


In the slam poetry world, there’s a famous saying: “The points are not the point. The point is poetry.”
This is usually said when a good poet gets beat by a bad one (something that happens with fair frequency in competitive performance poetry.) It’s kind of a “Better luck next time, buddy” thing to say, a condolence. But it’s also said because it’s true. The saying actually does get at the heart of the poetry slam. The idea behind the whole thing from the start was to get people to engage more directly and viscerally with poetry; who scored what or which poet won the night was never supposed to matter very much. (Note: When you’re the poet who won the night, it matters a lot.)
The picture up there is a process shot of my first-ever attempt at making a Bethlehem Star. The Bethlehem Star is an eight-pointed patchwork star and is notoriously tricky to pull off. For those who don’t do patchwork, it may look like I made this in the dark while drinking adult beverages, possibly blindfolded; the quilters out there will be able to see that I obviously just haven’t sewn together my eight “prongs,” yet. (Nor have I trimmed my dog-ears.) If I can get this post written in the next twenty minutes or so and still have some juice left, I’m going to try sewing it all together tonight and I might even try to cut my side pieces.
But quilters and non-quilters alike, take a look at those diamonds. The ones within one prong of the star. They’re not great. They’re not bad, but there are some jumps and some zig-zags, some places where the tips of the diamonds don’t kiss.* I may find that these eighth-of-an-inch imperfections add up to big problems by the time I go to set in my side pieces, and at that point, I’ll maybe have to un-sew things and make them fit better. I’m okay with that. I like to sew things accurately not because I’m a perfectionist or because I’m fussy, but because sewing is much more fun if you don’t have to keep fixing everything as you go along. Best practices make the process much more enjoyable overall.
However: If I find that my prongs work out and my set-ins work out, too, those not-perfect diamond points suit me fine. Because the points are not the point. The point is the quilt.
The point is the quilt.
I would rather have a quilt that I love, that is actively being made imperfectly, than a “perfect” quilt sitting in a box in my house, or a quilt that isn’t getting any love up there on the design wall. The points are not the point. My life is the point. The fabric that love, that’s the point. The quilt that I make that I will probably give to someone I love, that’s the point.
What else is there?
*Who ever said quilting wasn’t sexy? Ours is a world where diamonds kiss.

I’m feeling weird about telling that harrowing tale straight out of the gate vis a vis my report on Savannah. Let me tell you something good.
After I had seen the strange thing, a wave of exhaustion passed over me; I needed to head back to my room. This would mean that I would need to find the ferry boat again and wait around for it with all those no-see-em bugs flying into my eyeballs. This did not seem like something I could physically manage, so looked to see how much it would cost for an Uber to take me from where I stood near Bay Street to my hotel at the convention center. When I found it would be a measly 11 bucks, I punched “Confirm Pickup” on my screen.
I have never had an Uber driver collect me in actual pickup, but within a few minutes, a young man named J.M. waved to me from inside a shiny black Silverado truck across the street.
“Mary Katherine?” he called in the best southern accent you’ve ever heard, making me glad my Uber profile uses my full name. I waved back, delighted to get to ride home in the cab of a pickup. You can take the girl out of Iowa but you can’t take the love of a good pickup truck out of the Iowa girl, trust me.
I was so happy to be off my feet and J.M. was a sweetheart, affably fielding the many questions I was asking him about Savannah. As he drove down Bay Street and we chatted, I looked out the window at the vibrant nightlife, the couples and families and packs of friends walking along the elevated strip. J.M. was so knowledgeable about everything and I loved getting the facts and figures in that accent:
“Yes, ma’am. Savannah’s the fourth lah-gist export city in the You-nahted Staits.” J.M. was really getting into the good stuff, stories about 19th century trade customs, population numbers, fascinating history. As we approached the street’s terminus, I felt seriously bummed that my Savannah escapade was going to end soon. Then, I had an idea.
What if I paid J.M. to drive me back up Bay Street and cruise the loop just once, just so I could see the whole stretch of it? I had 20 bucks in my wallet — was that enough? Would it be super, super weird to ask him to do that? I didn’t have much time. Up ahead, just one red light away, I could see the entrance to the bridge that would take me over the river and home to my hotel (and out of Savannah for who knows how long?)
A thought popped into my head and forced my decision: Frankly, I want to be the kind of person who offers her Uber driver 20 bucks to drive her around town for a minute. I just want to be that girl, you know? So, apologizing in advance for any weirdness and assuring him I was not a creeper, I asked J.M. if he’d take my money.
“Well, sure,” J.M. said, seemingly not that taken aback. “I’m happy to do that, ma’am. It’s funny you ask; my other job is working a tour boat down on Riverside.”
Yep. I got the nickel tour of Savannah from an actual, off-dutry tour guide in a pickup truck for the low-low price of 20 bucks. Not bad; and all I had to do was ask. (Well, and fork over a twenty.)
The drive was great. Between my own exploration on foot and hanging out with J.M., I definitely feel like I got a taste of Savannah. J.M., I told you I would blog about our trip when I got the chance and I gave you my card so that you could find PaperGirl and read it. I hope you’re seeing this so that I can say thank you once more.
Your car smelled great, by the way. As a regular Uber user, this is something I do not take for granted, sir.

