PaperGirl Blog by Mary Fons

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The Porsche, Isabella Duncan, and Performance Art.

posted in: Art, Day In The Life, Story 0
I couldn't find a good picture of the Porsche; James Dean is as cool. Film still from East of Eden (1954). Photo: Wikipedia
I couldn’t find a good picture of the Porsche; James Dean is as cool. Film still from East of Eden (1954). Photo: Wikipedia

If I have one iota of coolness in me, I learned it at the Motley Cow Cafe in Iowa City.

When I was a junior, the guy I was seeing wanted to get a bartending job at the newly opened and clearly rad cafe, so we went in one day so he could talk to the owner. They didn’t hire him, but they hired me. (Sorry, Wes.) I worked there for the next two years as a waitress and sometime prep cook and I can say with certainty those were two of the best years of my life thus far. I learned about food, about wine; I learned how to dress, honestly. Everyone in the Motley Cow orbit was cool and soaked up the codes.

The cafe was named for a town in Nietzsche’s Thus Spake Zarathustra, which tells you half of what you need to know about The Motley Cow. The other half is that the food was incredible and the spot created a community: small restaurants in small towns tend to do that. There were many regulars and it was part of the magic of the place.

One of my regulars was Hans. Hans looked like Ernest Hemingway and was a big deal in town because he started the Intermedia department at the University. He taught there from 1966 until 2000 and has been an influential artist in intermedia and performance art in America for decades. I think there was a sandwich on the menu named after Hans. It was basically a croque-monsieur, if I’m remembering correctly.

One day, Hans asked me if I was interested in working on a project with him. I was floored. I was also intimidated and scared because a) Hans! and b) he wanted to record me screaming. Look, he needed audio of a young woman screaming — this is what intermedia artists do. Who am I to question? And I said I’d do it. He also wanted to take pictures of women in the woods, which I would’ve done except the women needed to be naked. The scream was all I was brave enough to do at the time, but it’s a bummer because the naked-women-in-the-woods project on went on to be a seminal one in for Hans. Just think: a picture of my naked, nubile, twenty-something body could be on the walls of MoMA right now. Dangit!

Hans picked me up from the cafe after my lunch shift one spring day in his vintage Porsche Targa ragtop convertible. I had never ridden in a convertible and the Targa was a decent one to break me in, I guess. I was wearing a long, pretty scarf (I had agonized over my outfit; what do you wear to a famous artist’s house to scream into a microphone? this is a wardrobe choice that would stump the most experienced stylist, I feel.) Hans told me I’d better take off the scarf because the famous dancer Isadora Duncan was decapitated when her scarf got caught in the wheels of a convertible.

“Thanks for letting me know, Hans,” I said. I was very pale.

The house was a farmhouse out in the country, every room filled with camera equipment, photography equipment, lighting, etc. I went. I gaped. I screamed. It was fantastic. And the lesson is that all you have to do is get out of bed in the morning and stuff will happen to you. If you show up, you will encounter adventures. If you say yes, you can go on them.

The Motley Cow Cafe is still serving beautiful food on Linn Street and if you’re in Iowa City, do yourself a favor and eat there.

All Right, Fine: PaperGirl Drive

posted in: Work 1
Meet the team.
Meet the team.

There will never be ads on PaperGirl. Ever. 

I just can’t do it. Apparently, Google ad revenue for a site with decent traffic is sizable. But it’ll never happen because PaperGirl is an online oasis for me. Over the past (many) years, I’ve tried to make it an oasis for you, too. There are no ads here, no pop-ups, no videos, not even any outside links. (You may have noticed that I only link internally, mimicking the endless loop inside my head.) All this makes PaperGirl a quieter place to be online, even for a few minutes. 

Stopping by PaperGirl means escape into a clearing, a meadow! You will be free, if only for a moment, from ninety-three links within a single paragraph, luring you away from what you’re reading; you will never endure the spookiness that comes from seeing an ad in the margin for the 6-pack of socks you left in your Amazon shopping cart fifteen minutes ago. I’m not letting the bots into our blog, comrades. No. Way. 

So.

Everyone wants your money. I know; they want mine, too. But here goes nothing: if you enjoy PaperGirl, would you consider clicking the “Donate” button and throwing a few bucks in the hat? 

You will never, ever see ads on this blog. There might be advertisements in other places/pages in my online life, but not here. PaperGirl is sovereign. I need it to be. Maybe you need it to be, too. 

With Love,
Mary + Pendennis

A Bird Pooped On My Head

posted in: D.C., Day In The Life, Story 1
Women in bird costumes at Mardi Gras, 2008. Photo: Wikipedia
Women in bird costumes at Mardi Gras, 2008. Photo: Wikipedia

A bird pooped on my head yesterday.

