America is big and wide and I’ve seen a fair amount of it.
Before I gigged around as a quilter, I gigged around as a theater performer, and before that, I gigged around as a poet, if you can believe it. I’ve couch surfed in Massachusetts, I’ve lugged a duffel bag through California, I’ve been on stages in Maine and in all the major Texan cities (I think.) When you add in drive-throughs and personal, non-work travel experiences, it appears I’ve gotten on and off airplanes or in and out of cars in all the continental United States except Montana, Delaware, and West Virginnny. Oh, and Rhode Island. Always piping up to be counted, little Rhode Island.
SIDENOTE 1: May I remind readers residing in these last four (attractive, well-governed) states that I am available for booking and can be contacted via the booking form on this website? Wouldn’t it be fun to check these states off the list together? As for the Alaskans and the Hawaiians… Surely there is an over-achiever among you who would like to inaugurate me into the All Fifty States Traveler’s Club. You get me to where you are and you will be richly rewarded, bonus prizes for everyone if we can find a way to book Juno and Honolulu back to back. Think of the PaperGirl posts!
I write to you now from deep in the Florida Panhandle.
For the next couple days I’ll be working here, meeting and greeting and communing with quilters. The location itself is remote to be sure: the Pensacola airport is an hour away from the town where all this is taking place, and I was informed the dirt roads in the area were only recently paved with gravel. The simplicity of the area belies the commerce taking place within it, though; there’s a whole lot of sewin’ going on down here, and I’m looking forward to the action.
SIDENOTE 2: I am compelled to admit that until (very) recently, I never knew that the Florida Panhandle was named for the shape of the region. I knew it was geographical, the term, but I didn’t realize people were being so adorable about it. The stick part of the shape of the state of Florida looks like the handle on a pan! Could you die? No, you’re saying, I don’t want to die in or because of the Florida Panhandle. And you’re also saying, “You didn’t know that? But everyone knows that.” But that’s not true. There’s a lot everyone doesn’t know about the Florida Panhandle and a lot of other things.
II also hope to see an alligator from far away. I also hope to eat fried chicken. I am 80% confident at least one of these things will happen on this, my current American adventure.
In Nebraska, you get an extra scoop of ice cream at the ice cream shop just because you’re nice. That actually happened.
You can’t get a good piece of fish anywhere, but what’s wrong with you? You’re as landlocked as a person can get in the United States. Eat steak.
In Nebraska, you can visit the International Quilt Study Center — a.k.a. Valhalla for quilt geeks. You’ll receive a near-stately welcome and be rendered speechless when you enter the galleries. Perhaps for the first time in your life you will see quilts given the honor and solemn respect they deserve. This is way, way better than eating substandard fish or even well-ordered steak. Please go there.
And if you’re carrying a Celine handbag within state lines, you will be mobbed in Nebraska.
Look, these are things I know and I tell you because I care about you.
My mother and I stopped by an outlet mall on our way into town. Mom needed pantyhose. We figured at the outlet mall we could get out and stretch our legs, find a cup of coffee, get those hose. And so we exited for Nebraska Crossing, a sprawling, newly-constructed discount compound. I’m not a huge fan of outlet malls; the shopping experience always feels a bit like a mouthful of styrofoam. But it was a warm day and there was a Brooks Brothers store on the grounds, so I was game. I like Brooks Brothers shirts.
So Mom and I are going along and twice in two different shops, I was complimented on my handbag. I am currently toting around a rawther nice handbag, it’s true: it’s a Celine Phantom bag from last year. It’s oxblood-colored (strangely tempting to use the UK spelling there — “oxblood-coloured” — but I wouldn’t dare) and is not the mini-version of the Phantom that has been showing up lately. This beast is the full monty, the real deal, and it’s head-slappingly gorgeous, if you’re into that sort of thing, which I am. The bag was a gift, and that’s a story for another day, when you and I have a quality Zinfandel and about an hour to kill at an airport bar.
My mother found her pantyhose and that was all we bought the whole time we were at Nebraska Crossing, but we looked around the place for well over an hour, enjoying being together and not working. The last store we popped into was the Michael Kors store. We walked in and were just about to walk out when a twinky young sales assistant approached me.
“Oooh, I love your bag,” he said, eyes fixed on the smooth leather. “It almost looks like Celine.”
“It is Celine,” I said with a smile.
My answer appeared to throw the young man into physical pain.
“NO!” he gasped. “Braden!!!”
A second twinky sales associate levitated over. Both of them were 90lbs soaking wet, both barely in their twenties. They flapped their hands and were jumping up and down, touching my handbag and clutching their chests.
“That is seriously Celine,” said the first young man, fingering the tiny logo at the top of the bag. “Seriously, seriously, seriouslyCeline.” He was almost in tears. He looked at his friend. “Phoebe Philo is life.”*
“Can I hold it??” the second one asked me.
Of course he could, I said, and I let the boys try out the bag. One of them joked that he was going to take off with it and made a little motion of turning and running, which was slightly less funny to me than it was to his friend.
Two other sales associates came over, both girls this time, both every bit as hysterical as their colleagues. I now had a veritable gallery of youth cooing and fluffernutting over my handbag. It was fun for a moment, but then a terrible wave of depression came over me. These kids cared too much about this. I darkened right there before them, though they didn’t know it. To be complimented is one thing; to be conspicuously gagged over for an object you happen to possess is another. It was intensely uncomfortable, being the carrier of such wanton material love.
But I took a breath and allowed it to run its course. Because I know what it’s like to grow up in the sticks and see an artifact From Beyond. When you have your sights on leaving cornfields for skyscrapers, it’s a big deal when a high-rise shimmers into view. You gotta inspect it, you gotta fuel your next year of high school with that image or experience. For some kids on the prairie, it’s music From Beyond that keeps them going. For others, it’s pictures of Istanbul or Belize. For others, it’s fashion. It’s Celine. And it’s not fair to judge a kid for the obsession, not fair to make his love small or light; to him, it’s entirely serious, possibly life-or-death serious.
We left, and my mom, who hadn’t seen the full freakout, said, “What was that all about?”
“Fashion,” I said, and we went to find the car.
*Phoebe Philo is the British designer at the helm of the house of Celine.
I found myself on a Chicago el train tonight, but I wasn’t supposed to be there. If my itinerary had gone as planned, I would be in Iowa.
After my gig in Cleveland, I planned to go straight through Chicago to Des Moines, no pitstop at home. (I’ll be in Des Moines for the next two weeks, filming Love of Quilting for PBS.) But when our flight was delayed (and delayed and delayed) out of Cleveland and most everyone missed their connections, I had an idea. I deplaned, slipping through the crowd of grumpy travelers to seek out a free Southwest ticket agent further down the terminal. I spied a friendly-looking blonde lady at gate A9 and went for it.
ME: (Exceedingly chipper, non-threatening:) Hello! How are you!
SOUTHWEST TICKET LADY: Hi there. How can I help you?
ME: Well! It’s cra-ray-zay! I was on Flight 313 from Cleveland and, you know, all that rain… Well, I have not missed my connection to Des Moines. I can absolutely make it. But the truth is, ma’am, is that I live in Chicago? And my home is here? And is there any way that I could, you know, go home to my condo tonight? Could I fly to Iowa tomorrow, instead? I don’t know if this is possible, but wow, would it ever be great to, you know… Could… My bed, and my…my bed.
SOUTHWEST TICKET LADY: Let’s see what we can do. (Clacks on computer. Pauses.) We can do that. No problem. I can put you on a flight tomorrow. Morning or evening?
I nearly hugged her.
My luggage went onto Des Moines, but I didn’t care. It would be safe in the baggage room overnight, and who needs mascara, anyway?* I got a boarding pass for tomorrow and waltzed out of the airport. I was going home! I wasn’t pulling any heavy luggage! The words “footloose and fancy free” came instantly to mind. I did a little two-step on the moving walkway. I had visions of a glass of red wine, a book, and my glorious, glorious bed, which would be waiting for me with fresh sheets because I had thought to change the linen before I left town.
I made my way to the train platform. Orange Line to the Loop. Right before the train left the station, a couple came in and sat in the two seats directly in front of me. They were early thirty-somethings; white, preppy and well-groomed but not so wildly attractive that I thought I was looking at prom king and queen. There was actually a touch of nerdiness about them, but they were both dressed like they worked in PR or at Deloitte and Touche, whatever that is. It was abundantly clear that the guy had just arrived and the young lady had come to the airport to meet him.
Let me tell you that they were excited to be together. Very excited.