Last night, I explored Savannah.
I’m ashamed to admit it was the only time I was able to do so in three days of being in that fine American city, but this was a work trip, not a vacation; I had two full-day workshops plus a new lecture to present (and reading for school on top of that.) This is the quilt teacher’s lament, you see: All dressed up, no time to sightsee.
But after my class finished yesterday, though my dogs were barkin’, I allowed myself only enough time to dip into my room to freshen up and turn right around to catch the Waving Girl ferry. The boat would take me to the Savannah riverfront and from there, I could walk downtown. When will I be back in Savannah, you know? Claus and I would like to take a trip to the American South. It could happen. But when?
When I got off the ferry, the no-see-em bugs were out for blood. They were swarming around everyone, landing in our hair and eyelashes. Batting them away was taking so much energy I was worried I had made a mistake, that I should’ve just stayed in my hotel room and promised Savannah I’d catch her on the flipside, but by the time I made my way up the steps to the city proper, there was enough breeze to blow the bugs away and my Savannah escapade* began in earnest.
Have you been to Savannah? The place is a dream. I’ve been reading about the place enough that I want to tell you all I’ve learned — but not yet. Tonight, a personal narrative, mostly because I have to get something off my chest.
By the time I hit the town, the sun was setting. I had an hour of good daylight left and this was causing me some anxiety; I was less interested in observing Savannah nightlife that I was in seeing its celebrated wedding cake houses and mossy, palm-studded squares. Luckily, I hit a few really good spots on accident right away: the Savannah College of Art and Design campus; a statue of John Wesley; and Broughton Street, which opened up to me and I walked along as the lights strung from either side of that main drag came on. The twinkle cast a lovely light and I got some good pictures you can see on my Instagram.
Because I was following my nose, I’m afraid I can’t trace for you my exact path through the city. But I can tell you that at one point I walked right past the famous Byrd Cookie. Open since 1924 and still using many of the family’s original cooky recipes, when I saw it I marched right in and bought a delicious Savannah souvenir for myself and a pal: a bag of Key Lime Coolers and Scotch Oatmeal cookys. Two-for-one. Score.
It was after that that something rather awful happened, and if I don’t tell the tale I’m afraid the memory will knock around in my head and become more vivid than it already is, here, a full day later.
I was crossing the street, munching. I had reached a paw into the bag of miniature Byrd Key Lime Coolers because I figured nothing could be more Savannah than eating those tiny, local cookys while walking through City Market. I had just reached the curb when I heard the unmistakable sound of a human body making hard contact with something it ought not to make hard contact with. The sound was a splat, a crunch; my ears witnessed a punching. The impact hung in the air for a millisecond and then I heard sharp intakes of breath and cries of alarm from nearby witnesses.
I whirled to my left and saw her. A woman lay prone on the paved street to the side of horse-drawn carriage. She had fallen while disembarking. From where she lay on the concrete, I saw how tall those carriages really are; the force of her fall was such that I had heard her hit the ground, face-first, from more than 30 feet away. A fleeting thought occurred: So many people were drinking all around me, with open containers. There was something boozy about her fall, but of course I didn’t know. All I knew is that the sight of her there, laying motionless on the hard concrete, flooded me with horror and the lemon cookie in my mouth went to paste.
I dropped the sweets from my hand. Breathless, I said, to no one,”Oh my god, oh my god,” for there was a broken face in our midst, a busted jawbone, teeth shattered, maybe a broken pelvis or slipped disc. The woman had caught her foot in the rail of the carriage and hit the ground hard. I was at least partly a witness to this terrible moment in her life and my night in Savannah was now indelibly altered from the light sightseeing trip I had envisioned. It wasn’t that I thought,”Oh, now my night is ruined.” It was that my vague, weird fears of being horribly disfigured in a freak accident were being validated, right there in Savannah, Georgia.
As I approached, all but covering my eyes with a sugary hand for fear of seeing what I knew I was about to see, the woman, miraculously, stood. I heard her say to the man who had hopped off the carriage, “I’m okay. I’m okay. I’m okay.” Relief flooded me to see her talking and not screaming. But how? My body was tight as a spring.
I saw the woman give the man a pat on his shoulder and tell the other passengers in the carriage she was okay; they were all as aghast as I was. I stood, dumb, there at the curb, the blinding white, powdered sugar cookys at my feet. I watched the woman stumble across to the curb near me and keep going up the street. I realized, as I began walking again — only able to think of her bloody, broken teeth — that my left hand was clutching my breast and that I was still in full wince, still shielding myself from that sound of her body hitting the road from too-high up.
The woman passed me, limping. She was in shock. Of this there can be no doubt. She was a few paces ahead of me; suddenly, she turned and went into a bar. I didn’t follow her. I didn’t know what to do. I guess I thought she was okay; an hour later, I would think, “No, she was hurt. She was in a daze. She had broken bones.” And I wished I would’ve followed her into the bar to make sure she had a friend, a helper.
So that’s all I can tell you now. There’s so much to tell about QuiltCon and the other amazing thing that happened this week, but that’s all I can say for now.
*I love a thesaurus. I thought, “There must be a better word than ‘adventure.'” An “escapade” is “an act or incident involving excitement, daring, or adventure.” That’s more like it.