Hang on.

A bird, high in a tree over the Klingle Bridge, pooped. I was crossing the Klingle Bridge and happened to be directly — and I do mean directly — under this pooping bird, so I got poop on my head. “A bird pooped on my head” makes it sound like the bird pooped on me on purpose and I don’t think birds choose where they poop.

Or do they.

I was walking back home from a quick trip to the grocery store. Time: nine o’clock. Weather: pleasant. General mood: excellent. On the way to the store, for some reason I recalled the night I found a $100 dollar bill on Clark Street. It was the night before my 31st birthday. I was riding my bike and there it was, right in the bike lane in Wrigleyville. This is relevant because it shows that last night I was already thinking about odds.

I’m just at the start of the bridge when: ploop!

I gasped. No. No, no, no. That was not a bird, I thought to myself. I did not just get pooped on by a bird, I thought. No. Oh dear Lord … It was an acorn. An acorn?? No, it was water. I don’t know why it would be water and be … heavy, but it was not bird poop. This is what I thought to myself, what I tried to think.

Slowly, I raised my hand to my head. Wet. I brought my fingers down, looked, and yes, ’twas poop. Have you ever recoiled from your own head? It’s pretty weird.

I was about two blocks from home and there were a lot of people out walking; I immediately quickened my pace to escape their eyes. I was sure — sure — someone would see that my number was up, that I had been pooped on. The shame! Though even in my pain and disgust, I found it amusing that I was literally holding my head up high. When in disgrace, it’s good to keep your chin up, your head high, right? Yes, but last night I held my head high so that maybe no one would see that poop on it.

“It’s a good thing you’re so tall, Mary,” my friend Marlene said on the phone today. “Unless someone was way taller than you, there’s no way anyone saw it.”

The odds that someone taller than me would have passed me on the bridge last night are pretty good. Better than finding $100 bucks, better than getting pooped on by a bird. But no tall man came. This is why we roll the dice.

Guest Post: Rebecca West’s Heartbroken Letter

posted in: Art 0
"Marcella" by Kirchner, 1910. Image: Wikipedia
“Marcella” by Kirchner, 1910. Image: Wikipedia

Up on Washington Island we have a copy of a book edited by Shawn Usher called Letters of Note. Both Mom and I had an interest in the book; she bought it and I read it all during the week of the wedding. It’s a compendium of “letters deserving of a wider audience.”

There are scanned-in images of actual letters from actual people, e.g., Elvis to Nixon (he wanted to come over in the middle of the night), Aldous Huxley’s wife to her daughter (she administered LSD to Aldous, at his request, as he lay dying), Michaelangelo’s shopping list from 1518 (this is in Vol. II, actually, which I cannot wait to get.) There was one letter in the book that I cannot, cannot get out of my head. I found it online and I read it over and over again. If I get in big trouble for including it here, it’ll be worth it and of course I’ll delete this post.

Writer Rebecca West was in love with H.G. Wells. They eventually got back together and had a kid, but earlier in their relationship, Wells dumped her. She wrote this letter to him in 1913 and it is the most heartbreaking, beautiful piece of writing, I can hardly stand it. Take the time to read it. You will probably never forget it, especially if you’ve been in love and dumped. Most of us have been.

Dear H. G.,

During the next few days I shall either put a bullet through my head or commit something more shattering to myself than death. At any rate I shall be quite a different person. I refuse to be cheated out of my deathbed scene.

I don’t understand why you wanted me three months ago and don’t want me now. I wish I knew why that were so. It’s something I can’t understand, something I despise. And the worst of it is that if I despise you I rage because you stand between me and peace. Of course you’re quite right. I haven’t anything to give you. You have only a passion for excitement and for comfort. You don’t want any more excitement and I do not give people comfort. I never nurse them except when they’re very ill. I carry this to excess. On reflection I can imagine that the occasion on which my mother found me most helpful to live with was when I helped her out of a burning house.

I always knew that you would hurt me to death some day, but I hoped to choose the time and place. You’ve always been unconsciously hostile to me and I have tried to conciliate you by hacking away at my love for you, cutting it down to the little thing that was the most you wanted. I am always at a loss when I meet hostility, because I can love and I can do practically nothing else. I was the wrong sort of person for you to have to do with. You want a world of people falling over each other like puppies, people to quarrel and play with, people who rage and ache instead of people who burn. You can’t conceive a person resenting the humiliation of an emotional failure so much that they twice tried to kill themselves: that seems silly to you. I can’t conceive of a person who runs about lighting bonfires and yet nourishes a dislike of flame: that seems silly to me.

