PaperGirl Blog by Mary Fons

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Seeing Shorthand.

posted in: Day In The Life 10
From website gregg.angelfishy.net, " A Web Site [sic] dedicated to the perpetuation of Gregg’s Light-Line Phonography". Translation below.
From “A Web Site [sic] dedicated to the perpetuation of Gregg’s Light-Line Phonography” at gregg.angelfishy.net. Translation below.
Stop everything.

Shorthand.

I’m freaking out.

At a cocktail party-ish gathering last week, I met two extremely accomplished women who shared with me that early in their respective careers they used to take shorthand dictation, also called stenography. I asked lots of questions that I have since had to look up the answers to (#wine) but I did manage to force them to write something for me in shorthand that I could keep. This was not because I didn’t believe they could do it — I suspect both women drive very nice cars — but because I had to see shorthand in action. I had only a vague notion of what the stuff looked like; I mistakenly thought there were English words interspersed with jots and tittles and such. When I saw the strange, magical scribbles on their napkins, my mouth dropped open.

Here are X things you should know about shorthand, most of which I have gleaned from a fascinating essay by one Ms. Leah Price about the history of shorthand in the December 2008 Diary section of The London Times, which you should promptly search for and read after you’re done here:

1) Diarists and court reporters have used versions of shorthand for a really, really long time. Samuel Pepys (b.1633), considered the world’s first diarist/journal-keeper, wrote his thoughts and feelings in a form of shorthand. (I’ve read a lot about Pepys, as when I get back to my MLA, my dissertation is going to explore the diary as literary form.)

2) We all probably know graph = writing, but steno = narrow. How about that?

3) Issac Pitman codified (hey-o) the Pitman shorthand system that was taught for well over 100 years before there was any major competition.

4) In 1922, a guy named Nathan Behrin set the world’s record with the Pitman system, writing 350 words per minute. Three-hundred-fifty words per minute. Per minute!

5) Miss stenography? Blame the typewriter.

Forget my dream to learn French. Forget taking time to learn Russian so I can tell Yuri in his native language to please pick up some milk. I want to learn shorthand bad. Apparently, it takes three years. But I could write in my diary in this cool way! Oh, I rail against you, life, so short and so long.

At the party, I asked both of the women to write, “Dear PaperGirl Reader: This is shorthand. It is a dying language, but it is still beautiful. You’re welcome, [NAME]” I still have both examples and would’ve scanned them in to serve as the image for this post, but my scanner is in a box at the FedEx right now, waiting for me to come pick it up. Instead, the image above is translated for you here; it totals 227 words.

“If agreeable to you I hope you will sign the enclosed agreement for the agricultural lands about which Mr. Teller wrote some time ago.  The land company has been very aggressive, a fact which greatly aggravated Mr. Teller.

We do not anticipate that our antagonists in this controversy will be able to restrain Mr. Hollis in his aggressive views. We decline to take any part in the preparation of the declaration about which Mr. Henderson declaims so forcefully. He was inclined to antagonized rather than to electrify his audience by the out of his oratory.

Owing to the inclement weather I am inclined to agree with you that we shall have to declare
the game off for this week.

The magnitude of the magnificent construction enterprise introduced by Mr. MacIntosh was declared to be extraordinarily interesting.

Electric transportation is paralyzed all over the state, and it will be almost impossible to undertake the shipment of your goods for at least two or three weeks.

The eccentric individual rambled on uninterruptedly for what seemed an interminable time.

His unparalleled unselfishness and self-control were revealed in his disinterested discussion of the event. Miss Carew undertook to alter the paragraph about postage, which turned out the be a paramount issue in the controversy. The postmaster at Sarnia displayed great self-control and self-possession in the circumstances.”

 

How To Get Over Moving Out: Squeegee

Cinemax "after dark" film still? No, the ad campaign for The Cleret squeegee. From the ad: The Cleret squeegee is recognized as one of the finest shower squeegees in the world!"
Cinemax “after dark” film still? No, an ad for a Cleret Squeegee. Apparently, “The Cleret ” squeegee is “recognized as one of the finest shower squeegees in the world!”

A brief move-out update, then a “real” post to get caught up.

In writing a note to my new tenants, levity came in on goofy little angel wings and I found peace about leaving Chicago and my condo behind (for now.)

The note I needed to write was a brief-but-thorough list of “what to know’s” about my apartment, e.g., the maintenance guys will fix that spot in the hallway ceiling this week, the laundry cards are here, help yourself to the contents of the liquor cabinet, etc. One of the last items was my request that they squeegee the shower in the master bathroom.

Squeegee. Squeegee?? That is possibly the best word there is.

