Julia, Part One.

posted in: Art, Day In The Life, Family, Paean, Story 1
Watercolor painting of a birth room; artist unknown. Image: Wikipedia.
Watercolor painting of a birth room; artist unknown. Image: Wikipedia.

Yesterday, around one o’clock in the afternoon, after a standard-issue (more on that in a moment) labor and delivery, dear, healthy Julia Diane was born to Heather and Sam and to all of us, really; as members of the human race, we can all be happy today that Julia is here.

When Heather asked me to be her second-in-command on the big day, I squeaked. I had no idea what it really meant, though. I had no idea that she was giving me such a gift. In fact, I feel a little embarrassed I didn’t freak out and burst into tears and fawn and do a backflip when she asked me; if I knew then what I know now, I would’ve.

I could fill a book with my impressions from yesterday, there’s so much. This post will be in at least three parts; I like to be sensitive to your time and I also need a shower.

I want to begin by telling you that when I was summoned to the hospital, I brought a book, a snack, and an almost neurotic sense of propriety. I was there to do Heather wanted/needed, but I figured I’d leave the room when things were gettin’ real-real. I had zero intention of being awkwardly there as two people welcome their child into the world; if there ever was a moment not about me, that would be it. Heather did want me there, though, to be present for both of them for the duration — and I think I hit the right note. I sat at the side, helped with ice chips, helped with some washcloths, did some light back patting and arm squeezing. None of the doctors ever glared at me and I’m 100% sure the glasses of water I got Sam and Heather after the whole thing was over were the best glasses of water they have ever had in their life. All I’m saying is that I could possibly do this professionally.

Now, then:

Heather is a strong, brave, beautiful woman. But I had never seen her look like a lion until yesterday. It happened when the baby’s head crowned and pushing had to get really, really intense. With her carnal, ancient task before her, my friend was so powerful and gorgeous, she looked like the strongest animal in the kingdom, doing the bravest thing that can be — must be — done. She was ferocious, focused, and utterly natural. It helped that her loose ponytail was all messed up and her hair was all over the place; Heather’s got awesome red curly hair and it’s generally mane-like, anyway.

But then, just after she’d been a lion, my friend would sink back into the bed in between those major contractions and whimper. She wasn’t crying; these were plaintive sounds of pain and exhaustion. All the strength she had for each round of pushing seemed to entirely vanish when she stopped; then, impossibly, she would find new strength and go again. I thought of the Rudyard Kipling poem, “The Female of the Species Is More Deadly Than The Male.” The poem examines why women will always be more lethal than men because we are the ones who give birth. Look at this:

But the Woman that God gave him, every fibre of her frame
Proves her launched for one sole issue, armed and engined for the same; 
And to serve that single issue, lest the generations fail, 
The female of the species must be deadlier than the male.

She who faces Death by torture for each life beneath her breast 
May not deal in doubt or pity—must not swerve for fact or jest. 
These be purely male diversions—not in these her honour dwells— 
She the Other Law we live by, is that Law and nothing else.

Heather did her duty to the generations, if you will, and in witnessing it, I understood Kipling’s poem far better — and I’ve known the whole thing by heart for a long time. As I saw a woman endure childbirth, as I watched “She who faces Death by torture for each life beneath her breast” groan and whimper and gasp, I was deeply moved. I’m just not around this stuff very much. The last time I saw a brand new creature was when one of our cats had kittens. I was six.

Tomorrow: blood and stuff.