The pair were talking rapidly and kissing each other in between sentences, then in between words. When they first started this canoodling, I was filled with happiness: lovers reunited is a beautiful thing to witness. This feeling was followed hot on the heels by a terrible pain, however; Yuri is in New York and I am not and I wanted nothing more in the universe than to kiss my lover between sentences, too. (And everywhere else while I’m at it — hey-o!)
My self-pity didn’t last long, because the canoodling couple started to annoy me. They were talking a little bit too loud about the guy’s trip, for one thing. And these kisses were sort of anemic; his lips were squished into a droopy grape shape that he kept smushing into her cheek. And she’d be halfway through a syllable and stop to pucker up. It was like this:
GUY: Yeah, he’s doing great.
(Kiss.)
GIRL: Did your mom saying anything about the oven mitt?
(Long smooch.)
GUY: She loved it. Oh, Ronnie’s going to be in Chicago next month.
(Kiss.)
GIRL: Oh (Kiss) that’s (Kiss) awesome.
(Kiss.)
I pulled out my magazine and slumped down in my seat; I tried to get into an Atlantic article about helicopter parenting and fight the urge to wield, in this perfect of circumstances for it, one of the finest expressions in the English language: Get a room!!
But then came the food. And I was too grossed out to do anything but cover my mouth and look out the window.
The kissing and cooing sounds were joined by the sounds of a food wrapper being opened. Cellophane or paper was being pulled down what I perceived to be a burrito. Now, between syllables and kisses, there was…chewing. Mastication. Food. She would take a little nibble of this burrito and then, mouth full, would peck him on the lips. Then he would talk a little more, bend his head over to take a bite, and then talk more, and then smush his grape lips onto her neck. I was horrified. I could not get the vision of refried beans and saliva and bed sheets out of my head. It was a physical reaction; I felt ill. When you’re on a train, the people sitting in front of you are right there. I was almost directly implicated. It was almost that kind of party.
This went on. We were close enough to my stop that I didn’t get up and move. I also realized immediately that this was PaperGirl material, so I hung on. I stole two glances: the first, to try and catch the guy’s eye to give him a cold, hard, “EW” look; that failed. The second time I looked up from my recoiled pose was to confirm that these two people were actually making out while eating a burrito. I’m glad I took that second look because guess what?
It was a Rice Krispie treat!
I brightened considerably. Well! A Rice Krispie treat! That’s sorta cute! I kinda like these two, I thought, and I no longer felt like I could barf. Rice Krispie treats are sorta like kisses themselves: sweet, kinda sticky, well-intentioned. It was amazing to me how different I felt about the situation I was in when the food changed from a stinky, cheesy burrito to an innocuous rice-and-marshmallow snack.
In the most recent Neiman Marcus catalog, a Scalamandre bonanza.
See that Scalamandre red wallpaper with the zebras?? Yeah, I see it too! Every day! In my bathroom!
Looks like I was a touch ahead of the crowd on the Scalamandre zebra wallpaper, friends. Neiman Marcus has licensed the print. Now, a person can get pillows and dishes with the motif and be black, white, and red all over. Just like me! The wallpaper was the highest-ticket item I purchased in my renovation, relatively speaking, and I love every crimson inch of it. Those zebras move, sistuh.
I’ve taken lots of pictures of both my bathroom and my kitchen with the intention of sharing them, but when I get to the “insert photo” moment here on the PG, I balk. I get letters from guys in prison, you know. That gives a girl pause when she’s about to post photos of her bathroom mirror, especially because she’s fully aware 99% of all nutcases and stalkers are not currently behind bars.
Plus, as stunning as my Scalamandre bathroom is and as drop-dead gorgeous as the navy blue subway tile and floating shelves are in my kitchen (it all turned out perfectly, almost gross in its awesomeness to me) isn’t it better to imagine these things than be even slightly let down when you see (for example) a bag of Stay-Puft Jumbo Marshmallows on my counter instead of leftover osso buco? What if you think I have a huge, ginormous house? I like that! Keep thinking that! When you see my galley kitchen, you may have to go find another fantasy and no one has time for these things.
You see, I cannot possibly post the pictures of my home on this blog.
Yuri says that to make me laugh. He speaks in this funny accent and sounds out every syllable very slow: “Beeee-yoooooo-teeee-foooooool.”
“Do it again!” I’ll say, laughing and clapping my hands.
Then he will pointedly not do it and I will beg, beg him to do it again. I will pout and stare at him.
“Please do it again?”
He’ll wait for a moment, thinking about this, considering things. Then, with a very forceful “b” sound, very plosive:
“B-eeeee-yoooooooou-teeee-fuullllll!”
And I will dissolve into giggles and Yuri will smile and we continue with the day.
Do you ever stare at someone and wonder deeply what it’s like to be them? The first time I remember this happening was when I was in Washington, D.C. I was touring with the Neo-Futurists. We were all out to dinner. My brilliant, talented, achingly pretty friend Chloe was sitting next to me at the restaurant we had chosen, somewhere in Chinatown. My day had been spent in despair, dread, sadness: my marriage was in crisis and I was sick. I spoke very little that day, ate nothing.
And I will never forget looking over at Chloe and just desperately wanting to be her. “Just be Chloe,” I thought, and actually tried to will it to be true as I watched her. It seemed so easy, so possible; we were sitting right next to each other. She was laughing at something Bilal said; she was dipping into her sweet-and-sour sauce. Someone asked her a question. Couldn’t I be Chloe, instead? Couldn’t I just have her calm, happy, crab rangoon-dipping life instead of my ostomy-bagged, confusing, strife-stricken one? Time and space seemed utterly surmountable in that moment, like I could smush myself next to her and pop! be Chloe instead of me. She didn’t notice that I was staring at her, I don’t think. Sorry, Chloe. That was a bad day that you likely remember well. I hope you didn’t think I was going to stab you in the neck with a chopstick or anything. It wasn’t like that.
When Yuri speaks sometimes, I look at his mouth and his teeth. What is is like to have those teeth? To have that mouth? And while we’re at it: what’s it like to be a dude? Though I have wanted to be Yuri with less desperation than that time I wanted to be Chloe, I have wondered about how it is to be Yuri so strongly a few times that it counts. It happened when he got the job in New York. Sometimes it happens right when he wakes up in the morning, sleepyheaded and warm. It happens when he comes home after meeting up with various brothers. It definitely happens when he speaks Russian.
What does it taste like to be Yuri? How would he solve Problem X? What would he say? I want to know from the inside out.
There’s a Nietzsche quote in my book: “What else is love but understanding and rejoicing in the fact that another person lives, acts, and experiences otherwise than we do?”
It’s mesmerizing, looking through stock photos of chocolate chip cookys. Hundreds and hundreds of cookys and still, their power remains undiluted.
There’s been a lot of cooky baking in the past few months. New York, Chicago, busy or less so, I am a woman with a wooden spoon.
I prefer the “cooky” spelling, yes. There’s something L’il Abner about spelling cooky with a “y,” which is to say spelling cooky with a “y” evokes newsprint, the 1950s, and little kids with southern accents.* I’m not so sure that even with the “y” I shouldn’t change the plural to “cookies.” I probably should, but if you don’t stand for something, you’ll fall for language rules you didn’t make and don’t like. Also, Cooky Monster eschews the “ie” and that’s good enough for me.
Yuri likes cookys. Chocolate chip wins by a wide, wide margin. It’s funny how you can not listen to someone, even when they’re telling you exactly what they want, to your face. When I learned that Yuri was a cooky fan, I set about making him the best cookys of his entire life thus far. I listened only partly when he said that chocolate chip cookys were his very very very favorite. I made a batch of chocolate chip first, of course, maybe even two batches. But then it was time for my cooky experience to grow. It was suddenly more about me, this cooky.
I did some maple glazed. That was in New York. Lemon buttermilk, because I had to use up some buttermilk. I did some pecan sandies.** But one day, after I saw a cooky unfinished on Yuri’s snack plate, I inquired.
“Hey, did you like the cookys I made?” I asked.
“Yeah, they were really good.”
“Lemon buttermilk, right? So good. You really did like them?”
“Yeah, they were awesome.”
I gave him a pout. “You didn’t eat all your cooky, though.”
There was a pause, then Yuri, with great diplomacy and tact, said, “You know what, baby? I love everything you make, but I really just love a chocolate chip cooky. Like, straight up chocolate chip.”
Oh, men!
It’s a fantastic thing to listen, and it’s also fantastic to focus one’s cooky-making adventure on a single cooky. There’s a zen calm in thinking that for the rest of the foreseeable future (we can’t see much of it, but I’m forever trying to peek) I will be exploring but one cooky. Without deviating from the goal — a great chocolate chipper — I can experiment with infinite variations until I achieve what this man believes is The Best Yet. A little baking powder? a lot? no nuts? hazelnuts? hazelnuts pounded within an inch of their life so you have a fine meal of hazelnut going on in the bite? It’s exciting.
