


After a spectacular day at the Pine Needle Quilt Shop today — wow, wow, wow — I got to the airport with time to get something to eat.
Oh, Geri, Jim, and the amazing folks at the Pine Needle tried to feed me. The event was catered, even, with tasty boxes for the attendees that contained mini-quiches, scones with lemon curd, fruit, and a sugar cookie in the shape of my logo. But when you’re signing books, smiling for photos, chatting with quilters, and telling stories about stuff, even if you can get food into your mouth, you’re not gonna have time to chew it. It’s best to wait.
Once I found my gate, I decided to get some pizza at the make-a-pizza place. It’s great. You can put whatever you want on your pie, no extra charge, load it up, go for it, baby, we’re Portland! As my margherita pizza was baking in the wood-fired oven, the gentle hipster asked me if there would be anything else — wine or beer, perhaps?
Now there was an idea. At 3 p.m. it was a little early in the day, but I had more than delivered at two different jobs, I was no longer on the clock, I love red wine with pizza, and I’m a grown woman with an electric bill and student loans.
“I’d love a red wine,” I said to the kid. He actually said: “Right on!”
He hands me my wine — which, true to that groovy Portland vibe came in a plastic cup with the pizza place logo on it — and I pay. I turn to walk to the counter to get napkins and red pepper. I take two steps…and slip and fall.
The floor was slick. My sandals are slick on the bottom. Gravity is weird. Portland has invisible moss all over it. I could try and figure out why I slipped, but it matters not: I went down. Everything happened in .03 seconds but I remember much of it: the spluttering in shock, the way the wine in my glass shot up in a column of red, the gasp of the crowd — oh, there was a huge crowd of people around, naturally — as they saw me turf out.
Later, the girl nearest to me would say with admiration, “You really stuck the landing.”
She was right! I only went down as far as one knee and I kept my wine cup in hand the whole time. Nothing spilled out of my purse or totebag. But the wine had gone everywhere: the counter, the floor, all over my right arm. My first thought was not, “Have I broken a bone?” but “Great — I am going to spend the rest of the day smelling like the janitor’s closet at a Napa Valley winery.”
The gentle hipster was at my side right away. When it was established that I was okay and I had turned to the crowd — the crowd! — to announce this, my guy offered to pour me another cup of wine. This time, I did not deliberate. He gave it to me along with my pizza, which was now done, and I turned, gravely, to return to the task of getting my napkins.
The other kid working the place was cleaning up the wine spill on the counter. He turned to me and asked, “Do you want the rest of this?” gesturing to my nearly empty original cup. I laughed and said “Sure,” trying to be sort of insouciant about all this, casual, giving off a “Hey, I fall all the time, this is what I do for fun!” kind of easy-going attitude. I put my napkins in my purse and when the kid gave me my original cup, he had filled it back up.
“Oh!” I said. “You’re so sweet. But your buddy already refilled me.” I did not need two cups of wine.
The kid looked at me and back at the wine and over at the other cup of wine near my pizza box. He shrugged. “You can have this, too, it’s okay.”
Walking carefully, now with a small pizza box, a purse, a totebag, and two plastic cups of wine, I made my way to a table in the foot court area in Terminal C. I sat down. I enjoyed my pizza. And I had just a couple sips of wine, but I didn’t linger. Because all I could think of was some family that had seen me fall looking at me from across the expanse of tables, the mother shaking her head and saying:
“You see that woman? That pathetic, pathetic woman who fell? She’s drinking two cups of wine, kids. Two cups of wine all by herself in the middle of the day. I’ll bet that’s not the first time she’s embarrassed herself in public. I’ll bet she goes back for more when she’s done. Okay, Braden, let’s text Grandma and let her know our flight’s on time.”
p.s. Want to laugh at me in another airport? You’ll like this.