From the note:

2. Please squeegee the master shower. Is this finicky? Maybe. But I just put that shower in and I know from my squeegee-loving mother than if you give the glass the once over with the squeegee after you’re done showering, you won’t have those awful, cloudy water stains on your shower glass. Please squeegee. (Also, if you’re feeling burnt out on your studies — or feeling sad about leaving the city you love, ahem — I recommend writing the word “squeegee” several times as I have just done.)

My tenants probably think I’m in insane. But, just like that, writing squeegee that many times, sitting at the gate at Midway, waiting for my flight to LGA, I felt better. Like, totally better.

I also had to get over myself and my melancholy because I had a back brush and a teakettle in my carryon. They wouldn’t fit in the suitcase.

Squeegee, teakettle.

New York.

My Love, My Chicago, What Have I Done?

posted in: Chicago 10
It's like this today. It is exactly like this.
It’s like this today. It is exactly like this.

It’s really here: I’m in my final moments as a resident of Chicago. And I’m losing it.

I have 24 hours to tie up the move-out, then I give keys to “the gang,” a.k.a. the medical students who are soon going to be living in my home.

“Home” is a rich and achingly pretty word because within it, you have the “oh” sound, and oh, oh, oh, I am in pain.

After my divorce, I moved downtown. After all that turmoil and fear, I had to either leave Chicago forever or find a New Chicago. I chose the latter. I remember thinking, “Don’t throw the baby out, Fons. Don’t leave Chicago. You have a life here.” After living on the northside for ten years, the shift downtown was striking and did the trick: coming down here was absolutely like moving to another city but I retained my network and my knowledge of the place. Sure enough, in my New Chicago, I created an entirely new life. I had to.

I found a space that sang. A sunlit, wide-open, gem of a condo in the South Loop. It was love at first sight. When the realtor opened the door to what would become my unit (such a clinical-sounding term for a piece of my heart) I tried not to gape. Gorgeous. Wide. South-facing windows. Two bathrooms with these cool bell-jar-like light fixtures. One exposed brick wall. It was a doorman building with a rooftop deck. There was a garbage chute, too — and I dreamed of a garbage chute! There was an elevator and a mailroom and cleaners on-site. The best part: it was actually below my budget. After the darkness of my failed marriage, the impossible had happened: I was in love again.

One of the first things I did when I moved in was have a professional muralist paint a trompe l’oeil on the west- and south-facing walls. I wanted a faint, French drawing room panel motif over all that cream. The artist exceeded my expectations; the funny thing about art you paint on the walls, however, is that you cannot take it with you. So goodbye, mural.**

When I moved in, I had an ostomy bag. I don’t have one now, so the space saw me heal. It also saw me in grave peril last fall, when I was in the hospital every month for several months. The paramedics came for me just one time, busting in the door; usually I’d take a taxi up Michigan Avenue to Northwestern and check myself in — I even took the bus once — but that time, I was in so much pain, I couldn’t see. My home saw all that. It saw me come home thinner and depressed.

My home saw me foolish, that’s for sure. A collection of late nights, dubious houseguests, wine glasses, etc.; these are in the portfolio.

I wrote my book here. I made Quilty here. I dreamed a thousand things, made good on most of them. I fell in love here, too, and not just with the space. I mean that I fell in love here, with two different human beings. Yuri is one, and that’s all I’ll say about that.

I’m excited for New York City. Without question, saying yes to the love in my life, Yuri, this lion of a person, this force of nature, this is right. But today, as the sun glitters off the lake and the happy people of Chicago go about their merry ways, my heart is breaking. This is too hard.

I’m probably just crispy from the travel this week, emotional because dinner last night was a McDonald’s caramel sundae (long story.)

All my love, Chicago. Just know that you have it all.

* Visit my Instagram page (username: yomaryfons) for images of the mural. I’ll put them up shortly.

A Mary Fons Fabric Line: Conversational Prints + Shirtings For Quilters

posted in: Quilting, Work 8
The little kittehs!
Look at teh little kittehs! I recently purchased a very small amount (all that was available) of this fabric on Etsy.

I have a dream.

This dream involves tiny little kittens drinking milk (see above), ships with wee flags flying, and very small dots and chits and needles and spools printed in blacks, blues, and reds on yards and yards of snow, oyster, and cream-colored cotton fabric. In short: I want to design a line of conversational prints and shirting prints for quilters. Definitions:

Conversational prints: also called “I spy” fabrics; any fabric printed with a small-scale, recognizable picture in it, such as cats, dogs, gondolas, paperclips, etc. — something you might strike up a conversation about, as in “Hey, is that a tiny pegasus on that fabric?”

Shirting prints: cotton printed with small, usually simple figures. Typically grounded in whites (or, with a white or off-white background.)