*L’il Abner ran for 43 years. Forty-three years! **Alt. spelling, “sandys”
My name is Squeak, and I am make out of what appears to be a dingy sock. In reality, I am made out of a used-but-laundered sock, and this photograph of me is terrible. I have two buttons for eyes and I am generally in a good mood. Mary wanted an image of a puppet in this post but didn’t want to use a photo for which she’d need permission. She found me on Wiki Commons, so there you go.
I’ve been employed by Mary — she’s paying me in compliments — for what she says is, “a terrible, terrible situation, Squeaks.” She was shaking her head and looking at her taxes when she said that.
What are taxes?
Anyway, Mary wants me to tell you to “hang in there, comrades.” Mary told me to make sure to tell you she is not a communist, but she likes calling a group of people she loves “comrades” because it’s ironic.
What’s irony?
Anyway, I was sent to tell you that she’s not neglecting PaperGirl, she just totally in the weeds and can’t get on top of the fires. Fires, weeds. I don’t know. She’s sorry she’s been a little sporadic, she’s sorry she ate jumbo marshmallows for breakfast again…what else. Hang on, I have notes. (Rifles through notes using head.) Oh, here: she’s still in love, her kitchen is amazing, all she wants is to curl up with a good book and some tea, and she’s got lots of funny stories to tell but first she has to file her taxes, shoot 26 episodes of Quilty this weekend, finish one issue of the magazine and get the next one caught up, pitch a new show, possibly write new manuscript by mid-April and send wardrobe to Iowa for PBS taping in a week. And she’s teaching in Cleveland before Iowa. And she has to finish a quilt. And she’s going to miss Yuri terribly when he goes back home to NYC tomorrow.
There’s one note down here. She says, “My heart and soul come together on paper and on PaperGirl. I’m never far away.” (He shrugs.)
I have so enjoyed sewing at The Yarn Company over the past few weeks. I’ve nearly completed my latest quilt for Quilty, a string quilt I’m calling “Majesty,” due to all the royal purple fabrics. A string quilt, if you don’t know, is a quilt made by sewing long strips (“strings”) of fabric to paper foundations. You sew, trim, and then tear the paper off the back of the units you’ve sewn. You sew the units together to make blocks, and from the blocks, you make the quilt top, and so on.
There is a myth that quilters are patient. It’s the opposite. We are extremely impatient. We must forever be doing something with our hands. We finish a quilt and immediately start the next one (many of us, including me, begin our next project before we finish what we’ve got going.) We look for efficiencies everywhere. We strategize. There is no meandering, no lackadaisical approach. We make patchwork and quilt quilts to calm ourselves down, not because we are some breed of serene creature with nothing better to do than sit around and (slowly) make “blankets.”*
I’ve calmed myself down in the middle of Manhattan by working on “Majesty” at my sewing machine. If I could’ve spent hours and hours more doing so, maybe I wouldn’t have gotten sick. (A more optimistic way to frame it: I might’ve been sicker had I not enjoyed many hours of sewing.) The whirr of my Babylock, the snic! of my scissors cutting thread; these are the sounds of patchwork science that have soothed my cerebrum when it’s been burnt crispy by the sirens and the subway. There are dishes to do, always, and dinner and cookies to make for myself and Yuri. There are phone calls and emails and fires — all of it important, none of it more important than anyone else’s phone calls, emails, and fires. All of this is laid down when you sew. You really can’t do much else when your foot is on that pedal.
My mom likes to say this:
“When I was a young mother, working on my first book, it seemed crazy to make quilts in my ‘spare time.’ But I loved making patchwork and quilts because they stayed done. The dishes didn’t stay done, the laundry didn’t stay done. There was always more homework, there were more bills… But a quilt block stayed done. You could say, ‘I made this’ and enjoy it forever.”
Chicago will see very little of me; the remainder of March is all we have together. I go to Cleveland, Iowa, Florida, Lincoln, and somewhere else before coming back to NYC in early May. Nothing stays done. Plane tickets don’t get framed. Suitcases don’t stay packed or unpacked. Kisses are like matches. Sandwiches are consumed. But “Majesty,” when it’s done, will stay done. And someone will cover up under it one day and see the Quilt Charm on the back. It will read, “Made by Mary Fons, NYC, 2014. Done.”
*Don’t call them “blankets.” Your CB2 knit throw is a blanket. We make quilts.
Tim Gunn backstage during New York Fashion Week, 2009. Image: Wikipedia.
I have only a few days left in Manhattan before I return to Chicago for a few weeks. I was getting worried that I hadn’t bumped into Madonna in the park or seen Sam Harris on the subway. I don’t seek out celebrity encounters, but I was a little bummed my elbows hadn’t been bumped by anyone fancy since arriving in the city.
Then I met Tim Gunn.
Yuri and I both had loads of work to do this weekend and decided to set up shop at the Balcony Lounge at the Met. This is a private lounge for members of the museum, and my family has a membership. (Thanks, Ma!) The lounge is quiet, serves excellent tea and cheese, there’s fast wireless, and if you need to take a break and go see Walker Evans photographs or stare at The Harvesters by Bruegel the Elder, you can absolutely do that. We all need Bruegel the Elder breaks from time to time.
I was focused on editing the May/June ’14 issue of Quilty when I heard a one-of-a-kind voice. I looked up to see none other than style icon and Project Runway host Tim Gunn greeting the nice lady at the registration desk. My mouth dropped open. I grabbed Yuri’s leg. I do that a lot for a variety of reasons on a regular basis, so he didn’t look up from his laptop.
“Yuri!” I hissed. “Yuri, it’s Tim Gunn. Tim Gunn just walked in!”
Yuri was programming. “Who?”
“Tim Gunn! Tim Gunn from Project Runway! And, like, fashion!”
My body was contorting into Martha Graham-like shapes. I was excited. Tim Gunn is someone whose career I admire. He taught at (and led) Parsons School of Design for many years. He was Chief Creative Officer at Liz Claiborne for awhile, which, according to my research, put him at the company during its morph into the Kate Spade-Juicy Couture-JC Penny animal it is now? This is unclear to me, but it is clear is that Tim Gunn is the man. And, as most people who are not named Yuri know, Tim Gunn has served as beloved mentor to designers cast in Project Runway since the very first season of the show in 2004. He’s written books, he’s done TV and film cameos; he’s even got his own catchphrase. Though we know people on screens are not magic, it’s plain as can be: Tim Gunn is neat.
I tried to focus on my work but it was impossible. I kept stealing teensy glances over to the sofa where Tim Gunn was sitting. He was perusing a large art book. There are many beautiful books of art on offer in the member lounge, no surprise, and he was engrossed in his selection.
What to do? I desperately wanted to meet him but refused to be weird or annoying. I decided after he had been there for an hour or so to write an extremely short, non-creepy little note to him. (Hear me out.) I would buy his glass of wine and give my note to the waitress to give to him in lieu of his check. My note said something like:
“Hi, Tim Gunn! Thank you for inspiring so many of us who work with textiles. If you ever need a quilt or a quilter for any reason, call me!”
I taped my business card in the center of the note using one of the stickers for my upcoming book. Actually speaking to the man was not part of my plan. I’d take care of the bill and Yuri and I would leave before he did or he’d call for his check and before he left, I’d escape to the bathroom so he wouldn’t feel obligated to come say anything. I wanted to make tiny, meaningfulcontact with a compliment. No awkwardness, no foul.
But then the waitress went on break! She was his waitress and my waitress! She was the lynchpin of my entire scheme! Now what?!
After a few panicky texts with my sisters, I changed my mind: I would deliver my note in person. If I didn’t try to say hello to Tim Gunn at the Met lounge at that moment, I would never have the chance again. I put on some lip gloss and walked over to where he was sitting.
Readers, I am happy to report that Tim Gunn is wonderful.
“Excuse me, Mr. Gunn?”
He was immediately on his feet.
“Call me Tim! Please!” He placed his book down on the table and stood to shake my hand. “How are you?” he asked, as though we had met. Eep!
“Oh, I’m fine,” I said. I was more timid than I have ever been in my life, I think. “I had this whole plan how not to disturb you. I was going to give you this little note and buy your glass of wine, but then the waitress went on break and, well, I just wanted to say thank you so much. You’re very inspiring. I’m a quilter.”
Tim Gunn was looking at my note. “This is wonderful! How delightful! My goodness! A quilter? That’s marvelous! What is this?” He was pointing to the sticker.
“That’s my book! My first book. It’s coming out in May.”