I’ve been around quilters all day and I’m full of love and a strange sadness. My sadness comes from wanting to be everywhere at once.
When you gather enough momentum as a quilt teacher, you can practically live on the road. PaperGirl readers have seen me come close to that at times; the last time I was in Portland, gigging at Fabric Depot and the Portland Modern Quilt Guild about a year ago, the trip was sandwiched between two other trips, which were themselves part of a travel schedule that I think involved Phoenix, Denver, and Houston — in a single month.
And while it is not an easy life — running for a taxi in the rain in a dress dragging two huge suitcases of quilts is bad no matter who you are or how much you love quilts — it is a life that puts a quilt teacher where she thrives: in rooms with quilters. The more gigs you do, the more rooms you’re in. The more jobs you take, the better you get at making these things. The more contracts you accept, the more gorgeous fabric you get to pet.
And then there are the quilters.
Today, I talked to a person who makes quilts for a battered women’s shelter. She does this because she escaped a violent husband after 30 years of suffering and, as she put it:
“There’s nothing like a quilt when you don’t have much. I make them and I take them over there. It feels good, you know?”
I talked to a grandmother whose pride for her sewing-obsessed granddaughter was so great, she tripped over her words trying to tell me about all the wonderful things Ilyana was making these days, how she’s begun to design.
There was the pair of women who came all the way from California just to hear my talk because, as one of them said:
“You and your mother are my friends. You’re in my sewing room every week! I had to come give you a hug, sweetie.”
My decision to pursue my master’s is the right one. I feel it in my bones, in my sewing machine pedal foot. Synthesizing my writing, quiltmaking, skills as a presenter — this and so much more is what I can do at the Art Institute. But out there with all the quilters today, from 8 a.m. till 7 p.m., I thought, “What if I’m wrong, if I’m being ridiculous? What if I should’ve stayed put? What if people think I’m abandoning them? If I’m not hugging hundreds of quilters every month, does anything I do toward this real-but-nebulous larger vision really matter?”
It’s not about me. I know it. Just one foot in front of the other.
What I’m trying to say is that I missed you.

My friend Susan asked me to go to The Moth with her on Tuesday night. It was an easy sell.
For one thing, I enjoy the popular storytelling event. (If you aren’t familiar with The Moth, you absolutely should be; make a note to google it when you go.) In addition to taking in some quality entertainment, by seeing The Moth I’d be doing research for the storytelling class I’m teaching in a couple weeks at the University of Chicago. But the best reason to say yes to hanging out with Susan is Susan and her wonderful laugh. So I said yes.
Susan is kind, smart, pretty. She’s brave and great at storytelling (she has won The Moth many times as a result.) She’s generous, she’s loyal — all that Good Person stuff. But it’s her laugh that wins. Suze’s laugh is one of the best things about her.
Do you know someone with an incredible laugh? A laugh that makes you laugh with pleasure? Susan’s got one of those. Her laugh is life-affirming. It is round, generous. Susan’s laughter bubbles up from her core then launches into space, fully-formed, in a sonic celebration of everything that is good in the world. Susan’s laugh calls to mind rose bushes and robins’ breasts: full, lusty things.
This is not normal. Most people just laugh. I decided, sitting next to Susan at The Moth the other night, clapping my hands with glee every time she found something to be funny, which is often, that I would have to further investigate. What follows is an email interview I did with the one and only Ms. Susan Cramm, who I am now dubbing, “The Queen of Mirth.”
PaperGirl: When did you become aware of the uniqueness of your laugh, Suze?
Susan Cramm: I think I’ve always been a full-out laugher. I think it was finally commented upon in college. I would go see friends and classmates in shows and they would say that they knew I was in the audience. The first time I was called out by a performer was in 2003 while watching a Punch and Judy show at the Whiteside County fair. The puppeteer had Mr. Punch say, “Hey lady in the back, will you come to all my shows?”
PG: What makes you laugh?
SC: Oh, most anything. I’m easy. Regular funny stuff, bad jokes, good jokes, puns, pet videos, everything. The absurdity of life.
PG: I have had the pleasure of sitting next to you at a number of performances. Sometimes I see you cover your mouth with both your hands to stifle your laugh. Have you been in situations where your laugh was not welcome?
SC: I do get looks every once in a while. I’m loud and sometimes people don’t like that.
PG: You and I have a friend in common: Bilal Dardai. He is someone I would pay to be an audience member if I put on a show because he has the best laugh. Well, the two of you tie, anyhow. Would you be interested in hiring yourself out for audience stunt work? Have you ever been paid to laugh?
SC: I love Bilal! I will gladly take a comp ticket. I believe it would be considered a conflict of interest with my job if I were to be a paid audience member for a play. [EDITOR’S NOTE: Do you not love Suze for taking this question 100% seriously??]
PG: A mellifluous laugh like yours makes me wonder about your singing ability. Do you sing?
SC: I do not sing for other people to listen to me. I sing at church with the congregation, along with the radio if it’s extra loud, and, like my mother, I sometimes sing what I’m doing — but I’m hopefully alone when that happens. I’ve been told I do hum a lot without realizing it.
PG: Do people want to talk to you all the time about your laugh? Are you giving any other interviews?
SC: I do have people come up to me after shows — talent and audience members — to say thanks and that it “opened up the room” to laugh with me. I’m not giving any other interviews about my laugh; PaperGirl has the exclusive on this story.
PG: Tell me anything else I need to know about your laugh and what it means to be you, Suze.
SC: I could not have as big a laugh as I do without also having had the experience of the body crumpling, snot inducing, wailing sob of an ugly cry. Not everything is funny. Also, you are the only person allowed to call me Suze.
You can get a little taste of Suze’s (!) laugh because… She guested on a 2012 episode of Quilty! Dig that short hair on me and the really, really cool polyester quilt we celebrate together. Times like this, I really miss that lil’ show.

