows About Hats (such people often work in a hat shop)
  • is appropriate for the season
  • is stylish but not trendy (e.g., huge cloth flowers, extreme brims, hardware of any kind, etc.)
  • can be repaired if need be
  • comes in a hatbox
  • serves a functional purpose

This last thing was the clincher. Until recently, I never saw hats as serving a purpose, exactly — not for me, anyway. They always seemed to be a fashion thing, an accessory, and sister, I got enough to worry about without some new wardrobe component to manage. I skipped hats because like, who needs ’em? Like, who actually needs them?

Well, me, when a few months ago, what used to be unequivocally good became slightly menacing.

I’m talking about the sun.

For most of my life, the sun on my face felt fabulous, just warm and good. Most people have this experience with the sun. And besides feeling great, the sun looks good on me! My anemic, Norwegian/Scots-Irish, pasty complexion gets an upgrade when I “get a little sun.” In the summer months I usually get some freckles, which lend me an air of vitality and sportiness (as opposed to the “19th century fainting couch” thing I’ve usually got going on.)

But freckles are not what I want anymore. At all. Maybe that whole “woman/grad student in the second half of her thirties” description of myself is the key, here. At 20, you can lay out, go to tanning beds, slather yourself in baby oil and who cares? Sun damage? Whatever! Grab the bucket of Coronas — let’s hit the beach! But when you’re thirty-something, such behavior is definitely no bueno. Sun damage starts to show up on a girl’s mug at my age, especially if she’s extra pale, though it’s hardly just my appearance I’m concerned about: Skin cancer is a very real thing I do not want in my life.

So. A couple years ago I began using a good daily sunscreen. The only time I’m tan is when a person sprays me with tan-colored paint. But sometime in late April, waiting to cross the street on a very hot, very bright day, I had my Hat Epiphany: A hat is practical because it will keep the sun off my face.

And, just like that, I began to make moves. Hat moves. I did research. I consulted sources. And today I got my hat at Optimo, the most glorious store, hat or otherwise, in all of Chicago — seriously. I wore my hat out of the shop and discovered that a proper hat affects your feet: It makes them skip!

My hat totally works, too. I know because the sun was shining.

If Only I Could Be Light!

posted in: Day In The Life 27
"Música en las Tullerías" by Eduard Manet, 1862. Image: National Gallery, London, via Wikipedia.
“Música en las Tullerías” by Eduard Manet, 1862. Image: National Gallery, London, via Wikipedia.

 

Having a blog about my life is strange, sometimes.

I am sad. But I’ve been avoiding writing about it because who wants to hear about that? Actually, that’s not the question. The question is “Who wants to hear about you being sad, Mary, for more than one post?” After all this time, I should know you better than that, my darling, but I suffer from wanting you to like me, wanting to entertain you, wanting to be Good. Though I “keep it real” here, how real do I allow myself to keep it? How real, really?

When I say I’m sad, I don’t mean I’m dealing with a sadness that won’t allow me to get up off the couch. That’s not where I am. (Well, okay: I am on the couch at this moment, but I just got back after a day at the newspaper office and a drink with a friend, so I’ve not been on the couch all day, which we all know is something that can and does happen, sometimes.) No, the quality of my sadness of late is something gnawing at me lately but isn’t eating me whole, I guess. But it’s slowing me down, keeping me from you for fear of letting you down, and it’s been making certain things harder.

I’m telling you now because if you’re feeling that way, you should know you’re not the only one.

It’s got a lot to do with culture. My friends, my friends. I’m afraid for us. We have become, it seems, a tribal society. If we don’t listen to each other, if we don’t try to understand, if we don’t swallow our ruinous pride from time to time, we’re doomed. My identity as an American is so foundational to this life I have. Thus, when I see this terrible political climate — everyone is implicated! both sides guilty and foolish! — it would be strange if I didn’t feel sad. Our country is aching, fighting, warring, hating, barbing, spitting mad. But…we’re brothers and sisters. Aren’t we? Aren’t we, after all, but you wouldn’t know it, looking at godforsaken Facebook. In this case, that is not a figure of speech: I think God has forsaken social media. It is a calamitous wasteland, a monster. I loathe it. I’m sorry. I wouldn’t dream of censoring it, but I see some of these Facebook comment pockets — and it matters not on which “side” they’re posted — I put my head in my hands.

I’m not better than anyone. That’s not it at all. It’s that I believe in the better angels of our nature and when angels forget our nature, I guess, it’s heartbreaking.

There. I’ve gotten it off my chest!

It’s been hard to write because even though I try to “keep it real” around here, even though I’m among friends, it’s still hard to be totally honest. Few people Instagram their terrible blemish, few people make Pinterest boards of ex-boyfriends, you know? But if I don’t tell you that a) I’m sad and b) why, then why would you come here? There are Pinterest boards for fantasies, Instagram accounts for pretty pictures 100% of the time.

Pendennis just looks at me, you know? He won’t let me get away with that for very long.

The Quilt Scout is IN! (Interview with Susanne Jones)

posted in: The Quilt Scout 0
"Marian Anderson" by Margaret Williams, one of the many terrific pieces in the show. Image courtesy Susanne Jones.
“Marian Anderson” by Margaret Williams, one of the many terrific pieces in the show. Image courtesy Susanne Jones.

 

Hey, who’s that? Why, it’s the Quilt Scout! And who’s that she’s got with her? Well, if it isn’t fiber artist and curator Susanne Jones! What are they doing? Well toot my horn if they’re not chatting about an upcoming exhibit at Fall Quilt Festival! And just what —

Okay, that’s enough of that. But this month’s Quilt Scout columns, part one and part two, indeed feature an interview with la Jones about a terrific exhibit of art quilts and I think you should head over to the Scout right now and have a look.

And hey, if you want to read another good Quilt Scout interview while you’re over there, this one with pal Jenny Doan is pretty good, too. I get to talk to some pretty cool people, I’ll tell you what.

G’night!

 

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