“That is a tremendous accomplishment,” said Tim Gunn. “I don’t know what I’d do without my co-author. She turns what I write into something actually worth reading! Congratulations to you! When does it come out?”
“May,” I said, beaming. Talking to Tim Gunn was like talking to… Well, Tim Gunn. It was the best. And yes, he looked amazing in tailored everything and he smelled terrific.
We chatted a teensy bit more. He said, “Oh, good. I see your email, here. I’ll send you my last couple of books!” and I said, “I’ll send you mine! We’ll trade!” and Tim Gunn said that sounded like a fine idea.
Start to finish, the encounter was all of two minutes, but it sure was pleasant. Thanks, Tim Gunn, for being kind to a stranger who admires you a great deal. I hope you do receive my book when I send it to you; since it doesn’t come out till May, it’s possible you’ll forget why you’re getting it and your people will move it to the revolving file. But if you do get it, I hope the quilts in the book will inspire you, even a tiny bit.
A pan, a chef, and a tattoo combined cost less than the steak.. I’m bad at math, but that still about right.
Speaking of being remarkably stupid, I accidentally bought a sixty-dollar piece of meat that can’t be cooked where I’m currently living. Please let me explain.
About three weeks ago, I was having a heated discussion with someone I love very much at a chi-chi food emporium here in New York. Who I was with and what we were discussing is not important; what is important is that I bought a sixty-dollar piece of meat that I can’t cook where I’m currently living. Please let me keep explaining.
“I gotta get some meat for dinner!” I hollered at my loved one and she (essentially) said, “Fine! Get’cher dumb meat!!” and I stomped off, past the fancy spice aisle, around the fancy sweets display, up to the fancy meat counter. You’d think gazing at gorgeous, dead flesh in a wide glass case would make me forget my heated conversation, but it didn’t. I was distracted. There was only a vague awareness of my dinner plan. I was not registering the high prices of the meat I was scanning. My thought process was doing something like this:
what a lame day —> ooh lamb chops —> I’m a bad person who shouldn’t try to be right all the time —> do I need rosemary? —> that man is wearing a blue suit —> wow, look at that meat —> a roast would be good —> why does she say things like that? —> she loves you, just stop it —> standing rib roast —> Adam’s Rib —> Katherine Hepburn —> Out of Africa —> I want to go on my safari now, not in five years —> it’s getting late, pick something —> I should apologize —> chocolate —> order meat now
Indeed, it was within the stream of this magnificent cognition that I opened my mouth and ordered some meat. My selection? A 28-day dry-aged tomahawk ribeye steak, two-and-a-half inches thick. Oh, I didn’t say, “Please give me a 28-day dry-aged tomahawk ribeye steak, two-and-a-half inches thick.” That might’ve stopped me. No, I just pointed to it and said, “Let’s go with one of these guys.”
The butcher smiled (wouldn’t you?) and hauled the enormous section of cow from the case. He Frenched me a steak and wrapped it with what I can only assume is butcher paper made from unicorn hide. It was when he pushed the massive thing across the steel counter to me that I had my first moment of panic: did that sticker give the price of the entire steak or the price per pound? This was either bad or gasp-inducing bad news. Turned out to be the latter. I had requested a two-and-a-half pound cut of beef that cost $27/lb.
Can you give meat back? Once a butcher butchers, isn’t it like getting a manicure? It’s yours, now. The lacquer is dry; the meat is cut. If I could say, “Oh, wow! That is absolutely not anything I can afford! Please take your steak back!” and the butcher would, then what?* Does anyone want someone else’s meat? Will it just go to waste? I wasn’t thinking clearly, but I’m still not sure about this (feedback is welcome.)
I was thinking about whether or not to try and give it back when the second wave of panic hit: I had nowhere to cook this. Remember, my “kitchen” in the East Village is a tiny stove against a wall. That’s the kitchen. There is no countertop. My “workspace” is a cutting board I put over the sink and I’ve made that work pretty darned well, but this… In no universe was this gonna work. The steak is half the size of the range, and that is barely an exaggeration. And the place is so small, any large cut of cooking meat would deliver a film of fat over everything and impart a eau de seared cow fragrance to every last possession of Yuri’s and mine. What had I done?
My loved one and I left the food emporium worse off than when we came in, for a variety of reasons. The conversation hadn’t covered new ground, both people were hurt, and one person now felt very poor and very foolish. I don’t believe in a magical wizard in the sky who doles out punishments (or rewards) and karma is just one half of a song title by Boy George, but I did feel major cause-effect comeuppance. Being a brat, Fons? Bam! Sixty-dollar steak you can’t cook. You’re welcome.
The story ends okay. Me and my loved one still love each other very much and are fine. And this very night, I’m taking the tomahawk to my sister’s place. I will make this thing (no small feat; I’ve been researching for days how to not ruin it) and we will all enjoy it. It could feed a family of four, easy. I’ve learned the best way to get an even sear on it before you cook it in the oven is to place a foil-covered brick on top of it, after you truss and season it.
I will use the brick I frequently use for smacking my forehead.
*This notion of trying to return a manicure is fascinating. Consider: how awful would it be if you got a manicure and then realized you couldn’t pay for it? No cash, credit card declined. Would you have to sit there while the technician removed the manicure she had just given you?? The shame! The awkwardness! The stained (but nicely filed) nails! To me, this is almost Hitchcockian in its spookiness.
(MARY and NELLIE BLY walk along the Central Park reservoir. NELLIE records the conversation on her iPhone. MARY wears Nike Dunk hi-tops.)
NB: Are you sure I should be here?
PG: What? Why?
NB: It may be too soon for another Nellie Bly post. You don’t want people to get bored.
PG: (Considers this.) After this, you should probably get lost for awhile.
NB: No problem. How are you feeling?
PG: Much better, thank you. It took days to feel normal after the morphine. That was bad. I’m a little spooked about what would’ve happened if I had had threeinjections instead of just two.
NB: You might consider wearing a medical bracelet. I wear one.
PG: Really?
NB: Yes, I’m anemic.
PG: Hey, so am I!
NB: You told me you wanted to talk about a comment someone made online. I assume it was something hurtful?
PG: Right, yes, the comment. The comment wasn’t hurtful at all. It was a thoughtful, “get better” comment from a nice lady named Becky. But Becky said something about being surprised to learn I’ve have a chronic illness with insane complications. She said that on the outside looking in, it looks like I have “a perfect life” because of my job.
NB: What’s the issue?
PG: That is so wrong. It’s dangerously wrong.
NB: Okay.
PG: You just can’t draw conclusions like that. It made me furious at the power we give television and media.
NB: Ah. You’d better clarify that you’re not furious at Becky. This could go the wrong way.
PG: Good heavens, no! We love Becky. Becky is not the issue. Lots of other people made similar comments when I wrote about my parents’ divorce. They said things like, “Wow, you never would guessed your family endured something like that,” and “Everything seems perfect, looking at you gals on TV.” I just… I can’t believe it. I can’t believe anyone would look at me on TV or Mom on TV or both of us and think that we are somehow different from any other human beings. We’re people. We have family drama and skeletons and horrible mistakes and regrets. Well, Mom doesn’t have horrible mistakes. But we have problems and struggles like anyone does.
NB: More than others?
PG: No! The same amount! That’s the point! It’s not okay that television has the power to make people believe something impossible — namely, that there is such a thing as “a perfect life.”
NB: You’re really chewing that lip.
PG: Look, if my life is perfect, someone has a lot of explaining to do.
NB: You realize you’re doing the “celebrities are people, too” thing.
PG: It’s not healthy to graft narratives onto people just because they’re on a screen. The only difference between me and the camera crew at Iowa Public Television is that I’m on one side of the lens and they’re on the other. My life is not special. There’s no magic — there’s just more footage.
NB: It’s natural to draw conclusions from what we see, though.
PG: Yes, but I’m making quilts. All a person can deduce from watching me make quilts on camera is that I make quilts on camera. You can’t even deduce that I like it, though of course I do. I love it.
NB: I’m trying to understand the anger, here.
PG: It’s not anger. It’s animated compassion. I just want people to never, ever compare themselves to something they see on television, ever, even if it’s a friendly quilting show. Look, my dad is like totally out to lunch. I had a messy divorce after two years of being married. Just the other day, I accidentally double-booked myself for a gig in June. Do you know how bad it is to double-book yourself? It’s really bad. And last summer, I tripped on my own flip-flop.
NB: Really?
PG: Oh, yeah. Middle of the day. Tripped on my flip-flop blam! flat on my face. I almost busted my nose. And these are all examples of things I can say online!
NB: Yeah, let’s not go into anything from 2003.
PG: It’s not like I’ve done heroin or anything.(pause.) What if I had done heroin?
