


Marianne Fons is a legendary quilt personality known coast to coast and around the world. I’ve seen people practically kiss her hem upon meeting her; I’ve seen her sign napkins.** To thousands of quilters, my mother is Friend, Neighbor, and Beloved Quilt Teacher. But in the kitchen, my mother is no star. In the kitchen, she approaches remedial. She would be the first to admit this and did admit this when, moments ago, I yelled from the living room into the kitchen,
“Mom!”
“What!”
“You wouldn’t say you’re a good cook, right? I mean, you don’t consider yourself like, a person who makes more than four things? Is that accurate? Can I ask you something for PaperGirl?”
A pause.
“Okay,” yelled my mother. Loud and unsure is an interesting tone of voice.
Knowing how much she hates interroom conversations, I picked up my laptop and went to where she was: at the kitchen sink. We kids pitch in in the kitchen when we’re here, but it cannot be denied that my mother does the lion’s share of dishwasher-ing at holidays. Mom seems to like KP duty. She’s first one with her hands in the sink, after all, holiday after holiday, practically racing to scrape the plates and haul out the box of Cascade. I slouched up to the other side of the bar, ate some grapes, and asked her in a more civilized way how she viewed herself as a cook.
“I make a great cherry pie,” she said. “I make good mostaccioli. My chicken ricotta soup is good. But I’m not a person who knows how to cook, no. I’m just good at following a recipe.”
“And you would admit you’re a picky eater.” It’s not possible to be a good cook if you’re picky.
“Oh, absolutely,” my mother said. I was glad she didn’t try to argue this point. I’ve never seen a pickier eater than my mother. Actually, I did see a pickier eater, once. She was four and was wearing an Elsa costume in public on a Saturday morning while I was trying to have brunch. Either that little girl agreed to eat something her tired, weary parents offered her or she has starved by now.
“The thing is, though, I’d much rather make a quilt than a dish,” my mother sniffed, hand-drying a pie plate. “At the end of a quilt, you have something that lasts.”
This is Marianne Fons-brand snobbery; harmless (no one will ever really fight over what’s more special, grandma’s chess pie recipe or grandma’s patchwork quilt) but readily available, designed to insure she comes out on top. Maybe it’s not snobbery at all but unflagging optimism; maybe we could all do with more of it, I don’t know. But regardless, every once in awhile my mother makes a comment that belies her “who needs it” position vis a vis food arts. She’s got a daughter (me) and a soon-to-be son-in-law (Jack) who take our cooking seriously. I got down to the chicken soup business yesterday and within a few minutes there was a nutrient-rich, aromatic slurry simmering on the stove; Jack has been known to say things like, “The lemons are macerating” or “Pass the dashi.” Jack and my facility in the kitchen seems to inspire Mom to gingerly expand her repertoire every once in awhile (read: Thanksgiving.)
My stepdad, Mark, was getting his hair cut the other day and saw the good people of Good Morning America talking about pumpkin flan. He told my mom that pumpkin flan sounded pretty good to him, and Mom, seeing this as her yearly opportunity to flex a bit at the stove, proclaimed that she would be making a pumpkin flan this year for Thanksgiving. And make it she did.
It looked just the way it was supposed to. It came out of the pan beautifully and the flavor was spot-on. I know because actually ate some. Pumpkin flan is definitely not on my list of “legal” foods, but I’ve been so sick lately, I figured it couldn’t possibly get any worse. So far, I have not died.
And so, my mother’s new name is Marianne Flans. We’ve decided she needs to make pumpkin flan every year for Thanksgiving because it is delicious, but also so that she can come by her new name honestly: she needs to make multiple flans to truly be Marianne Flans, plural. But we did also decide that when used in the singular, it’s acceptable to pronounce “FLAH-hn” as “f-LAN,” with the long “A” sound, for this means we have a new word to add to our favorite game ever.
**My mother would want me to point out that I’m signing napkins, now, too; I also have a fame experience my mother likely will never have and would not want: I was asked to sign a girl’s cleavage with a tube of lipstick after performing my set at the Green Mill Uptown Poetry Slam. It was a memorable moment for all.