I’ve dragged my feet getting survey results out because I am overwhelmed.
On Monday, I had my first seminar class. It’s not like regular class where you have textbooks and assignments. In a couple weeks, for example, I’ll be giving a presentation on the grammar of quilt patterns, my personal quiltmaking practice, and — because this is how I roll — a quick-but-comprehensive history of the American quilt. I can’t wait to share with my School of the Art Institute colleagues — except that I definitely, definitely can.
Because there’s a lot of other stuff going on. For example, this weekend I’m keynote-ing and doing several events at the big EE Schenck “TRENDS” conference in Portland. On Sunday, I’ll be zipping over to The Pine Needle Quilt Shop to lunch and teach, which is great, because the first event is not open to the public but the Pine Needle totally is. I’m not sure there are tickets left for the Pine Needle, but if there are and you can get there, come hang out with me! We can talk about all kinds of things and pet fabric together. I will answer any question. Any question.
With seminars to write and quilt shops to love, I realized I had better start releasing my survey data in chunks or I’ll never get it out at all. So let’s talk about this inkblot.
All y’all’s answers to the “What do you see?” inkblot question inspired many reactions in me, including but not limited to: delight, mild concern, deep concern, melancholy, mirth, and introspection. Good job! Below are the categories of what you told me you saw in the inkblot and some of the answers I received.
Animals (Or Animal Parts)
Seahorses, a cow, dragons, a deer, a steer, a skull, a bull, dueling shrimp [three people said “dueling shrimp”], fighting deer/stags/reindeer/wildebeests, kissing pigs, a bat, two turkeys, “Seahorses dancing in coral,” “crayfish, moose, and flowers,” “Elephants riding giant hamsters,” “deer escaping fire in a forest,” a giraffe, deer standing on clouds, “two moose coming out of the water in the fall,” an elk running up a mountain, a puppy, a praying mantis, koalas, “I see a moose, bunnies, and peaches,” “a cow’s head wearing an Elizabethan collar, smelling tulips.”*
Anatomy
a uterus/innards, a pelvis or pelvic bones/body parts/abdominal x-ray, an animal skull/bones, ovaries, “kidneys, pelvis, dislocated femurs,” a vagina [they actually wrote “va-jay-jay”], the pelvic x-ray of an alien
Love
two people kissing, kissing people, two lovers, people in love
Quilts
Two people said they saw the colors for their next quilt!
Wiseacres
A couple people said, “I see nothing, feel nothing” and another wrote, “I see an inkblot.” Very cute.
Let’s go with “Other”
a witch
a lady dancing on apples with fire for her hair
“two potbellied gargoyles…medical Mary Jane…”
“maidens dancing on chickens wearing Chinese dragon headdresses”
a nude back in a wine glass
a captionless image
poppies in front of a lake with a sunset
a demon
four hearts, two lungs, and a fiery gate
a messy glass of wine
two trolls arguing
“I was surfin’ and a tuna tried to eat me!”
One other quick thing: Many people thought the “How old did Mariano turn out to be?” was a trick question or a pop quiz. I didn’t mean it to sound that way; I never told you how old he is, actually. I wanted to know what you might have speculated. Most of you got it wrong. You guessed too high.
*emphasis mine.

The survey results are coming, I promise. Until then, I’ve been fascinated by some of the answers to the question, “Any PaperGirl entries stick out in your mind over the years?”
This one got several nods. In the interest of getting some sleep for heaven’s sakes, today’s post is archival. WARNING: This story involves “cute” little girls that aren’t, actually, a stern airline attendant, and farts. And if that doesn’t make you want to check it out, surely this will:
“Gracie! Gracie! Gracie! Gracie! Gracie! Gracie. Gracie!”