NB: I’d counsel you to not bring it up here.
PG: Well, I haven’t, so it’s a non-issue. I did do —
NB: Look at the time, Mary. I’m glad you’re better.
Saturday night, my body refused to be told what to do any longer; I was forced to visit to the emergency room. I ended up at historic Bellevue Hospital’s ER from about 1am till daybreak. This is my tale.
Earlier in the day, I had found it difficult to walk. My guts were churning toxic waste and my tummy hurt a lot. My bathroom trips were numbering in the ridonkulous. I rallied enough to make dinner for Yuri and myself, but I ate very little. When every morsel you put into your body winds up a punishment, you’re don’t get too hungry. I was weak and sad. We went to bed. I woke an hour or so later and, like a wounded/dying animal, I left the bed to try and curl up with my pain alone on the couch. I found no relief there, so I scraped myself up and went to deliver the bad news:
“Yuri,” I said. “I need to go to the hospital.”
Yuri bolted upright and mobilized quickly. I made sure he packed his laptop and brought anything else he’d like to have for the next 6-8 hours. I’ve done middle-of-the-night hospital trips plenty of times; he hasn’t.
I knew from riding the subway that Beth Israel Medical Center was on 1st Ave. and 16th. (There’s a tiled sign in the subway that says, “Beth Israel, 1st Ave. & 16th”.) We’re staying just down the street, so it was okay that when we went outside we couldn’t get a cab. I shuffled along the sidewalk as Yuri tried to hail one, but I knew he’d fail. Saturday night in the East Village means taxis, taxis, everywhere, and not a ride to catch. The cabs are full of nightlife already; nothing is available. And since the East Village in way down on the island and 1st Ave. is a one-way going uptown, you’re pretty much out of luck unless you catch someone coming out of a taxi and you slip in before it leaves again. We reached Beth Israel-Mount Sinai in about 15 minutes on foot.
When we found it, though, it appeared to be closed. Like, closed-closed. We went to two different doors. I know it sounds crazy, and a New Yorker might scoff at me that I didn’t “just go around” or something, but I’m telling you, that hospital was not open. Doors locked. No people. At this point, I was kind of hunching over, too, so if there was an arrow someplace, I missed it. A taxi driver was passing slowly and we caught him.
“Is this hospital open?” I asked at the window.
“Uh…” The driver wasn’t sure what I was asking. Or maybe I just looked that scary.
“Do you know if it’s open?” I asked again, and then, seeing there was no one in the backseat, I opened the door and asked a way better question: “Can you take me to the nearest hospital, please?” Yuri jumped in and we were off, headed to the other nearest hospital, which was at 1st and 27th St.
Bellevue.
Bellevue is the oldest public hospital in the country. Since 1736, the sick, maimed, crazy, indigent, burned, frozen, dying, pregnant, drunk, beaten, wounded, frightened, blitzed, and otherwise in-jeopardy humans of New York have made their way to Bellevue for help. The first-ever maternity ward? Bellevue. The first-ever ambulance service? Bellevue. But despite all that, despite the millions (counted and uncounted) who have received care at Bellevue over the centuries, despite being a landmark of American innovation and civilization, Bellevue’s reputation is not so great. This is probably because of the psych ward.
In New York City, everything is extreme. The poor are really poor, the rich are really rich. The food is really, really good; the garbage smells really, really bad. And the crazy people — sorry, the mentally ill people — are really, really nuts. Bellevue is where they go. And throughout the hospital’s history, tales of terror from the halls of Bellevue have kept Americans in thrall; suicidal starlets, frothing lunatics, axe-murderers, giggling perverts — they all end up in Bellevue. Add to that the occasional (and sorrowful) stories of mistreatment and abuse inside the ward and you get a place frequently referred to zero-to-little irony as “the hellhole” or “bedlam.” I was vaguely aware of this history as I entered the ER. I wasn’t going into the psych ward, but the buildings aren’t too far apart.
I was admitted quickly. It seemed quiet in there. I was hunched over in my chair while the triage nurse put the bracelet around my wrist and felt a surge of excitement push past my pain. I was going to get the inside scoop on a New York City emergency room on a Saturday night! This was gonna be great.
It might’ve been great, relatively speaking, except that I was injected with morphine and I am allergic to morphine. It wasn’t Bellevue’s fault; it’s been so long since I’ve even heard that drug suggested to me that I neglected to mention that I have a terrible, terrible reaction to it. When they asked me if I had allergies, I said no; I’m used to being treated frequently in hospitals that know me, and I was feeling so sick I didn’t think to mention, “Oh, yeah. A long time ago, morphine nearly killed me.” So when I was writhing in pain on my sickbed, the very capable and kind internist said, “I’m going to give you an injection; we’ll get an IV going soon,” I spluttered, “Yes, thank you,” and zip! There you go, morphine in my arm.
It’s a sad thing indeed to be injected with something you’re allergic to.
I wouldn’t feel that allergy/reaction immediately. All I felt was drowsy and in less pain, and that was okay for the moment. Yuri got a chair and sat near me. We heard people talking on the other side of the curtain to my left and tried to listen in on what they were saying. Our eyes grew wide as we realized…the guy got stabbed! We had a stab wound victim in the bed next to us! Holy crap! There was blood on the curtain, too! Wow! Then there were cops! Five cops! All grilling the guy about the stab wound! So far, New York City emergency room report = excellent!
From there, though, the Bellevue ER took off and I went down. It was nuts. I passed out and woke up, hella nauseated, to two Jersey girls screeching next to me; one had twisted her ankle and the other was furiously yelling into her cell phone. They were both roaring drunk. On my way to the bathroom, I passed four indigent men passed out on beds in the hallway; each of their pants were 90% off. When I got to the bathroom, I couldn’t use it. It was filthy. Fecal matter was sprayed around the back of the toilet. There was blood, dried and fresh, kinda everywhere. I turned on my morphine-woozy heels and Yuri helped me back to bed. I stepped around other gurneys and sick people and caught the nurse.
“The bathroom… It’s… I can’t use it,” I said, reeling.
“Oh, yeah. That’s why I hold my urine for twelve hours,” he said. “There’s another bathroom, though,” and he told us where to go. I don’t remember if I used it or not. By that point, I was quickly succumbing to my morphine problem. I don’t remember being released. I don’t remember getting home. I slept the entire day on Sunday and today was mostly lost.
Bellevue, you didn’t do me wrong. But I still ain’t right.
After making buttermilk pancakes for Yuri this morning (I had some buttermilk leftover from the pie and not everyone likes pie for breakfast, astonishingly) I hopped out the door and into New York. I was headed to the Yarn Co. for a good chunk of sewing time and I felt like I was wearing wings, that’s how excited I was to be sewing-machine bound.
I took the L line to 6th Avenue and then got on the 1 going uptown. On one single train ride I saw three quintessential, only-in-NYC, New York City moments. Let’s revisit.
Moment No. 1
At 34th St., the train pulled in and opened its doors. I saw a drawn, junkie-looking white dude in a stocking cap jump the turnstile right in front of me. He jumped it, gave a fast look around and then bam! he punched the Emergency Exit door to the left of the turnstiles. Through the door came his junkie girlfriend, every bit as strung-out as he was, maybe more. The alarm went off the instant he hit the bar to open the door, but they were gone just as fast. Junkie love in the city.
Moment No. 2
A kid of about eight, I’d guess, was sucking on a pacifier with fake teeth molded into it. It was a joke pacifier, I guess? I didn’t know they made joke pacifiers. If you had told me they existed, I would’ve been hard-pressed to guess at the audience for such things, but now I know. Eight-year-old New York City kids on the subway to school. And she was like, “What?” when I looked at her and in a very good-natured, friendly way, laughed a little. It was funny! Whatever, kid. You got a driver’s license? Yeah, I didn’t think so.
Moment No. 3
Almost to my stop, I noticed a woman repeatedly digging into her purse. She was with a friend, clearly frustrated that she couldn’t find something important in her overstuffed, large handbag. There were two MTA employees across from her. Both older gentlemen, they were just getting off work or headed there to start the day. Kinda scruffy, both of them; one Indian, one of indeterminate (to me) ethnicity. The one guy took his flashlight off his tool belt and held it out to the woman with the nicest smile. She was so grateful and took the flashlight, shining it into her purse. It probably totally helped her. I had to exit the train before I found out what happened, but that was awesome.
All on one trip to the Upper West. This be the city.
This is not a paid or otherwise incentivized post. It’s a paean, a big sloppy kiss on the nose of every 747 in the SA fleet. In a time when air travel experiences so often fall into categories ranging from disappointing to Rape of Nanking-y, Southwest is a blue-and-orange oasis of sanity that confers dignity upon the people they move around in airplanes. Those people are me.