Thanksgiving is on WiWi this year, and I am presently nestled in a nook.
The nook is the cozy, upstairs reading room at our island cottage; the nestling is due to me sitting in an over-stuffed chair (replete with ottoman), a well-worn quilt wrapped around me so that I am a quilt burrito. It would be great to have armholes in this quilt burrito but it’s bad for my reputation to go around cutting armholes into quilts. I adjust.
We couldn’t get from Chicago to the last ferry boat last night, so we had to stay on the mainland; “we” is me, my younger sister Rebecca, and her fiance (and my friend), Jack. We have a favorite little motel in Sturgeon Bay but it was too early when we got there to turn in for the night. The options for movies were lackluster at best, and I have no idea what possessed me, but when my sister said, “Well, what should we do tonight?” I blurted out, “Let’s go bowling!”
Rebecca and I both took bowling in high school. At Winterset Senior High, bowling, square-dancing, line-dancing, and tinikling for some incomprehensible reason. I remember being pretty good at bowling and liking it, but I have not kept my game up since.
We found a wonderful bowling alley very close to our hotel. The Apple Valley Lanes in Sturgeon Bay gets two thumbs way up. The proprietor was friendly, the onion rings were scalding hot, the shoes were sufficiently deodorized and Lysol-ed, and best of all, there was room for the three of us to have our own lane, our own computer to keep score, and a table for our drinks.
Jack was excellent; Rebecca was quite good, once she warmed up. I was excellent to begin with but in the second of three games, an evil spirit entered my bowling ball. My last game, I bowled a twenty-seven. Twenty-seven! I can hardly admit it.
My body has been absolutely in agony the past week. The stress of the move, the upheaval, the changes in work — the ol’ girl’s run ragged, I’m afraid. Terrible nights turn into excruciating mornings and I beg for sleep only to wake again, run to the bathroom, weep, bathe, and do it all again 30 minutes later. I say this because a) writing it out here it makes it not feel like a nightmare that only I see; and b) it makes three hours at a Sturgeon Bay bowling alley not just fun but fundamental.
Twenty-seven?!

As editor of Quilty, I schedule, select, and edit a great number of features about the quilters of today. But this summer, friend and colleague Katy Jones, editor of the UK magazine Quilt Now, featured me. I was flattered and wrote a “Day In the Life” piece for her. Here is the text from that piece. It’s great until the part where I talk about how great it is to be in love. I forgot I wrote that part.
Anyhow, thank you, Katy! And everyone, if you can get your hands on a copy of an issue of Quilt Now, do it. It’s a great magazine and I’m honored to have been able to write for it.
A Day In The Life of Mary Fons
by Mary Fons“Whether I’m traveling or at home, I wake early. Usually very early. Pre-dawn. When I was a kid, it was so hard get out of bed. I remember thinking how weird it was — weird and enviable — the way adults like my mom just naturally got up in the morning with minimal fuss. Of course, I would learn that plenty of adults would like to sleep in, but for most of us, getting up in the morning does get easier as we get older. This is likely due to the fear of responding in an at least somewhat timely manner to the crushing pressure of daily living.
If I’m home, I rise and immediately made a large pot of tea. If I’m on the road, I rise and immediately make hotel room coffee. Either way, there is lots of milk and sugar involved. I can do exactly nothing until I’ve got hot tea or coffee in my hand in the morning, and that’s that. The morning tea or coffee time is for me to write in my journal or read. Sometimes, when I’ve got a big event coming up or I’m under deadline, I’ll use that tea time to work. But I prefer to have my tea or coffee for an hour with just personal pursuits that involve both reading and writing.
Then it’s time to produce. I edit Quilty magazine, and plan and host the Quilty show online. I speak and teach across the land, host a webinar each month, I’m working on a new book, and I do numerous other projects at any given time, so there is always slightly too much to do. I do not, at press time, have an assistant. That would be amazing.** So I’m on my own to write copy, tweak copy, book travel, send bios and teaching plans, stitch, and otherwise coordinate All The Things. I also blog (nearly) every day and I see my blog, PaperGirl, as an integral part of the Mary Fons “thing,” so that is most certainly a priority, even though it makes me zero income.
I’m a freelancer, a contractor. It’s kind of an odd set-up, since I do the vast majority of my work for one company (F+W) but I’ve been a freelancer since ‘05 and I’m stayin’ alive. I like the freedom that comes with it, even though there are frequently invoicing headaches, checks to track down, and of course I have no employee benefits and have to do my own taxes. Still, for a creative person such as myself, I can see no other way to live. I can work at 6am or 6pm, on the road or at home, and there are no clocks to punch. (I would probably actually punch a clock if I had to “check in” for work at this point.)
There is a downside to working this way: I work almost constantly. It’s not the working I mind, but there are times when I wish a janitor would like, shut the lights off in the office and tell me to go home. There is no janitor. I do have a partner now, which is very good; he can tell me to stop working or not take on another project. When I was just a single gal, living for the city, there was no reason to not take another road gig. No one needed me at home to make dinner or, you know, just be home because that feels good. I’m not suggesting my existence was bleak — I rather enjoy being a career gal — but it’s been wonderful to have someone sort of put their hand on my shoulder and tell me to chill out for two seconds and sleep in once in awhile.
I do have my fun. I’m a Bikram yogini, so I go sweat it out in the hot yoga room. I just moved to Manhattan from Chicago, so now I have NYC as a playground and I do intend to start playing asap. I like to dance. I love to read and write. And I really, really love to design and make big scrap quilts. So that’s fun for me. And I mentioned the partner thing: I am wildly in love with someone who fascinates and delights me and teaches me all kinds of new and wonderful things. That’s my fun, too, just being with Yuri.
I think a lot about how short life is and how I, Mary Fons, have to do something extraordinary with my time here. I don’t have a choice. I don’t know when I go to bed. When I’m tired, I lay down. I suppose it’s usually around midnight. And I dream, dream, dream. And then I do it all again.”

