


I wanted to write this up last night because I thought it might help — but I couldn’t. I was too low, too morose to try when I got home. In the grand landscape of life, this disappointment is tiny, I know. But it still hurts.
Last night, somewhere in O’Hare International Airport, I lost my most favorite, special shawl. Don’t ask me how I lost it. One minute it was there, the next it wasn’t. I had a lot of bags. It was crowded in the airport. It dropped off. It was picked up. It’s gone.
My shawl was actually a scarf, big enough to wrap around my shoulders. This was not just any big scarf, either; it was a silk- and cashmere-blend Hermès scarf, similar to the one you see above. But mine was different. Different and more beautiful because it was mine, the one I picked out special and the one I wore so, so often for almost three years. I wore it at my sister’s wedding. I wore it on countless airplanes and on more than a few dinner dates. She was my buddy.
Like a kid with a piggy bank, I saved up to buy it, did math on my fingers figuring out where to cut back here so I could spend there — and “there” was the scarf.
Because I knew the Hermès scarf would be worth it. Appropriate everywhere, anywhere, this is the practical/fabulous fashion accessory that goes with everything. It dresses up jeans; it’s perfect at dinner. The intricacy of the pattern, the rich colors of the yarn, the attention to detail; the Hermès scarf is a timeless object of fashion and style. These are textiles made by people (in Paris) who love what they do — and I love what they do! I love the curlicues, the softness, the restrained riot of color and shape. But because you pay for that beauty — as well you should — no mere mortal can afford to like, pick up an Hermès scarf. They’re kray-kray expensive. So for a long time, I could only covet.
But at the end of 2014, I got good news after my pouchoscopy and was going through the tough time post-NYC/Yuri and being new in town in DC and I decided that while I couldn’t buy a new Hermes scarf, I could buy one used on eBay — and frankly, I needed a treat. There were many used scarves to choose from and so I pored over the offerings, checked the seller’s ratings. I clicked around and clicked around and bam: I found The One.
The One was navy blue and “Mary Fons Red” (!) and perfect gold and pale pink and gold and pink and blue and red. Roses. Ropes intertwining. Leaves. Blooms. Curlicues. Vines. That scarf was me if I were a scarf. We were perfect for each other. I gulped. I checked my bank account. I hit “Checkout.” And when it came, I knew I had done the right thing. When I wrapped it around my shoulders, I felt safe. I felt beautiful. I felt like an adult. That scarf made me feel like a woman I wanted to know.
Bye-bye, scarf.
Look, I bought her used. I was that scarf’s second life. Well, she has a third life, now (so far, no Lost & Found Department has called.) I only hope whomever has her tonight understands what a fine thing they have happened upon.
Wrap yourself up in her loveliness. Stand taller. Dry-clean.

This afternoon I did a handful of demos at the Iowa Quilt Museum. The museum is housed in a gorgeous, late 19th century building on the town square of my hometown of Winterset, IA. I’m so proud to be from Winterset, proud that the state quilt museum is about 1.5 blocks from my mom’s house.
The building that houses the IQM used to be a JCPenny department store. I remember going in there as a kid. I remember the sweatpants on racks, the baby clothes hung on the back wall, the menswear department, the housewares — all of it. It’s where you went to get clothes and sheets and a lot more if you were a Wintersetian back in the day. Our small-town JCPenny department store looked a lot different from how a big city or suburban department store looks today, it’s true; but our JCPenny was one shop with many sections, so it was a department store to us.
The renovated, retro-fitted mezzanine where I did my demos today was one of the more interesting places I’ve worked. This is because I realized that I got my first training bra on that very mezzanine.
Seriously. I was talking to people about the American quilt, stitching on a Singer Featherweight owned by my grandmother and I remembered that I got my first bra in the same exact spot where I was sewing. Saying “I got my first bra” is to say that when I was beside myself with grief for one, Mom purchased for me a cotton slingshot. That’s what training bras are, of course: cotton slingshots. Question: What were we training for, by the way? Did we have a choice?
Life is weird. I remember I got a pastel yellow bra and a pastel pink bra. The yellow, interestingly, was my favorite of the two. Each bra was literally two triangles and a piece of string. Like I cared how it was made. When I put on the bra (especially the buttercream yellow one) I felt so beautiful, so grown-up. I remember looking in the mirror and feeling like a force of nature. I felt like a woman, finally. I felt like a person.
Today — and tonight, doing a lecture on the ground floor of the old JCPenny’s — I thought, “You’ve come a long way, baby.”