Here’s what life is good at doing: changing. Here’s what Southwest is good at doing: understanding. When you buy a ticket from Chicago to New York City for a May 3rd flight, for example, and you realize you could return two days earlier and make an important meeting, you can move your flight on May 3rd to May 1st — at no charge. Anytime I do that (and I do that a fair amount right now, seeing as how I live nowhere) I feel like I’m getting away with something. I feel like there must be a catch, a shoe waiting to drop, a Customer Service Representative waiting in the wings to slap a not-insignificant fee on me for not being able to live life with zero fumbles and total clairvoyance. But no one slaps me. And I get back to work with a little extra “zing!” even when I’m just typing something into a Google spreadsheet. (I try to keep such tasks to a minimum.)
Most people’s beef with Southwest is that you don’t have an assigned seat. Why do you want that?
Another reason I love Southwest is because they don’t charge you extra for your luggage and they let you bring two pieces! At no charge! I Every other airline charges what I think of as a fine, not a fee. They’re fining you for needing to brush your teeth later, fining you for not having a magical dress that you can travel in, go to a meeting in, go out to dinner in, and also feel like wearing again the next day and the day after that. Southwest knows that when you leave your home for a week you need stuff, and that stuff won’t fit in your briefcase. Rather than add $50+ dollars to your transportation cost, however, they’ve figured out how to not do that while keeping airfare prices for the consumer still relatively low. Relatively really low. How could this be possible unless the people running Southwest Airlines were really good at running an airline? Methinks they are good. Also: peanuts.
Thank you, Southwest Airlines. Today, the gate agent who boarded the flight from Denver came onto the plane and announced a birthday before we pushed off. She also said:
“This is a shout-out to Mary Katherine Fons. I love your quilts! I’m a quilter! I love your magazine!”
United has never done that. And you know, I don’t plan on giving them the opportunity to try. I’m a Southwest girl and I wear my wings with pride. Low, low-cost pride.
This pina colada icture is mesmerizing. It’s like it’s made out of foil.
I’m in California now, writing from the guest bedroom in my aunt’s house. It rained today, so you needn’t feel envious if you’re still trapped in the icy tundra; it poured all day, which kept me from sipping pina coladas by the pool. There’s still time.
But I’m still thinking of the winter in Chicago and since my last observation on it was so spooky and dour, I thought I’d share two actual conversations that happened while I was there that, while not sane by any means, at least show a lighter side to the cold in Chicago. My theory is that people are losing their minds and therefore say strange and unusual things.
Example No. 1 is an exchange between me and my cabdriver en route to the train station before the Fremd gig on Wednesday. It was 5:40am and the temperature was -14. I opened up the door to crazy-loud Haitian music and love beads hanging all over the cab. The driver shouted:
DRIVER: Good morning, sweetheart!
ME: Hey. I’m going to Ogilvie Station, please.
DRIVER: Let’s do it. You up early today, my lady!
ME: I’m going to the suburbs to talk to high school students about writing.
DRIVER: You know what I say? I say, all I know is that I was born nekkid. And I’ma die nekkid. That’s it!
ME: (pause.) Yeah. I guess…that’s true.
Later, waiting for the bus (it was a long day) the man huddled with me at the bus stop began to talk to me like we had known each other since the fifth grade. He was not an insane person, far as I could tell. He was dressed nicely, he was articulate. But he was made weird by the cold, which had clearly paralyzed parts of his brain — the parts that keep one from talking to strangers about alligators.
MAN: Cold, cold, cold. That’s what I say. Move out if you don’t like it!
ME: Hm, yep.
MAN: I been thinkin’ about it.
ME: Yeah, Florida sounds good right about now, right?
MAN: No! No, no, no. Not Florida. The alligators’ll come up under you and eat you alive. Through the window. Come up under you car and hide and then “gulp!” they’ll eat’cha!
ME: (wide-eyed) Wow.
MAN: Oh, yes. They’ll come in the windows and they’ll eat anything. They’ll eat a baby.
ME: Look at the time. I’m gonna have to cab it. Nice talking to you.
They really will eat people, alligators. Definitely. And I confirmed with two people that they will come into the house through a window or door. But at the bus stop in subzero temperatures, hearing about these things eating babies in balmy Sarasota was too much.
All I know is that I was born alligator, I’ma die alligator.
American Expeditionary Force, Siberia. Over 27,000 sets of train wheels stockpiled for war effort.
I moved quickly on the street to get to the Roosevelt station. I wasn’t running late; I was running from the cold.
The escalator up to the platform at the Roosevelt el stop is long because the platform is up high off the street. It’s a painful ride if you have a heavy suitcase with you: you’re on this long, moving staircase and you simply can’t force it to go faster. When you hear your train coming — worse yet, leaving — you can’t will yourself up to the top of the escalator in time to catch it. You’re stuck.
I was stuck on that escalator ride this morning, straining my neck to try and hear my train was approaching or leaving, straining so hard I almost pulled a muscle. I could not miss the train. I could not miss the train because that would mean I would have to wait for the next one outside on the Roosevelt platform. The Roosevelt platform, like the rest of Chicago, was/is dangerously cold.
“Today,” the city weatherman said, “it will feel like -10 to -20.” But “feel” is a useless term when you’re talking about cold this absurd. Humans “feel” only bitterness, aches, and dread at -10 to -20 degrees. Records are being set every day in Chicago — 2014 now the coldest winter on record — and the winter has taken on a wicked quality. There’s an evilness about it. The cold has a personality and it is monstrous. I was in my home city for exactly 49 hours and I felt scared of the beast that has overthrown her.
The monster has sharp teeth. It’s eating people, throwing men, women, and children into its icy, cavernous maw. Inside it, the wind blows and blows forever and there are coats everywhere but they all have holes and no hoods. Hell does not exist but if it did, the best joke on everyone would be that it is not hot and firey, but cold and empty.
The worst part about the snickering, sharp Cold Monster is that it made me afraid of Chicago the two days I was there. I saw people huddled and angry, shuffling along the streets in clothes that looked like bandages. No one speaks. It hurts to breathe. What I didn’t see or hear was worse: three-quarters of the usual citizens weren’t on the streets at all: no one comes out unless they have to. Millions of eyes are looking out from high above or below, waiting out the cold inside (as long as they can without going crazy and you can bet some have gone crazy.)
It’s a terrible thing to be afraid of something (or someone) you love. It’s like being a child and seeing a parent get drunk. The child can’t understand the adult’s funny walk, or why they’re so angry, or why their voice sounds mushy. It’s startling, it’s confusing, and even if it only happens once, the child gets a glimpse into a different, frightening side of their loved one that they will never forget. The fright they experience is indelible, even if the parent never drinks again, because there’s a world inside that person that he/she never imagined could exist.
Poetry is in my head a lot lately; love may be responsible for this. Loss can do it, too, and I’ve had doses of both over the past few months. Nothing but nothing is better than poetry for unsolvable situations like love and loss.
And now, a poem I recalled while walking through the Midway airport earlier today. I’m home in Chicago for 48-hours before leaving for California. I wrote this piece in my head while gazing at a roaring fire in a fireplace in early 2012. I was up at our place in Door County where it was almost as cold as it is tonight. The poem took about two hours to write, which is either not any time at all or a very long time, depending on how much poetry you write. Because I composed it in my head, I had to repeat the lines over and over so I wouldn’t forget them; as I edited, those lines had to be re-memorized and then put with the other phrases. As soon as I had it just right, I fetched some paper and wrote it down.
I enjoy writing poems in this way. It’s challenging for sure, and there’s a lyricism that happens naturally when you don’t have the paper to tack you down. This piece is pointedly in the style of Dorothy Parker; I felt a kinship with her vis a vis the subject matter.
I hope you enjoy the piece. Do not give it to your lover if he/she snores. I am beyond grateful I don’t have that problem these days. If I did, this poem would not see the light of day. Poetry is dangerous!
For [REDACTED]
by Mary Fons (c) 2012
I shall not see you anymore;
You snore.
I cannot sleep!
Besides, you weep
(Pray tell, what can a man be for?)
Your kiss lacks the ability
To prime my parts most womanly,
And if they did but once or twice,
Well, that was me just being nice,
I feel nothing for you, dear,
I’ll repeat, while I’m still here:
Don’t bother with text messaging –
This is me, exiting,
And where I’m going I’ll have no cell –
Best to find the next fresh hell
Than stay with such a wretched bore, Oh, I am certain to my core:
A link to a video. A video I cannot figure out how to just play within this entry. It’s extremely embarrassing and I forgot to ask Yuri before he went to bed. The upside is that in the screen shot I took from the video, my hair is flying around like magic. Look at that!