You’ve literally ruined me. I’m burned down to my foundations. I may build myself again or I may not. You say obsessions are curable. They are. But people like me swing themselves from one passion to another, and if they miss smash down somewhere where there aren’t any passions at all but only bare boards and sawdust. You have done for me utterly. You know it. That’s why you are trying to persuade yourself that I am a coarse, sprawling, boneless creature, and so it doesn’t matter. When you said, “You’ve been talking unwisely, Rebecca,” you said it with a certain brightness: you felt that you had really caught me at it. I don’t think you’re right about this. But I know you will derive immense satisfaction from thinking of me as an unbalanced young female who flopped about in your drawing-room in an unnecessary heart-attack.

That is a subtle flattery. But I hate you when you try to cheapen the things I did honestly and cleanly. You did it once before when you wrote to me of “your—much more precious than you imagine it to be—self.” That suggests that I projected a weekend at the Brighton Metropole with Horatio Bottomley. Whereas I had written to say that I loved you. You did it again on Friday when you said that what I wanted was some decent fun and that my mind had been, not exactly corrupted, but excited, by people who talked in an ugly way about things that are really beautiful. That was a vile thing to say. You once found my willingness to love you a beautiful and courageous thing. I still think it was. Your spinsterishness makes you feel that a woman desperately and hopelessly in love with a man is an indecent spectacle and a reversal of the natural order of things. But you should have been too fine to feel like that.

I would give my whole life to feel your arms round me again.

I wish you had loved me. I wish you liked me.

Yours,

Rebecca

P.S. Don’t leave me utterly alone. If I live write to me now and then. You like me enough for that. At least I pretend to myself you do.

Bein’ Weird: Two Notable Encounters

posted in: D.C., Day In The Life 0
This picture has nothing to do with this post. I just love it so much I had to select it. Iberian Airlines stewardesses/stewards. Sexy, classy, and bygone. Photo: Wikipedia.
This picture has nothing to do with this post. I just love it so much I had to select it. Iberian Airlines stewardess and pilots Sexy, classy, and bygone. Photo: Wikipedia.

 

My older sister once said to me, “Mar, you’re getting a little…eccentric.”

I took offense, naturally. But then I looked up the word (always a good idea) and yeah, I totally am eccentric. I like it. “Eccentric” means “away from center” and that’s me. I’m not a joiner. I’m super weird: too familiar with strangers, too bold when I ought to chill, etc. But my eccentricity leads to memorable encounters because I’m weird enough to engage them, even pursue them.

To wit:

In a taxi the other day, I needed to go east and my driver turned west. “No, no,” I said, “You’re going the wrong way; I need to go east.” The driver was like, “No, this is the way.” And I was like, “No, dude. East. You’re going west.” He insisted he was right and I insisted that I was right. We actually started shouting at each other. Shouting! I was like, “Look, man, I lived over there! I’m telling you! H Street! East!” and he hollered back at me until he realized he was absolutely going in the wrong direction.

“Ha!” I shouted. “See? You see? Ooh, I am so mad at you right now! I told you, east, man!”

Then he backpedaled like crazy, saying, “Oh, I thought you meant,” yada-yada. Then we hollered at each other about that, too. Then, in the middle of shouting at each other I started laughing. It was so funny, yelling at each other like that. “We’re like family right now,” I said. “Like brother and sister at holiday time.”

The driver looked at me like, “Okay, this is a change.”

Then he laughed with me and was like, “You are right. We are family right now, brother and sister arguing.” It was a great cab ride. When I got to my destination, I smiled and patted him on the shoulder and said, “Bye, bye, my brother. I’m telling Mom I was right.”

He hooted. “God be with you, Miss,” and we were both in a great mood.

Then, the other day there were movers working from a big truck outside my building. As I turned the corner to head toward the grocery store, I heard one of the guys sing the first line of “Ain’t No Sunshine.”

“Ain’t no sunshine when she’s gone.” 

And I was right there, right then, so I sang back — on pitch, I might add — “It’s not warm when she’s away…” *

I might as well have flashed them. They were like, “Whaaaat?!”

I smiled big, gave them a little wave and kept walking. And … Well, I might’ve given ’em a little wiggle.

The singing guy called after me, “Girl, you know the rest of the lyrics?”

“Of course!” I called back, but I kept walking. That was all really weird, right? I think so, but I can’t tell anymore.

*This encounter spurred a Bill Withers binge for the next two days. Glorious.

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