While I was away last year, singing in the pool at my rawther glamorous residence and getting pooped on by birds, a not-high-rise-but-higher-than-my-mid-rise condo building was going up kitty-corner from my building here in the South Loop. It was in the last stages of construction when I moved home; I would see the crane and the workers, the construction cones out in front of the main entrypoint.
Over the summer it was completed. You know how in Ghostbusters, when Zuul blasts away that chunk of the apartment building in Manhattan where Sigourney Weaver lives? There’s a chunk carved out of this building kind of like that, except that it’s on purpose and paid for by developers and they’ve put a garden in there! Or is it a park? It’s what cityfolk call “greenspace” and I have a great view of it from my windows! Way cool. Gardens come to me, baby.
There’s also a pool on the other side of this new building and I can see just a slice of it from my perch on the sixteenth floor. It looks like a great pool. I should try to make friends with someone over there so I can scope out what my windows look like while swimming.
What’s really fascinating is that for some months I looked over at a tall, dark, glass thing…and now there are people living there. I can see their glowing TV screens. Someone has a bright red couch and in the daytime, I can see it. I mean, it’s right over there, right there across the sky.
Who are they? Are they excited? No matter who they are or where they came from, they all have one thing in common: They just moved in.

This week, between classes and going to press for the third print issue of the year for the school paper, I’ll be making a quick trip to Iowa to help raise funds and excitement for the absolutely, positively, most-beautifullest hometown quilt museum in the world: The Iowa Quilt Museum.
The Iowa Quilt Museum is in Winterset, IA, where I was born and raised. In fact, the Museum is about a two-minute walk from my house! Where my mom and stepdad still live! (No, I will not tell you which house.) The Iowa Quilt Museum opened earlier this year and it’s gotten great reviews, lots of visitors, and is two doors down from Pieceworks Quilt Shop! Pieceworks took over the old Fons & Porter quilt shop space and is expanded, fully stocked, and fancy, fancy, fancy. You can get all of my Small Wonders fabrics there and so much more. Special guests are doing extraordinary talks and demos all week. Sandy Gervais will be there!! I love Sandy Gervais!!!!
If you’re within sane driving distance (sane = less than 400) or you have so many frequent flyer miles you just need to get rid of them for heaven’s sake, why not take a trip over to Winterset this week? You can see the new John Wayne Museum, which also just opened. You can see the covered bridges of Madison County, as Winterset = Madison County. You can take a peek at the movie theater Mom bought and is rehabbing and renovating with my brilliant younger sister Rebecca. You can eat at the Northside Cafe opposite the Quilt Museum where they filmed scenes for the movie “The Bridges of Madison County” and where I had my very first job in life as a waitress at age fourteen. Betty and Vicki taught me how to smoke cigarettes and make a good pot of coffee at Northside. It’s the real deal. It’s Americana, straight up. Also, great beer and great pie.
There’s more!!
If you come on Thursday, you can hang out with me all day at the Museum while I do demos, sign stuff, and get to know you; I would love this. Then, that night, when you’re full of Northside Cafe biscuits n’ gravy from, roll yourself back on over across the square to the show that night at the Quilt Museum! I’ll be giving my “10 Things I Know About Quilting & Life” lecture, which is really funny and also inspiring. I made a lady name Gretchen cry in VA this weekend during this lecture and it was before 10am! Just think how teary-eyed you’ll get after dinner and a beer! That’s such a good feeling. This is reason to take a trip to Iowa. The gorgeous leaves changing are 1000 trillion other reasons. (Note to self: How many leaves are there in Iowa?)
“Mary,” you say, hesitant. “I really want to go.”
“Yes,” I say, nodding my head so vigorously you are slightly concerned about my neck. “You do want to go. You should. Why are you hesitant?”
“Well, it sound wonderful. But I wish I would’ve known about it sooner. I mean, I could still come. But it would’ve been good if you had told us about this earlier.”
I take your hand. I pat it. Then I do something strange and I actually start patting my own head using your hand. Because I need you to pat me.
“You’re right,” I say, enjoying your sweet, gentle, loving patting, how you’re smoothing my hair and calming my very soul. “I should’ve told you before. But I am drowning in things. I should set a reminder on my phone for next time. Please. Don’t stop patting my head.” Now I’ve sort of slumped into you and you have no choice but to put your other arm around me and say something like, “There, there. It’s okay.”
I suddenly realize what’s happening. “I’m sorry!” I say, jerking away, embarrassed. “I apologize for not letting you know about it before!” I begin to gather all nine of my totebags and head for the door to my next meeting, apologizing on the way out the door.
You are wide-eyed as you reach for you phone and dial your husband. “Honey?” you say, when he picks up. “Do we have anything going on on Thursday? No? How about a drive to Iowa?”
😉