Enjoy this video. Relatively speaking, it did not take long to make. But I do blame my tardy posts lately on it and the other 5,000 things that are happening right now. It will pass, I promise. I did make a pledge and I don’t take these things lightly.
Feel like making something gorgeous? Yeah, me too.
Something magical has happened.
As excited as I was about getting my BabyLock here in New York, cold, hard reality smacked me upside the head the moment I took that glorious sewing machine out of the box: there’s about as much room for quilt-making in this apartment as there is for woodworking or ballroom dancing, which is to say there is none. What to do? To make patchwork is to live — and I am not ready to die.
Well, it just so happens that I have lovely friends. And those friends have lovely friends. And the majority of this collection of people, we make things with our hands. There exists a kind of code, or a kinship with us: no one is going to let anyone die from art/craft-related complications. You need a 1/2 yard of a Kaffe Fassett print from 2006? Baby, I’ma hook you up. Fresh out of sequins? I got this! We trade binding for quilting, piecing for yarn; we share scissors, gum, patterns, rides to the airport to go to the shows. We help each other because we’re human and humans (mostly) help each other, but we go extra miles for makers because we are also makers.
And so it was that on Friday, a kind and virtuous friend (let’s call her Susan because her name is Susan) was in New York and wanted me to meet someone. She wanted me to meet Tavy, co-owner of The Yarn Company on the Upper West Side. For all the quilters out there who are also knitters or yarnfolk, you may have just squealed with delight. The Yarn Company is a legendary yarn and knitter’s shop. It was the cradle of the knitting craze that began in the 1970s, the craze that has stayed with us ever since, waxing and waning over the decades a bit but mostly waxing. When celebrities in the 1970s were in homemaker magazines with their crochet hooks, they got them at The Yarn Company. When knitting got hot again with the so-called DIY’ers in the late 1990s, The Yarn Company was right there, packing its slender rooms on the second floor with crazed, “I must knit nine more scarves immediately!” people who flocked to yarn mecca.
Tavy and her brother Assaf bought the shop in 2011 and breathed new, needed life into the place. These days, it’s all warm wood and great light and big, broad tables. The yarn surrounds your very soul when you walk in: there are colors and textures of yarn that defy description, they’re so beautiful and soft. If yarn could melt in your mouth — if that were something that you would want to have happen — you’d get that yarn at The Yarn Company.
But it ain’t just skeins over there. The shop likes sewists and they love quilters, too. They have a gorgeous collection of yardage, though it’s modest at the moment. They teach sewing classes. When Tavy and her brother bought The Yarn Company, their vision from the start was to incorporate more makers than just the yarn people.
Enter The Yarn Company’s first-ever Quilter In Residence: me!
The good people of The Yarn Company have extended an invitation to me to set up my machine in the second room of the shop so that I can cut, sew, press, design, and hang out there. (I plan to learn to knit by osmosis.) I’ll be able to talk to knitters about quilts and why they should make them. I’ll be able to have a little design wall, something not possible in the apartment at all. I can answer patchwork questions if they come up while I’m there during business hours and I can sew late into the night! And there’s amazing vegan food across the street! Not that I’m vegan! But still! Vegans! Sewing blocks! Upper West Side! Yarn people! City quilting! Oh, the humanity!
This is gonna be really fun. My thanks to The Yarn Company in advance. Watch this space for news about events and things because they’re sure to occur. Tomorrow, I’ll go to the shop and set up my Elissimo and my cutting mat (thanks, Havel’s Sewing!) and I promise to post pictures on Facebook of what’s being made.
Just get out of bed in the morning. That’s all you have to do. Life transpires.
That’s not the door I need to use. By year four, I actually remembered that and went to the other door.
Every year for (oh my) nine years? ten? something ridiculous like that, I have served as a presenter at Fremd High School’s Writer’s Week. Writer’s Week XIX kicks off on Monday, and I just happen to be headed to Chicago on Tuesday, so on Wednesday morning, bright and early, I’m taking a Metra train to Palatine and to try and kick up a little writer-y magic for my Fremd homies.
Here’s an abbreviated description of what Writer’s Week is, taken from the Fremd website:
“Writers Week began in 1995 when we featured students, faculty, and professional writers during lunch hours for a week in April. Since then, about a thousand Fremd students have taken the stage to share their writing. Faculty members from every department have related their stories through writing. More than two hundred professional writers from around the world have visited the Fremd campus during Writers Week to help us better understand writing and authors.”
Good idea, right? Lots of folks agree, including the likes of Gwendolyn Brooks, who presented at Fremd years ago. Billy Collins. Marc Smith. These are writers of consequence, authors whose work has shaped (still shapes) the American literary conversation. And because people on that little patch of land in Illinois believe in the power of and the need for good writers writing, high school students get to walk into an auditorium in their very own high school and receive the lessons, the joy, the discomfiting feelings — the blessed thought — good writing can bring. The amount of work involved in putting on Writer’s Week is head-spinning. Scheduling, booking, fundraising, booster-ing, coordinating — it’s nothing any of the teachers get paid extra to do and they do it all anyway, year after dedicated year.
I’m slightly famous at Fremd because I usually end up kissing people. There’s a piece in my lil’ repertoire that involves kissing an audience member. You want to make an impression on an auditorium full of 500+ high school students? Try kissing one of them. I’m not making out with anyone; it’s just a kiss on the cheek. But it’s a kiss on the cheek with commitment, and I’m nothing if not committed. That usually causes a stir, but I might be famous at Fremd because I write a poem on the spot for a student every year, or because I had a breakdancer kick it onstage (he was up there anyway getting a poem!), or because I presented a Lady Gaga song as verse once time — anything can happen and I think we all like it that way. Whatever the material might be, I give 100% of myself (my attention, my focus, my passion for words, my passion for having fun with them for heaven’s sake) to the Fremdians.
I seriously love that entire high school. It’s like we’re dating long-distance. I don’t see you very often, darling, but when I do, when I do.
I’ll dress up for you, darling. And I’ll bring you a gift from New York. Wait for me.
There was a tiny shift in my brain a couple weeks ago that changed the way I see New York City. The shift will probably change the way I see a lot of things because it was so simple. The simplest concepts are the stickiest: work hard, take a jacket, crack is wack, etc. It’s slightly embarrassing to admit, but since it might help someone else, here goes:
You don’t have to learn the subway system in New York. You just need to figure out how to get where you need to go.
Let’s have that again:
You don’t have to learn the subway system in New York. You just need to figure out how to get where you need to go.
I’ve been coming to Manhattan with fair frequency since I was sixteen. Until three weeks ago, on every trip here,I operated under two subtle, negative assumptions: 1) to get around New York City properly (?) you need to know the subways and 2) figuring that out would mean seriously studying the system at length and doing the MTA equivalent of times tables or vocabulary drills. That was how I thought, and you can marvel at the weirdness of it, but I ask you to marvel with attendant compassion. I look at those assumptions and I think, “My goodness, who was in charge of this girl? Why on earth did she think she had to take graduate-level course work in the New York subway system? Poor thing, someone wrap her in a quilt and get her a piece of chocolate. No, the whole bar. The Ritter Sport. She likes the dark chocolate with hazelnu — yes, that’s it. Here you are, dear.”
(MARY eats chocolate, nods pathetically.)
All that business about being perpetually in the dark about the subway system ended the other day in a flash, don’t ask me why. You don’t have to know the trains. You don’t have to know where the A, C, E trains terminate. You don’t have to memorize the stops on the 6 from Fulton to 110th St. Not only do you not have to do that as a new New York person, you don’t ever have to do that. By osmosis and routine, you will naturally learn subway route details and shortcuts. But the vast majority of veteran New Yorkers don’t know when the 7 runs express to Queens and when it runs local and if you asked them about it, they’d say, “I don’t know, ask the ticket agent,” or “There’s a map over there, I don’t know, sorry.”
If you want to go somewhere, find your somewhere on the map, and then figure out which train will take you close to it. Thought I’ve done just that for years, I always came at it cock-eyed, as though the train system was my destination, not the Natural History Museum. There was this little, niggling voice that said, “You should know this by now,” and that voice distracted me from noticing what I was doing: getting around New York just fine.
Did any of that make a lick of sense?
It’s just a subway system, it’s just a map. It’s just a city, it’s just a person. But the shift in my head from “you’ll never get this” to “you already have this” has given me that singular feeling of “Oh, right. I’m not broken, I’m not wrong, I never was wrong, I was making it too hard, everything I need, I already have.”
Not pictured: actual glass that cut me, sponge, or blood.