Getting ready to come to beautiful Savannah, GA for the big, basically sold-out QuiltCon East 2017 has had me busier than a one-armed paper-hanger. Actually, for anyone who knows the quilt business, saying that I was busier than a person getting ready to go teach and lecture at a big quilt show is sufficient. Gah!
I’ll be teaching all day today and tomorrow; my lecture is Saturday morning and I leave a little bit after that, but I’m hoping to Instagram what I can from the show and hopefully post on the ol’ PG tonight, if I’m not too exhausted. Sometimes, I surprise myself!
If you’re here at the show, you must at least try to find me and say hi. The best thing about big quilt conferences is actually meeting people that are usually just tiny pictures attached to comments online.
Whether or not we see each other, and whether or not you’re at the show or just checking out all the social media posts that will start flooding in from all your favorite quilters/bloggers/posters, etc., about an hour — enjoy the show!

A few weeks ago, I had a dentist appointment.
I put a comment in the comments section that let you know the visit was pain-free and it was, mostly. My new dentist zinged me with the spinny thing a couple times, but just when I was about to cry and rip off my paper napkin he switched to the old-fashioned scraper tool and I was okay. (The scraper doesn’t bother me for some reason.) The good news was that I didn’t have any cavities, so yay me for brushing my teeth even when I’m so tired I can’t see straight. The bad news is that I need a crown, but this was not news. I have a tooth on my lower right that is 79% filling at this point and I was actually surprised that my new dentist — who has extremely hairy arms but an excellent sense of humor — let me out the door without scheduling the appointment, but he didn’t. He said I would be okay for awhile, as long as I stop eating ice.*
The reason I’m doing an official follow-up to the dentist post is because something major happened.
I asked about braces.
Oh, I had them when I was a kid. Actually, I was a tween, but advertising executives hadn’t come up with that word for 13-year-olds back in the mid-’90s, so I think of myself as a kid back then — a kid with real messed up teeth. Man, were they crooked. Jacked-up toofs run in my family. The Fons clan has deep palates and our teeth are relatively large and excited to show up to the mouth party, so there’s a lot of crowding. Besides, you know, my family members — both on the Fons and Graham side — are just so wise, most of us have had to have all four respective wisdom teeth removed. If we didn’t, you see, we would be too wise. We would like, rule the galaxy because of our wisdom We would also have even crooked-er teeth.
So yes, I had braces as a youth and as a result, my teeth became super straight. But over the next decade or so, something happened: My lower teeth started to get all crooked again. This wasn’t something I noticed while it was happening, obviously; teeth move slowly. But a couple years ago I realized my lower incisor was starting to cock a little bit. A year after that, I saw how it had moved the tooth next to it — and the tooth next to that. Needless to day, I was steamed: Not only did I have braces in junior high, I had rubber bands, too.
From that day on, I began to notice my (crooked) teeth when I viewed episodes of Quilty or Love of Quilting. I began to be self-conscious about the way my teeth looked on camera and, more immediately pressing, how they looked in the bathroom mirror when I was flossing. I know plenty of folks vainer than I, but I’m not ashamed to say that I care about my appearance and try to keep myself looking and feeling my best. Besides, I do have a job that is public in many ways. How my teeth look — and how I feel about how my teeth look — is not an entirely trivial thing.
When I asked my dentist about all this, he said, with a reassuring nonchalance, “You should talk to an orthodontist. Sure. I see that, on the bottom. I’ll give you a referral to the two best guys. Get a quote, see what they say. It wouldn’t take too much. You’d be much happier.”
And a few days ago, I had one of the appointments. It’s so much money. But it’s my face. My teeth. You know? I give to charities. I save for retirement. I pay my taxes and I try to be generous. I’m in debt for school, but I’m paying it back as I go along. I can’t really “afford” to straighten my smile but I could figure it out. And it’s really been bugging me, how my teeth have shifted and gotten all weird. The thought that keeps coming to me is hard to admit, but I can tell you anything, so here goes:
I’ll be 40 in three years. How cool would it be to have the best smile of my life when I hit 40?
What if, you know? Just what if? They would be on the inside, by the way, if I’m willing to pay extra.
I think I’d have to try and make that work.
*[EDITOR’S NOTE: I am literally eating ice right now. It’s soft ice and I’m chewing carefully. Note to self to take iron supplement every day, not just when I remember.]