I had a marvelous day in Ashburn, VA today at Sew Magarbo. We learned how to make the Sweetpea Star block, a partial-seam block that is the coolest block in the land. We drank wine. (Just a little; later in the afternoon.) I connected with two ladies that I already knew or knew of: the brilliant Carol, who sent me pencils in the mail last year and the always effervescent Meredith, whom I met in Beaver Dam this spring when I had a revelation about my career.
Though everyone I spent the day with is officially a pal at this point — it’s automatic — special shouting-out must go to Marj and Jim.
The couple came in this morning but only Marj was taking my class; Jim just wanted to pop in and say hi because he’s a PaperGirl fan. I’ve encountered this before; some quilter laughs at my trials with my printer and the day I squeezed the avocados and the spouse finally goes, “Well for crying out loud — what’s so funny?” and suddenly she’s forking over her iPad. For a blogger, there can be no better compliment than two people fighting over a tablet that has your latest post on it. (One lady I met awhile back told me her husband reads two things every day: The Wall Street Journal and the ol’ PG. Fabulous!) Jim was an absolute sweetheart, as evidenced by his love for Marj and his cap.
For her part, Marj helped me perfect a very important “line” I say a lot. I put quotes around “line” because while I don’t work with a script in class or onstage, there are certain things I say over and over again that take on a kind of shape. This is what I said at one point today and what have been saying lately because it’s true:
“I’m not interested in making perfect objects. I make quilts. I make quilts for people to use and love. My quilting is not amazing. My piecing is pretty good at this point, but it’s not perfect. I don’t want to be perfect. If I wanted to make perfect objects, I don’t know… I’d be working at NASA or something.”
The sentiment is right on, but it needs a little editing, a little revision to really get to the point, which was eluding me. So I say all that today and then Marj, in a quiet, non-interrupty, matter-of-fact way:
“If you wanted to make perfect objects, you wouldn’t be using fabric.”
I gaped at her. Then I smacked my forehead. Yes! Marj! That’s it!
If I wanted to make perfect objects, I wouldn’t use fabric. That is exactly right. Because fabric is woogy and mutable and stretches and gets wet and shrinks. Threads are different, dyes are different. Material gets torn. Fabric is not perfect. Neither am I. Neither is Marj, though I’m suspicious.
Marj, thank you. The credit is yours. You helped me craft a line, sure, but you helped me discover a truth about myself as a quilt maker — as a person, even. If I wanted to make perfect objects, I wouldn’t be using fabric. Incredible.
At the end of the day, Jim came back to pick Marj up and we all shot the breeze for awhile. I’m proud to report I completed two partial seam blocks while chatting with four people between sips of red wine. I only had to un-sew one seam twice.