I incurred a serious injury last week, and not one of the metaphorical or interpersonal sense.
A drinking glass exploded in my hand while I was washing dishes at the sink. I had my right paw and a sponge inside the glass when it burst and my pinky finger was, uh, compromised. The story is coming now because I wasn’t sure if it was over or not.
Looking at my right pinky at press time, I think we’re gonna be okay. By “okay” I mean we’ll have a gnarly scar but no sepsis. Today was the cut-off (too soon!) date for the “I need to see a doctor” discussion with myself. If the disgusting-weird part on the top of the cut had not closed significantly, we’d go for a consult and probably stitches; this was the deal I made with myself in the bathroom, gritting my teeth (yet again) to pull back the gauze and the tape and the Band-Aid (yet again) to see what was doing under there. When I opened the bandage however, lots of white blood cell fairies had apparently come in the night. My pinky looked like a finger with a nasty-but-healing cut, not something from a “before” picture in a Red Cross how-to field guide.
Good people of Earth, I beg you: spend a little more. Invest in good glassware.
The glass I was washing was an IKEA special. I like IKEA. I like Target. I am down with K-Mart when I’m here in NYC because there’s a huge one at Astor Place and I can get coconut water and a spatula there, for example. Discount retailers like the aforementioned are awfully handy, especially if you’re a real-estate firm in New York who rents out furnished apartments. Setting up a furnished apartment to put on the market means stocking it with items that you’re absolutely willing to never see again. When faced with procuring drinking glasses for Unit A7 on the 5th floor of the building on the corner of 3st Ave and Yo Boulevard, a trip to IKEA is de rigeur. Any other option would be a waste of money, though I hardly need to state that I want nothing to do with any of it longer than necessary.
And here we have the perfect example of why I believe in spending even a little more for better quality objects.
Cheap glass breaks. It doesn’t last. It’s like cheap shoes. Yeah, they’re really inexpensive, but you will wear a hole in the sole in two months, which will then make you believe that a) people don’t make shoes like they used to and/or b) it’s time to buy a new pair of shoes. Your second assumption is correct, but not your first: people do make shoes like they used to, but you ain’t gonna get ’em at the PayLess. And you don’t have to drink your tap water from Waterford crystal stemware (note to self: do that) but when you buy cheap glasses, they’re gonna shatter sooner than even slightly better ones that cost more.
When the glass broke, it make a disturbing “pop” and I gasped as the bubbles in my hands turned dark red and pink. I turned around and saw Yuri and my face sort of broke and I said, “I just cut myself very badly,” and I dropped to the floor to put my hand above my heart.
Yuri jolted from his position on the bed and was at my side in an instant. When a vital, intelligent, athletic man looks at a wound and goes, “Oh my god, oh no, no, oh, baby, no…” you know you’ve got a lil’ issue. I’ll spare you the medical attention I got (it involved peroxide, a lot of blood, and several shots of whiskey) and I’ll also preempt your inevitable cry of, “Why didn’t you go to the hospital?!” by telling you that I was too afraid to go to the hospital because I saw Adventures In Babysitting ten million times as a seventh-grader and I didn’t want to camp out all night in a busy NYC emergency room for “one stitch.”*
The finger will make it. Love of Quilting viewers, if they look closely, may catch glimpse of a scar on my right pinky in a future show, though. My pinkies don’t show too much on TV but it’ll happen sometime. I suppose I should’ve gone in for medical attention for that reason, too: my hands are more seen than most people’s hands and I need to keep them nice-looking.
The Wabash St. bridge, going up to make way for a ship. No big deal.
“Dear New York:
I’m writing because I’m concerned about Mary.
When she left me to come see you she was guarded, uneasy about being away from me for so long. Six weeks is a long time, no doubt about it. She and I have been together well over twelve years, and though Mary travels extensively, even her longest trips are usually no more than two weeks; there loomed over us significant separation anxiety. Plus, who would get the mail?
She was also concerned because — though she had a serious crush on you for most of her life — Mary suffers from a mild case of New York City-induced low-level panic. The scale of you (huge) and your population density (dense) causes her to chew her lip and drink too much coffee when she’s with you for even short periods of time. It’s a mild case, but even so.
But that anxiety has disappeared. Her lip-chewing incident was last week and was an isolated event. Rather than feeling skittish, she’s relaxed. In place of the subtle “outsider” or “impostor” syndrome she has felt with you in years past, there is a wholesomeness to her experience so far and a peculiar calm — this is even with the pools of filthy slush she has to wade through, the constant honking on 1st Ave. and the really, really badly cut finger she has right now due to the cheap-a** drinking glasses in this furnished apartment that continue to break in her hands.
Mary is falling in love with you, New York, and this is not okay with me.
I am Chicago. I am her Nelson Algren and Saul Bellow. I am where Mary wrote poems for microphones. We became Neo-Futurists together. She is my lake beyond the slaughter yards. I reflect her in the windows downtown; I am her osso bucco; we have our own booth at Spiaggia. I’m leather, she’s lace. We read all the books, all the time, we have tea in the morning. We’ve gotten kicked out of bars and invited into libraries. Mary and I are involved, is what I’m saying, New York.
We have also recently renovated the bathroom and the kitchen.
While Mary’s with you and you hear her say things like, “I love it here,” or “I wanna move here,” please let me know. I will make sure to note the time and date of the sentiment and also be able to mobilize forces here to convince her to a) stop saying things like that entirely; or b) adapt the statements to something more like, “I love it here BUT I could never live here forever,” or “I wanna move here…but I’ll never give up my place in Chicago, the city of my dreams and where my heart is forever and ever, amen.”
The Muppets perform “Habanera,” from Bizet’s “Carmen.” Link below.
It happened.
I wrote an entire post that did not save. A whole post about how to make your man happy on Valentine’s Day. It’s totally gone. I am very tired, and this will prevent me from writing something entirely new. I haven’t the heart to rewrite the disappeared post, heavens no; it’s depressing to rewrite something missing, like trying to slow dance with yourself at the prom.
And so, because I care about PaperGirl more than my beauty rest, I shall at least take the time to compose a PaperGirl Placeholder, a concept I’ve been kicking up for a little while. I made a pledge and intend to keep it, but sometimes (like now) work is so intense I have a little trouble keeping up with everything.
The PaperGirl Placeholder tonight is one of my favorite video clips in the known universe. Of course, it comes to us by way of The Muppets. Click on the link below, enjoy, and I will see you in the morning.
“Oh please, please, please let me be a Balenciaga pre-season resort collection sweater one day! For the love of BAAAA. BAAAA.” — A Cashmere Goat.
Who among us (other than the vegans among us) can resist cashmere? The cold is punishing; the wool is combed. The chill is evil; the fibers are thick. My white cashmere turtleneck is in heavy rotation this winter and it’s starting to look ever-so-slightly dingy, like fresh urban snow. But as I only have a couple pieces of cashmere in my wardrobe, I have no choice: even dingy cashmere is better than boring old wool and infinitely more fabulous than some kind of sporty, wicking PolarTec. Oh, the humanity!
My pocketbook contains a dash o’ cash, a personal debit card, a business debit card, and only one credit card. That card is for a department store whose name rhymes with Schmacks Smith Flavenue. I have a very low limit on the card to keep me from getting into debt. I hate being in debt and simply won’t accept it as an option if at all possible. Though fashion often feels like an emergency, it usually isn’t and not worth going into debt for. Not for long, anyway.
But as cash flow is a little weird right now with the move to NYC, I thought I’d use my slightly-dusty credit card today for a purchase I actually needed. Charging something has its benefits and today’s errand was a good example. But o, sweet, mysterious Fate: whilst looking for that other item, I found a full-length cashmere robe/nightgown/caftan thing so head-slappingly on sale I bought it faster than you can say “snorgle.” The garment is 100% cashmere. It’s pale-pink. It zips up the front. The only way it could be more adorable is if it had feet and a hood. I would’ve paid double if it had, but I’ve got it on as I type this and it’s working out just fine.
So that I don’t go to sleep — wait, wait. No. So I don’t drift to the Land of Nod on pale-pink cashmere gossamer wings thinking I allowed PaperGirl to be only about buying a nightgown, here are three fascinating facts about cashmere you should know. You really should, because check it out:
1. Cashmere comes from the soft undercoat of goats bred to produce the wool. Something like two-and-a-half goats are needed to produce a single sweater! That’s one reason it’s expensive. The other reason it’s expensive is because this undercoat has to be combed by hand, in the spring, by men in newsie caps who smoke pipes and say, “Aye” a lot and drink dark beers at lunch.
2. Everything in No. 1 was true except the very last part about the men.
3. I would like some hot chocolate right now. Do we have any hot chocolate?
