PaperGirl Blog by Mary Fons

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Free Quilt

posted in: Confessions, Work 43
This is a perfect quilt. Display in Cherokee Heritage Center, Oklahoma. Image: Wikipedia.

 

 

It’s not always obvious. But there do come times when you know you’ve broken from something.

For example, you know you’re leaving a job you have your last day. You know you’re breaking from something. When the calendar hits that day, you’re like, “Okay. I am no longer living that particular life.” It’s pretty weird; it’s hopefully good. Another example: You finish school. Or you have your first baby. In these cases, it’s like, “Woah, I just became not a student after being one for X years” or, in the case of the baby, “Woah, I am no longer a person who does not have children.”

I know that was a lot of double negatives up there, but I’m trying to drive home the “I’ve broken from something” point more than the “I feel like I’m starting something new” point.

Well, I have broken from something. And it has to do with quilts.

The moment I decided that I wanted to make a quilt, I became part of the quilt industry. This wasn’t at the urging of my mother. The company that owned my mother’s company were the driving forces behind getting Fons The Younger into the game. I was excited to be a part of it all, make no mistake. I’m not pillorying anyone; it made sense that a Fons daughter who wanted to get into quilting would be fun to bring onboard in a public way. It was fun, most of the time. I made a lot of work I’m very proud of and I built many valuable relationships as a result of my hard work over the years alongside my mother and her former company.

Regardless, my life as a quilter has been one lived under extreme creative pressure. Every quilt I ever made, for almost 10 years, was made for public consumption. My quilt, whichever one it was, was made for a magazine; a show on TV; a show online; my book, etc., etc. I made quilts that I loved, absolutely, and I developed a certain Mary Fons aesthetic, but I only made quilts that had a deadline. I made quilts not purely for love or for fun; not purely for just giving. I made quilts for patterns or tutorials. Always, the questions: What are the learning objectives in the quilt? What fabrics did I use? Did I use a special tool?

That is now over.

I’m making the first quilt I’ve made in two years. (Grad school kept me pretty busy.) My quilt is ugly. It is gloriously, gorgeously unfit for television. It is not acceptable, this quilt. It is mine. It is not for you, and in saying that it is not for you, I hope you can understand that that is the highest honor and praise that I can give you if you are a quilter: You know how important a quilt like this is, you know how important it is to sit at a machine and stitch and let the world fall away. I am making a quilt that will never be on television. It will not be in a magazine you’ve heard of. I’m making a quilt that is simple and perfect and ugly.

I have never loved a quilt more in my life. It is perfect. May you all make a quilt not ready for prime time.

Worst Fears, Streaming (‘The Staircase’)

posted in: Day In The Life 11
Right (or wrong) this way … Image: Wikipedia.

 

 

The caption under this photo in Wikipedia reads: “A sign indicating where jurors are to conjugate inside Hillsborough County Superior Courthouse in Nashua, New Hampshire.”

Wait a second.

I looked up the word “conjugate” because that’s … wrong. It’s adorable, but it’s wrong. It should be “jurors congregate.” Right?

Then I thought, well, maybe jurors do conjugate. The “j” and the “u” are the same in both words, right? I did some poking around and I didn’t find anything in a definition for “conjugate” that really made sense in the context of the caption. But I could be wrong. After all, I’ve not studied law; I don’t know what jurors do. I’ve not served on a jury. I took an advanced vocab class one summer during undergrad and learned a lot of Latin roots and suffixes and things, but there’s a lot I don’t know about words. Jurors conjugate. Why not?

It seems like a small thing, getting words mixed up. The person who did the captioning got it wrong, I’m pretty sure, but I’m not sure beyond a reasonable doubt. I’m glad I don’t have to stake my life on being right or the caption writer being wrong.

I’m thinking in this way because I’ve been watching some damnable series on Netflix called “The Staircase.” Do you know what I’m talking about? It’s a documentary in 13 episodes. The filmmakers tracked — exhaustively, relentlessly, remarkably — a murder case which took place over several years in the early 2000s. I have no recollection of this case, but it was a big story in mainstream media, as the series shows. I won’t tell you everything that happens because I haven’t seen the last four episodes and I can’t bear to go through it all. Just know that the story is painful, sad, tedious, shocking, depressing, and discomfiting in the extreme.

Man, I ain’t got time to binge watch anything but my email box, and here this show goes and hooks me! I was going to take a walk tonight, but no way. I had to watch, and now I’m scared of being sucked into a murder case. A real one. I haven’t killed anyone. I don’t plan to. I would hope no one is out to kill me. But “The Staircase” shows these things can happen to anyone! We’re all just one Kafkaesque scenario away from a different, bad world.

The trouble with watching TV like this is twofold: You can’t look. And you can’t look away.

Mama Taught Me ‘Write’ : It’s Thank-You Note Time

posted in: Day In The Life, Family, Paean, School 9
Well, it’s certainly very creative, sweetie. Image: Wikipedia.