Brothers and sisters, it’s killin’ me! More than anything in the world, more, even, than one meellion dollars, t’would be my heart’s delight to design a Mary Fons line of conversational and shirting prints for quilters. Because I love them. I use them. I seek to find them.

Conversational prints and shirtings with darling design, they delight and inspire. They feel like a surprise. “Oh! Look at that little kitten drinking milk!” converts to, “I love this quilt!!” There’s a quilt in my book called Whisper that is made of conversational prints and shirtings. So far, I have heard more people say Whisper is their very favorite quilt in the book. I’m not surprised at all.

So I’d love to curate my very own line and share my love with all my fellow quilt geeks. But I can’t. and it’s okay, at the end of the day, because it’s for solid reason: I’m a magazine editor.

I can’t have a line of fabric with a fabulous, incredible, amazing fabric company because then the other fabulous, incredible, amazing fabric companies that advertise in the magazine I edit will rightfully be annoyed. In publishing, “annoyed” quickly leads to “see ya later” vis a vis advertising and sponsor support and this is bad for everyone (me, fabric company, consumer, etc.) So for now, no fabric for me and, painful as it is, I understand and respect the problem. I’m not whining. For me to do fabric, I’ll either have to stop being an editor, or we’ll all have to start living in a world where media and advertising are not interrelated and interdependent. Neither of these options seem terribly likely. And that is okay.

Until something changes, my quilting friends, do this for me:

1) please send me any hot tips on great conversationals to me — I’d love to do some shopping
2) post your favorite conversational prints (and shirtings) on my FB page — that would be so fun!
3) keep quilting, no matter what fabrics make your “favorite” list

“While You Sew”: Coming Soon To a Sewing Room Near You!

The view of my monitor on set today. Look closely and you'll see a quilt reflected in the glass (and me taking the shot.) Outside of Denver.
The view of my monitor on set today. Look closely and you’ll see a quilt reflected in the glass (and me taking the shot.) Outside of Denver.

Greetings from just outside of Denver, Colorado, the city that boasts 300 sunny days a year! It was raining when I arrived yesterday, but I’ll let go.

I was inside a production studio and very much on camera all day today, filming online courses for Craft University (I’ll share details soon; these will be cool) and I also filmed one of three lectures I’m doing for F+W Media, which will be available online when they’re all done in post-production. The how-to classes are awesome but I have to say: man, am I stoked about these lectures.

I’m calling the series the “While You Sew” lectures. You see, when I’m sewing at my machine, I like some audio/visual company — but I don’t want anything that requires me to pay close attention. I don’t want an actual plot. I tried watching Mad Men once when I was making patchwork. Two things happened: 1) I did not track what was happening on Mad Men; 2) I made lots of mistakes in my patchwork and therefore did not enjoy myself. Because you can’t actually do two things at once; this is what they tell us. Our brains switch back and forth and it’s lousy.

Instead of watching drama shows, I fire up YouTube and find interviews with interesting people (thanks, Charlie Rose!) or I find lectures (TEDTalks work) or I’ll really dig deep and find long CSPAN BookTV clips with intriguing authors. (Documentaries are good, too.) This kind of media is edifying and pleasant but I don’t have to watch as much as listen and if I miss something, I can go back and hear it again or simply not worry much about it because it’s not like someone really important to the storyline just got shot or maimed. I don’t want anyone to get shot whether or not I’m paying attention.

Well, being the quilt geek that I am, nothing would please me more than to sew while listening to interviews with quilters or find a series of lecture from quilt experts. There are a handful of good documentaries (I praise them in the lectures I’m taping) but they’re not online. Really, there’s very little in the way of quilter interviews, documentaries, lectures, talks — any of that. A sea of how-to, but no geek stuff.

What to do? Make some, I reckon.

And so I am. We are. It’s happening. The lectures are around 30-40 minutes each. The visuals are awesome. The lectures are funny, they’re packed with fascinating information about quiltmaking in America, they clip along. They’re casual, but boy, are they researched. Honestly, I have worked so hard on these things, it’s reminding me of writing the book. 

As soon as I know when they’ll be available, you’ll know. I’ll be selling them through my site, here, sort of: you can click a link and be taken to the site where you watch/download them. A lot of the projects I’ve been working on are set up so that if you “click-through” my site to get to the purchase page, I make some money on that. It’s a bit gross to talk about it but I’ve decided I have to mention it because I am trying to earn a living for goodness’ sake. Again, more info coming later and I so hope this sounds like fun to you. It’s nearly killed me, getting them done during the move in order to be ready to record this week, but here on my hotel bed tonight, I am feeling slightly more like a human being and less like a law student the night before the bar.

Did someone say bar?

 

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