Trudging through Kmart yesterday, my sister and I both had the same disorienting experience at the exact same time: we both caught a whiff of Electric Youth perfume. Here’s what that moment looked like:
MARY: “Dude. I just smelled Electric Youth.”
NAN: “Dude. Me too.”
Electric Youth was a perfume (never a “parfum”) unleashed on the marketplace in 1989. The target demographic was the tween, though that term had not yet been coined. Back then, it was the mighty “teeny-bopper” dollar that the fragrance was trying to capture, and capture it it did. Those out to profit were the record executives who ran the career of pop sensation Debbie Gibson. Electric Youth was the first in a long, long line of celebrity-inspired fragrances and I, for one, had to have it. I loved Debbie Gibson and had a cassette of her album. I believe that album was called “Electric Youth.”
There were two dueling pop stars when I was in fourth grade: Debbie Gibson and Tiffany, whose last name was withheld in hopes Barbara and Judy would more quickly recognize her as one of their own. I was on the fence as to who I liked more and my neutrality came at great peril: it was expected by one’s elementary school peers in those days to choose sides. Debbie Gibson was the good girl. She was blonde, blue-eyed; kind of a white-tube-socks-with-white-Ked’s girl. She wore scrunchies and boxy vests printed with geometric shapes. Tiffany, on the other hand, was understood to have weaker moral fiber. Tiffany was a redhead, for one thing. Nothing but trouble there. And her first (only?) hit was a cover of the Shondell’s “I Think We’re Alone Now,” which contained the lyrics:
“We’re runnin’ just as fast as we can/holdin’ on to one another’s hands/tryin’ to get away/into the night/and then you put your arms around me and we tumble to the ground and then you say: “I think we’re alone now…”
Tiffany had a little curl to her lip when she sang her song and she put a little stank on the “into the niiiiight” part, which clearly meant she was having sex. She also wore acid washed denim jackets, so… Mothers did not like Tiffany.
They dug Debbie, though. Debbie’s first single was the docile, sweet “Only In My Dreams,” which pleased these mothers. With Debbie, their daughters’ sexual fantasies were happening exactly where and when they should be happening: while they were fast asleep, alone, locked in the house.
If Tiffany had had a perfume, it would’ve smelled musky, with notes of Aqua Net and a car dashboard. But Tiffany never had a fragrance; only Debbie signed that deal. Electric Youth perfume was a deeply synthetic, fruity floral with no “notes” of anything, no “low end” of wood or caille lily or moss. This was candy in a spritzer. The fluid itself was colored pink — an easy decision for the executives, I suspect. And inside the clear bottle was a pink plastic spring, clearly showing the exuberance — nay, the electricity — of youth. And we loved it. We sprayed it on with wild abandon and our parents’ headaches meant nothing. Nothing!
Electric Youth is not made anymore. You can find it on eBay and Amazon, but these are bottles of old perfume; as you can see by the picture above, the pink has faded and reviews are mixed as to whether the scent is still any good (or there at all, for that matter.) But in its prime, Electric Youth left its pink, sticky fingerprints all over the limbic systems of young American girls across the nation and when Nan and I smelled whatever we smelled in Kmart yesterday, it transported us back to a simpler, cheaper time.

Today, my sister Nan and I moved boxes of my belongings to her place about four blocks away. It was cold and it was not what either of us would call fun, but we love each other and we got to feel that special closeness two people feel when the dolly full of boxes you’re pushing dumps over on Avenue A. Twice.
We took our last load over this evening, stopping the Trail of Tears long enough for me to stop into my go-to coffee shop for an Earl Grey tea. Nan waited outside with the dolly and my suitcase and I went in with my carpetbag.** I briefly waited in line. The gal in front of me paid and stepped to the side for her drink.
“Earl Grey tea, please,” I said to the bearded coffee guy working the counter. “Large.”
“Sure,” he said, then he half-turned to the other guy working with him (also bearded) and said, “That’s always kinda weird, when two people, like, totally independent of each other, order the same, somewhat less-usual thing.”
“Oh,” I said, turning to the girl who had gone before me. “Did you get a large Earl Grey tea, too?” She said that she had. “Yeah, that’s cool,” I said to the bearded men.
“Yeah, but what’s really weird is that this exact thing happened earlier today, too,” said Bearded Guy No. 1. “We had two girls order large Earl Grey teas, both in line by each other, but not together.” His eyes got big and so did mine.
“That’s like, statistically crazy,” I said. Everyone nodded. “I mean, it’s not magic. It’s not woo-woo. It’s just statistically nuts! If it happens again tonight, you guys should get a Lotto ticket.”
“If it happens again,” Bearded Guy No. 2 says, “I’ll just shut down the shop. That would be too weird.”