 

 

A N N O U N C E M E N T   N O . 1

It has come to the attention of The Management that some folks are having trouble accessing this blog. Unacceptable! I’m sure it’s got something to do with the mischievous internet goblins who know that I’m thinking of deleting my Facebook account. More on that later. Anyway, I’ve got a call out to my brilliant web wizard, Julie Feirer. I’m sure there’s something she can do. She must not fail!

 

A N N O U N C E M E N T   N O . 2

I am writing thank-you notes to the folks who donated during the First-Ever PaperGirl Pledge Drive, but I’ve got a problem. You see, if you donated via PayPal, I could simply email you a thank-you, but this is not my style. Your PaperGirl is, perhaps not surprisingly, super into paper. The problem is that I don’t get a person’s mailing address with a PayPal donation, so I am going to have to ask for it. It will be a slight nightmare keeping everything straight, but I can try:

If you donated will you please email me your mailing address? (If you haven’t donated, why, there’s still time!)

I’d like you to use my school email, since it’s separate and it’s funny how after you graduate from a school, you don’t have to really send emails about school anymore. Here’s that address:

m f o n s @ s a i c . e d u

Use no spaces, of course, when you enter that address into your “To” field; I’m just trying to keep the spambots away. (Robots crawl the internet looking for email addresses to spam. You know that, right? If you have a website or a newsletter or anything, don’t put your email address on the screen without funky spacing. I think it’s supposed to help.)

The thank-you notes are being written. I have a huge bag already. It’s going to take time, but it’s important to me that I send you a proper thank-you note. My mama raised me good.

Look Homeward, Seagull

posted in: Chicago, Day In The Life 7
Seagull on ledge of Leo Burnett building, Chicago, 2017. Image: Wikipedia.

 

 

Google Maps tells me I live .7 miles from Lake Michigan.

That doesn’t seem very far, but it’s not a straight shot. I can’t lean out my window and see the lake. I can lean out the window and see over to Grant Park (when the Cubs won the World Series, I leaned out a lot) but I’m not rich enough yet for a close-up lake view.

But every once in awhile — it doesn’t happen often — a seagull from over at the lake will wing its way over to my block and sail through the sky past my 16th floor windows. The bird is bright white against the gray and brown and glassy blue of the mid-rises and the high-rises here in the South Loop. If a seagull comes through up here, I notice, even if I’m not looking at the window at all. The contrast is remarkable enough to catch the eye.

Oh, seagull.

Just because you finish a degree; just because you decide to mention you’re seeing someone; just because you’re working a job you love — nothing is set. Ground shifts; it shifts again. In your case, maybe I should say that the air current changes and changes again or the rain stops, then it starts again. My point is that no matter where you fly, there you are, and just because you wanted the city to be different than the lake, that doesn’t mean it will be. I hope you find what you’re looking for, but like …

This is just another place.

And you’re still the same seagull.

Pressing The Issue

posted in: Day In The Life, Quiltfolk, Work 13

 

From 1896 lantern slide lecture, “The Illustration of Books” by Edward L. Burchard, Columbian Museum. Image: Wikipedia.

 

 

When a person in magazine publishing says she’s “in press” or the magazine she works for is “going to press” it doesn’t mean she’s physically squished between two large ink rollers, nor does it mean she’s about to push a big red button that starts a Gotham-style newspaper printing press spewing out special edition headline news in a Batman movie montage. (You know what I mean, right?)

Being in press means you are under deadline to get all the content, the photos, the captions, graphics — every jot and tittle you see in a piece of printed matter — corralled onto the pages of the given publication before you must sign off on the thing and send it out into the world. (Then you get your big red button moment, sort of.) Making a printed anything that is good at all is an impossible task, so press is pretty scary. The more text, the more photos, the more captions, the more facts you have to check, etc., the scarier it is.

In press, all the things you didn’t know you were missing are revealed. For a 180-page quarterly journal like Quiltfolk, we have about five days of press. That’s five days of anguish as you go through page after page, caption after caption, looking for ways to make it better, make it prettier, make it make sense, and above all make it not wrong. It’s terrifying. Quiltfolk is way more like a book than a magazine (no ads, all those pages, all those photos) so I have a job where we make a big, fat book, four times a year. And by the way: We’ve been workin on the issue since April. It’s just that this is the crunch time. This is press.

Yes, we’re in press right now. And I was going to put up a post that said I couldn’t say hi at all because we’re in press. But I can’t help myself: I’m a publishin’ fool. Press is exhausting and frightening, but it’s also a blast. I love it. I love to make type move and I love to select a photo and I love to communicate this way. I’m not good at so many things and I’m not even that good at this, but I have ink in my veins, I really do.

I’ll tell you more about Issue 07 of Quiltfolk soon. Maybe even tomorrow, if those captions don’t take me out first.

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